Paullina Simons - A Song in the Daylight

This was all he said, like a riddle.

“Is this part of Invent a Question?” Larissa wanted to know. “Denise goes on maternity leave. But she’s ambivalent about the baby, being forty-four and a first-time mom. I believe Denise’s feelings are justified. She doesn’t seem very maternal. You’re asking if should I try to dissuade her from having the child and stay on as director?”

“Larissa.”

“Yes, Ezra?”

“Stop being deliberately obtuse.”

“How am I obtuse?” She loved her Saturday nights with her friends. They were like family.

“Why do you make me tell it to you twice? You know I want you to become the new director for the Pingry Theater Department.”

Larissa swayed while sitting down. She and Jared exchanged a brief but conflicted look.

She painted background murals. She was the set decorator. Which described her life at home too. And every once in a while, when she was working, she’d hear in the nuance of the rehearsals of the sixteen-year-old’s interpretation of Othello something that would catch her ear, and she’d clear her throat and say quietly, but loud enough so that Moor of Venice could hear: “Try it again, Linus, but this time with the emphasis on must as in, ‘ And yet she must die, else she’ll betray more men .’”

The paint she used for the sets sometimes needed to be thinned with turps, which gave her a vicious, delicious headache, because secretly she loved the smell even as she suffered, and she listened more intently to the last act as she stirred the paint, the black and white to make a stormy gray, and waited for the thickened paint to thin so she could paint the walls behind Desdemona’s bed, on which lay the fifteen-year-old siren Tiffany from Chatham, still in braces but with a Coach purse, straight from the Swim Club, waiting for her lover in the form of Linus from Summit in Birkenstocks to persuade himself of her unthinkable, of his unthinkable.

“That death’s unnatural that kills for loving .

Alas, why gnaw you so your nether lip?

Some bloody passion shakes your very frame:

These are portents; but yet I hope, I hope ,

They do not point on me.”

“Do you ever plan to answer me?” Ezra demanded.

“Yes.” Larissa picked up another Scruples card. “Ezra, would you be willing to eat a bowl of live crickets for $40,000?”

“Lar,” Jared said, “if you want it, you should take it.”

“Want what?” she said innocently. They were getting undressed in the bedroom.

“Come on. Seriously.”

But she had too much to drink for seriously. She fell on the bed in her black bra and underwear, her hair loose, her made-up eyes half closing. Pulling up her casted leg, she motioned for Jared with her index finger, and he fell on top of her, in his clothes, also having had a little too much to drink.

“We’ll work out the kids,” he muttered, kissing her. “Take the job. You know Ezra will be thrilled.”

“What, I’m now accepting work to make Ezra happy?” Her arms flung around him.

“No, to make you happy.” They nestled, rumbled to an inebriated rhythm of a married Saturday night with nowhere to go on Sunday morning.

“I’m happy,” she said. “Don’t worry about me.”

“I know how much you used to love it. Directing.”

“Yes.” Her eyes remained closed. The true unspoken inquiry hung in the air, the real issue, the only one worth having an answer to, the thirsty dilemma at the crux of each human heart: How it best for me to live?

Soon Larissa would be asleep. She felt herself drifting, even as excitement built up in her from the feel of his man’s body on top of her, from the smell of his liquored-up breath, from his lips on her lips, on her throat. “I’ll think about it,” she said. It was like a placeholder to end the conversation. I’ll think about it meant she would endeavor never to give it another thought. Theatrically she moaned. Jared forgot about theater, as she hoped he would.

The cast came off a few days later and Larissa limped with a walking stick to her car, like Uriah Heep, like her grandmother who had died aged ninety-eight, and then drove to Pingry and finished painting black the backdrop for Desdemona’s death, went to the library, got some books for Asher’s school project on Abraham Lincoln, and then dropped by Nee Dells to see if there were any new boots (there weren’t), afterward driving to Panera Bakery in Madison to get a mozzarella and pepper baguette and chicken noodle soup. After finishing lunch, she still had an hour left before Michelangelo. This day and every day was punctuated by the regimen of her children. When she was a kid, all she and Che wanted was to be free of school; little did Larissa realize that she’d never be free of it, that morning, afternoon and night, the homework, the projects, the notes home, the agenda books, the signatures on tests, the packed lunches, the bought lunches, the chaperones and the school trips, the exams and the #2 pencils, the rulers and compasses and looseleaf paper, the parent-teacher conferences, all of it, wasn’t just twelve years of her life. No. It was the rest of her life, the better part of the better part of her life. Sure, eventually it stopped, but when it stopped, you stopped too. Larissa would be over fifty when the last child would graduate high school, and who said it would be over by then? Who said that her daughter wouldn’t be back home, living as a single mother in the room upstairs, and suddenly it was playgroup and kindergarten and first grade again, and Larissa would be sixty, picking up her grandkids from school, still looking at her watch, saying, two hours left, one hour left, thirty minutes left.

How could Ezra not see how impossible it was for her to take on theater, too? What did mothers who worked outside the home do? Did their bodies also shift slightly downward, as if some perverse internal clock was ringing its alarm at them—it’s 2:30. It’s 3:00, it’s school bus time. Every day. Every year. Whatever it was they were doing, did they also lift their heads from their desks and acknowledge that while they were in their cubicles, their children were getting off the bus to come home to a house where their mothers weren’t?

Larissa wouldn’t have her life any other way. She would not pay someone else to take care of her kids to rehearse plays with other people’s children whose mothers were working.

Today she had an hour. Not enough time to choose, edit, cast and direct a play for spring. It was bitterly cold. She drove to Stop&Shop instead. She went because she needed detergent. Jared needed tissues for his office and some chewy caramels for his candy jar. Asher needed posterboard and glue, and Michelangelo colored pencils (of course he did). Emily needed her own shampoo because the family’s Pantene Smooth and Sleek just wouldn’t do. Larissa parked by the cemetery again, hurrying in from the cold.

She was scheduled like a mother. Every minute of her life was accounted for.

Every minute, except for the tiny present one after Panera and before Michelangelo’s bus.

She was getting laundry detergent in aisle 12 when she heard his voice.

“Hey, what are you doing here,” he said, like a voiceover narrative track, “in the laundry aisle?”

He was pushing his own cart, in which he had nothing but three containers of sushi and some dried almonds. She switched her gaze from his cart to him.

“Um—getting laundry?” Why did he smile like that was amusing? “Family’s run out.” She got that in there. Family.