But about Graven Images, I had to confess ignorance. ‘I’ve been locked up with Susanna for months,’ I explained. It sounded weak. It was weak. But I thought to add kindly, ‘Meredith is reading it right now. She was about halfway through when we left the house tonight.’
At this he beamed. ‘Then it is to your charming daughter I shall have to speak.’ Visibly wounded that I hadn’t got around to his book, he rallied quickly, drowning his private pain in a flood of diffusion. ‘Public reaction is really too general to be of any use, as you well know, Judith. It is one’s friends one must rely upon.’ He pronounced the word friends with such a silky sound that, for an instant, I wished he were a different make of man.
‘Meredith would love to discuss it with you, Furlong,’ I told him honestly. ‘Besides, she’s a more sensitive reader of fiction than I am. You, of all people, know fiction isn’t my thing.’
‘Ah yes, Judith,’ he said. ‘It’s your old Scarborough puritanism, as I’ve frequently told you. Judith Gill, my girl, basically you believe fiction is wicked and timewasting. The devil’s work. A web of lies.’
‘You just might be right, Furlong.’
When Martin came back with our drinks, Furlong issued a general invitation to attend his publication party in November. He beamed at Martin, ‘You two must plan to come.’
‘Hmmm,’ Martin murmured noncommitally. He doesn’t really like Furlong; the relationship between them, although they teach in the same department, is one of tolerant scorn.
The lights dipped, and we found our way back to our seats. Back to the lovely arched setting, lit in some magical way to suggest sunrise. Heroines moved across the broad stage like clipper ships, their throats swollen with purpose. The play wound down and so did they in their final speeches. Holy holy, the crash of applause that always brings tears stinging to my eyes.
All night long memories of the play boiled through my dreams, a plummy jam stewed from those intelligent, cruising, early-century bosoms. Hour after hour I rode on a sea of breasts: the exhausted mounds of Susanna Moodie, touched with lamplight. The orchid hills and valleys of Mrs Eberhardt, bubbles of yeast. The tender curve of my daughter Meredith. The bratty twelve-year-old tits of Anita Spalding, rising, falling, melting, twisting in and out of the heavy folds of sleep.
I woke to find Martin’s arm flung across my chest; the angle of his skin was perceived and recognized, a familiar coastline. The weight was a lever that cut off the electricity of dreams, pushing me down, down through the mattress, down through the floor, down, into the spongy cave of the blackest sleep. Oblivion.
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