The boy himself was at Campbell before he came here, and I can still remember enough to pick up acquaintance in common and to criticise ‘the old place’. I hear to my surprise that Joey 89 is a ‘knut’ cricketer in his House Eleven: one never hears these tit-bits at home.
It is a good deal warmer here than in Ireland and my cold is consequently getting better–you will be relieved to hear. Kirk is still going strong and Bookham is looking its prettiest. Any sign of the new overcoat yet? But of course it will not really be needed till much later in the year. Tell me too if you hear anything from W. I must now stop and go to bed, which I feel justified in doing because I am one up on you in the way of letters.
your loving
son Jack
P.S. Don’t forget to tell me when you write, how that cold of yours is. Jack.
TO ARTHUR GREEVES (W/LP V: 21-2):
[Gastons
5 October 1915]
My dear Galahad,
I can’t really see why you have any more right to grouse at my not writing than I at you, but we will let it pass. And in the meantime, what do you think? It is a bit thick when one has fled from Malvern to shun one’s compeers in the seclusion of Surrey wilds, to be met by a damned fellow pupil of my own age–and sex! 90 Isn’t it the limit? Moreover he is a hopeless fellow with whom I despair of striking up any friendship that can be at all amusing–you know, the usual sort with absolutely no interest in any of the things that matter. Luckily, however he spends the greater part of his time taking special classes at Leatherhead, so that I still have my afternoon walk alone. Indeed, I suppose it is easier to put up with one philistine at Bookham than with five-hundred at Malvern, but still, the thing is a nuisance on which I had not counted.
I wish indeed that I had been with you at Portrush, of which your description sounds most attractive. I once visited Dunluce Castle years ago when I was staying at ‘Castle Rock’, but being a kid did not of course appreciate it as much as I would now.
It is very annoying that after waiting all the holydays for those Columbia records, I should just manage to miss them: mind you tell the girl to send me on the monthly lists of Zono, Columbia & H.M.V. I noticed by the way that the Zono list contains an attractive record with the ‘Seranade’ and ‘Church Scene’ from Faust. 91 Do you remember the latter–that magnificent duet outside the Church, with organ accompaniment where Gretchen is hunted about the stage with Mephisto behind her? You must hear it and tell me your impressions.
I thought you would enjoy ‘Shirley’. Don’t you see now what I meant when I said that love, apart from physical feelings, was quite different to friendship? If not you must have a brain like a cheese. There is not really much resemblance either between Louis & Gordon or Shirley & Lily. Can you imagine G. behaving to Lily the way Louis does at times to Shirley? I am afraid that, much as I like him, G. hasn’t got it in him. Lily of course is not unlike S., but not so much of a ‘grande dame’, if you know what I mean. 92 When I said that K.[elsie Ewart] was like a valkyrie I meant of course in her appearance–or rather in her open-air appearance. When however you see her in artificial light, both in clothing & natural colouring she is like some thoughtful, exquisite piano piece of Chopin’s–you’d know which better than I.
By the way, tell your sister that I have already written to thank her for the boot-bags, and that when the love she says she’s sending arrives I will write and thank her for it too.
I have been reading the ‘Faerie Queen’ in Everymans both here and at home ever since I left you and am now half way thro’ Book II. 93 Of course it has dull and even childish passages, but on the whole I am charmed, and when I have made you read certain parts I think you will appreciate it too.
Talking about poetry, if you have not done so already, go over to Little Lea and borrow Swinburne’s ‘Poems and Ballads’ 2nd Series at once. Read ‘The Forsaken Garden’, ‘At Parting’ (I think that is the name, it begins ‘For a day and a night love stayed with us, played with us’) 94 ‘Triads’ ‘The Wasted Vigil’ and ‘At a month’s End’. The latter especially you must read from end to end as a commentary on the love parts of ‘Shirley’, only that in this case the man who tried to tame some such fierce & wonderful character failed instead of succeeding. Then you will relish all the lovely verses at the end, especially that beginning ‘Who strives to snare in fear and danger / Some supple beast of fiery kin’. 95 Then tell me your impressions. Hope this hasn’t bored you.
I am jolly glad to hear that you are at last starting with Dr Walker 96 and shall expect to find great ‘doings’ in your musical line when I come back. Write soon and don’t forget the catalogues
Yours
Jack
TO ARTHUR GREEVES (W):
[Gastons
12 October 1915]
My dear Galahad,
I am frightfully annoyed. I have just been to Guildford to hear Ysaye 97 and enjoyed it no more than I do the barking of a dog. The apalling thought comes over me that I am losing by degrees my musical faculty: already, as you know, I cannot enjoy things that used to drive me wild with delight, and I suppose in the course of time I shall become absolutely insensible–just like Henry Stokes or my brother or anyone else. There was also a woman called Stralia, a soprano, who sang one lovely thing from ‘Madame Butterfly’ 98 and lots of stuff I didn’t understand. I havenot the faintest idea what Ysaye played, and I never want to hear it again. I listened as hard as I could, shutting my eyes and trying in vain to concentrate my attention, but it was all just meaningless sound. Of course violin solos were never much in my line but even so, it should not be so bad as this. Now I suppose I have lost your sympathy forever and am set down–who knows but it may be rightly–as a Goth and philistine. But it really is torture to feel things going out of you like that. Perhaps after all, the taste in music developed by a gramaphone is a bad, artificial, exotic one that dissapears after a certain point…The Lord knows!
You ask me how I spend my time, and though I am more interested in thoughts and feelings, we’ll come down to facts. I am awakened up in the morning by Kirk splashing in his bath, about 20 minutes after which I get up myself and come down. After breakfast & a short walk we start work on Thucydides–a desperately dull and tedious Greek historian 99 (I daresay tho’, you’d find him interesting) and on Homer whom I worship. After quarter of an hour’s rest we go on with Tacitus till lunch at 1.I am then free till tea at 4.30: of course I am always anxious at this meal to see if Mrs K. is out, for Kirk never takes it. If she is I lounge in an arm chair with my book by the fire, reading over a leisurely and bountiful meal. If she’s in, or worse still has ‘some people’ to tea, it means sitting on a right angled chair and sipping a meagrue allowance of tea and making intelligent remarks about the war, the parish and the shortcomings of every-ones servants. At 5, we do Plato and Horace, who are both charming, till supper at 7.30, after which comes German and French till about 9. Then I am free to go to bed whenever I like which is usually about 10.20.
As soon as my bed room door is shut I get into my dressing gown, draw up a chair to my table and produce–like Louis Moore, note book and pencil. Here I write up my diary for the day, and then turning to the other end of the book devote myself to poetry, either new stuff or polishing the old. If I am not in the mood for that I draw faces and hands and feet etc for practice. This is the best part of the day of course, and I am usually in a very happy frame of mind by the time I slip into bed. And talking about bed, I wish you and your family would have the goodness to keep out of my dreams. You remember my telling you that I dreamed that you and Lily & I were walking along North Street when I saw a ghost but you & she didn’t? That was at Port Salon. Well, last night found the same 3 walking somewhere in town, only this time the place had been captured by the Germans. Everyone had escaped and we were hurrying along in terror through the deserted streets with the German soldiers always just round the corner, going to catch us up and do something terrible. Dreams are queer things.
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