Magnus Magnusson - Scotland - The Story of a Nation

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A timely and vivid look at Scotland’s long and difficult road to nationhood, re-exploring some cherished myths and unearthing a wealth of fascinating new detail.This edition contains a limited number of illustrations.Magnus Magnusson’s starting point is Sir Walter Scott’s classic version of Scotland’s history, ‘Tales of a Grandfather’ (1827-29), which has moulded the views of generations of Scottish schoolchildren. Like Scott, Magnus Magnusson is a master story teller. In investigating the many questions raised by the nation’s turbulent and often poignant past, he gives full weight to the living treasure of local legends and tradition which he believes has as much resonance as academic analysis.Where did the ‘Scots’ come from? What is the truth about such historical figures as Macbeth, William Wallace and Robert Bruce? What was the significance of the tragic reign of Mary Queen of Scots? What was the impact of Bonnie Prince Charlie and his brutal defeat at Culloden?Incorporating the findings of many leading modern historians, ‘Scotland: The Story of a Nation’ casts the nation’s history in a fascinating new light. It is essential reading for anyone with an interest in Scotland at this pivotal moment in its history.

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Constantin II

Constantin II was a remarkably long-lived king who was eventually to outlive his effectiveness. In his prime he fought against the vikings encroaching from the north and the west; but he was also determined to extend the boundaries of ‘Lesser Scotland’ southwards beyond the Forth – Clyde line. In 914, and again in 918, he made inconclusive forays as far south as Corbridge; but now the position in Northumbria was changing dramatically.

The old Anglian kingdom of Northumbria had been overwhelmed by the Norsemen, and King Alfred of Wessex (Alfred the Great) had been forced to partition England in 878, yielding to the Norsemen the huge swatch of east and north England which became known as the Danelaw. Alfred’s son (Edward the Elder of Wessex, r.899–924) and grandson (Athelstan, r.924–39) succeeded in turning the tide of Norse domination. By 920, Edward the Elder had won back all the Danelaw south of the Humber. The next target was York, and in 927 the vigorous young Athelstan expelled the Norsemen from their powerbase there and assumed the overlordship of Northumbria. Seven years later, in 934, Athelstan consolidated his position in the north of England with a sweeping invasion of Alba, backed by a fleet which harried the east coast as far north as Caithness.

The growing power of Wessex posed an obvious and alarming threat to the fledgling kingdom of Alba, which was also constantly menaced by the power of the Norse earls of Orkney and Shetland. In 937 Constantin II joined a Great Alliance of the Norsemen in Ireland and the Britons of Strathclyde for a pre-emptive strike against the West Saxons. Together they sailed and marched down to the Humber, a huge host, for a trial of strength with Athelstan. The two sides met at a place called Brunanburh, somewhere on Humberside, perhaps, in a ferocious battle which would be commemorated in contemporary poetry and folk memory as the bloodiest encounter yet fought on English soil:

Athelstan the king ,

lord of earls

and ring-giver to men ,

his brother beside him ,

Edmund the Ætheling ,

won undying glory

in furious battle

with the blades of their swords

at Brunanburh:

burst through the shield-wall ,

hewed at the bucklers

with well-forged swords ,

the sons of Edward …

FROM THE BATTLE OF BRUNANBURH ,

IN THE ANGLO-SAXON CHRONICLE (937)

It was a decisive victory for Athelstan. Among the dead was one of Constantin’s sons. The defeat of all his hopes for his kingdom, and the death of his son, seem to have drained the spirit out of Constantin, and in 943 he abdicated and withdrew to monastic life in St Andrews. It was his successors who began to stem the seemingly irresistible Wessex advance. One of his sons, Indulph (r.954–62), managed to capture the formidable stronghold of Edinburgh and gain temporary control of Lothian. But it was not until the next century that the Scots, under the leadership of the forceful and ambitious Malcolm II (Mael Coluim mac Cinaeda, r.1005–34), finally succeeded in wresting control of the Lothians from Northumbria.

The decisive showdown occurred in 1018. Malcolm had already annexed the kingdom of Strathclyde and had shown his mettle with some merciless raids deep into Northumbria, including a siege of Durham on one occasion. The Northumbrians were outraged. They raised a huge army commanded by warrior prelates pledged to recover the Church lands (and revenues) of Lothian. Malcolm met them with his forces at Carham, just south of the Tweed. It was another fierce encounter, but this time the Scots won the day. Many of the English fell, including a score of Northumbrian nobles and eighteen leading churchmen.

One of the casualties on the Scottish side was Owain, who ruled Strathclyde as a vassal of the Scots. He was the last of his family line, and Malcolm now added the kingdom of Strathclyde (the Britons) to the Scottish realm. 1

The significance of the Battle of Carham in 1018 was only to emerge later. It was the last battle for Scottish control of the Lothians. Carham marked the first firm delineation of a settled frontier between Scots and English along the line of the River Tweed; but it would be a very long time before this line was to emerge as an accepted final boundary. With the hindsight of history, we can see Carham as a real watershed in the evolution of the shape of ‘Scotland’ as we know it today.

What happened to the Picts?

The Scots and the Picts, after they had been driven back behind the Roman wall, quarrelled and fought between themselves; and at last, after a great many battles, the Scots got completely the better of the Picts. The common people say that the Scots destroyed them entirely; but I think it is not likely that they could kill such great numbers of people.

TALES OF A GRANDFATHER , CHAPTER I

The fate of the Picts has become the great enigma, the great puzzle of Scottish history; and as a result they are probably the most written about of all the Dark Age peoples, simply because they apparently disappeared, and disappeared very suddenly. Scholars used to write darkly of a terrible chapter of genocide.

It is now accepted that there was no wholesale massacre or enslavement of the people known as the Picts; they simply ceased to exist in the historical record as a separate political and ethnic entity. The old Pictish language was swamped by the Gaelic of the Scots, all the Pictish written records perished over time, and the use of the characteristic Pictish symbols on monumental sculptured stones fell into disuse. It was a question of assimilation, of integration, not the kind of ‘ethnic cleansing’ which is such a horrid aspect of some conflicts of modern times.

Ted Cowan has a typically robust attitude to the so-called ‘Problem of the Picts’:

By Page Three of almost any one-volume History of Scotland, the Picts disappear. And it always used to amaze me that nobody asked what on earth happened to them. After all, we are talking about three-quarters of the population of north Britain.

In fact, the Picts did not disappear on Page Three. There must have been intermarriage between the Picts and the Scots, there must have been a process of assimilation through the Church and through the common medium of Latin. And this, to my mind, explains the demise of the Picts, their language and their culture better than anything else. What they did leave behind was the magnificent and unique legacy of their sculptured stones.

There is no better introduction to the exquisite and enigmatic art of the Pictish sculptured stones than the little museum at Meigle, just off the arterial A93 trunk-road near Blairgowrie. The museum is a converted schoolhouse which now contains a marvellous collection of twenty-seven locally-carved stones dating from the ninth and tenth centuries: prayer crosses, symbol stones, sculpted cross-slabs with hunting scenes, animal stones, public war-memorials and personal tombstones. Most of them are decorated with the enigmatic shapes and symbols which no one has yet been able to decipher satisfactorily.

One of the last testimonials of the Picts is the majestic sculptured red sandstone monolith known as ‘Sueno’s Stone’, which stands six metres tall at the eastern edge of the town of Forres, on the Moray Firth, in the heartland of the ancient Pictish kingdom.

‘Sueno’s Stone’ was another of the great problems which the Ancient Monuments Board for Scotland had to tackle in the 1980s. It is a magnificent piece of statuary, with a wealth of intricate carving (pictorial as well as stylised) on all four of its faces. The front bears a relief carving of a great ring-headed cross whose shaft is filled with interlace spiral knotwork; the reverse side depicts an immense battle scene in four panels of unequal length. It is an extraordinarily vivid and complex sculptural gallery: the top panel presents the leader and his guard arriving on horseback for the battle. The great central panel shows ranks of warriors fighting on foot, then rows of the decapitated bodies of prisoners (their hands still tied) and the executioner holding a severed head, while the enemy flee in disorder. The third panel shows another pile of ruthlessly beheaded corpses and severed heads, while the fourth, partially obscured by the modern base, shows the dispersal of the vanquished army.

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