Clive Lewis - Collected Letters Volume One - Family Letters 1905–1931

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This collection brings together the best of C.S. Lewis’s letters – some published for the first time. Arranged in chronological order, this is the first volume covering Family Letters: 1905-1931.C.S. Lewis was a most prolific letter writer and his personal correspondence reveals much of his private life, reflections, friendships and feelings. This collection, carefully chosen and arranged by Walter Hooper, is the most extensive ever published.In this great and important collection are the letters Lewis wrote to J.R.R. Tolkien, Dorothy L. Sayers, Owen Barfield, Arthur C. Clarke, Sheldon Vanauken and Dom Bede Griffiths. To some particular friends, such as Dorothy L. Sayers, Lewis wrote over fifty letters alone. The letters deal with all of Lewis’s interests: theology, literary criticism, poetry, fantasy, children’s stories as well as revealing his relationships with family members and friends.This first volume of Family Letters: 1905-1931 covers Lewis’s boyhood and early manhood, his army years, undergraduate life at Oxford and his election to a fellowship at Magdalen College. Lewis became an atheist when he was 13 years old and his dislike of Christianity is evident in many of his letters. The volume concludes with a letter describing an evening spent with J.R.R. Tolkien and Hugo Dyson when he came to see that he was wrong to think of Christianity as one of ‘many myths.’ ‘What Dyson and Tolkien showed me was that… the story of Christ is simply a true myth… but with this tremendous difference that it really happened.’

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I am awfully bucked about ‘Twelfth Night’: 121 I thought at the time you remember, that Heath Robinson’s illustrations were absolutely perfect–quite as good as Rackham’s, though of course in a different style. If I remember aright there is a splendid one on the line ‘How full of shapes is fancy’ 122 and also some fine evening cloud effects–not to mention the jester in the rain and the delightfully ‘old English’ garden scenes.

I am longing, as you say, to be at home and to go over all our treasures both old and new:–so of course we shall be disappointed in some way. As you say, you are extravagant, but I too at present buy one book as soon as I have finished another.

The Arcadia’ is finished: or rather I have read all there is of it, for unfortunately it breaks off at a most exciting passage in the middle of a sentence. I will not praise it again, beyond saying that this last 3rd. book, though it has no such fine love passages as the 2nd., yet (despite the brasting), for really tip-top narrative working the interest up and up as it goes along, is quite worthy of Scott.

This week’s new purchase consisted of Milton’s ‘Paradise Lost’–in the same edition as my Mandeville 123 –and ‘John Silence’ in the 7d. edition. Just as one sometimes has a spell of being disappointed in new books, so at other times you keep on getting one treat after another. For the first few pages of John Silence I was hardly in the right mood: but after that it fairly swept me off my feet, so that on Saturday night I hardly dared to go upstairs. I left off-until next week end–in the middle of the ‘Nemesis of Fire’–Oh, Arthur, aren’t they priceless? Particularly the ‘Ancient Sorceries’ one, which I think I shall remember all my life. Oh, that evil dance, and the ‘muttering the old, old incantation’! The feeling of it all chimed with a lovely bit of ‘Paradise Lost’ which I read the same evening where it talked of the hounds that,

…Follow the night hag, when, called In secret riding through the air she comes Lured with the smell of infant blood, to dance With Leopard witches, while the labouring moon Eclipses at their charms .’ 124

Don’t you like the Leopard witches? How you will love Milton some day! By the way we may remark in passing that John Silence is one of the nicest 7d’s in paper and so forth that I have ever seen. I wonder how people would laugh if they could hear us smacking our lips over our 7d’s and Everymans just as others gloat over rare folios and an Editio Princeps? But after all, we are surely right to get all the pleasure we can, and even in the cheapest books there is a difference between coarse and nice get up. I wonder what a book called ‘Letters from Hell’ published at 1/-by Macmillan would be like?’ 125

This week’s instalment I enjoyed especially: the idea of the hair so beautiful to the eye so coarse to the touch is very suggestive, and you keep us in fine doubt as to whether your faery is going to turn out good and benevolent or terrible. You complain that your tale is commonplace, but I don’t know anything that you think is like it, and I hope that you will really never think of giving it up unfinished–all the same, if you do–for which I can see no earthly reason–don’t be discouraged, because we very rarely succeed in finishing a first work. If you saw the number of ‘beginnings’ I have made! By the by, there is one little point I must grouse at this week. You say that the faery resumed her ‘normal’ size. What was her normal size? We saw her first as a little figure on a leaf, and she hasn’t changed since. Do you mean that she took on human size? Of course a few trifling changes when you revise will make this quite clear. The point of names is rather difficult: ‘Dennis’ I like, but the old Irish attractions of ‘Desmond’ are very strong. I really don’t know what I should advise.

I am sorry you disapprove of my remarks in the romance. But you must remember that it is not Christianity itself I am sneering at, but Christianity as taught by a formal old priest like Ulfin, and accepted by a rather priggish young man like Bleheris. 126Still, I fear you will like the main gist of the story even less when you grasp it–if you ever do, for as is proper in romance, the inner meaning is carefully hidden.

I am really very sorry to hear about your new record, but so many of your Odeons have been successful that I cannot reasonably have the pleasure of saying ‘I told you so’. Talking about music, I have at last found out the exact number of the Chopin piece I like so well–it is the 21st Prelude. Look it out, and tell me if it is not the best music in the world?

I am afraid it is mere foolishness to praise that rhyme of mine as you do. Remember, you know exactly the occasion that gave rise to it, and can read between the lines, while to others it would perhaps be scarcely intelligible: still it is nice to be able to please even one reader–as you do too, for all your talk. In a way that sort of double-meaning in the title ‘Lady of the Leaf would be rather fascinating I think.

I am glad to hear your remarks about the different pleasures of painting, writing etc. I quite agree with you, ‘work’ of this kind, though it worries and tortures us, tho’ we get sick of it and dissatisfied with it and angry, after all it is the greatest pleasure in life–there is nothing like it. Good night old man.

Jack

P.S. Is Dennis in bathing things all this time, or ‘au naturel’? The point is not without interest.

P.P.S. Up in my room I have just read over the whole ‘Watersprite’ again. I have not done it justice in this letter, the whole story is topping and the air of mystery that hangs about Her makes one very keen to go on. I am not putting this in because I want to pleasure you, but because it just strikes me at the moment and must come out. Go on and prosper–there goes half past. So gute nacht du lieber kamarad, bon soir mon vieux.

J.

TO HIS FATHER (LP V: 114-15):

[Gastons]

21st July 1916.

My dear Papy,

I was just beginning to get up what I considered a very legitimate ‘grouse’, but must admit that you offer the best of reasons for the offence. I am glad that you enjoyed their visit, 127and wish that I could have been one of the party:–at least so I may now say with safety when ‘the tyrranny is over past’. 128Many thanks for your indulgent permission to take a Scotch trip–never fear, we’ll keep your place in order.

Kirk tells me he has sent you a list of the Scholarships and Exhibitions at colleges in the big group, which we will be able to go over together in the holidays. It is cheering to see that we have some fifteen to come and go over, most of them in the first rank.

My fellow sojourner at Gastons is going home this day (Friday) week, so I think it would be best for me to choose the following Monday. I forget what state the cross-channel routes are in at present, but if Fleetwood is going I had sooner travel by it: failing that by Liverpool with Larne as a pis aller. So if you could book a stateroom for the 31st, and forward a few ‘crowns for convoy’ I shall do myself the honour of waiting on you at Leeborough on Tuesday morning the first. (You may notice the phrasing of the last sentence, the insidious influence of that excellent man, Major Pendennis.) 129

I had not heard before about Dick 130and was very glad and proud of the news. As you say, he has plenty of ‘guts’ if only he has the luck to stick out. Things look a little brighter at the front now, though I am afraid it will need many such successes to bring the business to an end. Kirk went up to London on Wednesday to see the elder Smythe boy, who is at home wounded, for the third time.

‘Summer is a-cummen in’ 131here at last, and we have actually had no rain since Saturday.

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