Damian Collins - Charmed Life - The Phenomenal World of Philip Sassoon

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The story of a fascinating man who connected the great politicians, artists and thinkers at the height of British global power and influence.A famed aesthete, politician and patron of the arts, Philip Sassoon lived in a world of English elegance and oriental flair. Gathering a social set that would provide inspiration for Brideshead Revisited, Sassoon gave parties at which Winston Churchill argued with George Bernard Shaw, while Noël Coward and Lawrence of Arabia mingled with flamingos and Rex Whistler painted murals as the party carried on around them.Not merely a wealthy socialite, he worked at the right hand of Douglas Haig during the First World War and then for Prime Minister Lloyd George for the settlement of the peace. He was close to King Edward VIII during the abdication crisis, and Minister for the Air Force in the 1930s. And yet as the heir of wealthy Jewish traders from the souks of Baghdad, Philip craved acceptance from the English establishment. In Charmed Life, Damian Collins explores an extraordinary connected life at the heart of society during the height of British global power and influence.

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On polling day the weather was fine, which was good for encouraging voters to turn out and, just in case, Philip’s campaign used motor cars to drive their supporters to the polling stations. The voters of the Hythe constituency safely returned to Parliament the young man they had known since he was a boy, with a majority almost exactly the same as his father had enjoyed at the previous general election. At the age of just twenty-three, Philip also had the distinction of being the ‘baby of the House’. fn14Contemporaries of Philip’s such as Patrick Shaw Stewart were working to make their fortune, with the hope later of taking a seat in Parliament. Sir Philip Sassoon had now secured both through inheritance. Edward Sassoon’s vision of the life that was to open out for Philip had come to pass, but while the efforts of his ancestors could help to deliver him to the House of Commons, he would have to make his own reputation once there.

Max Beerbohm, the well-known satirist of the politicians of the day, depicted a sleek and impassive Philip Sassoon sitting cross-legged in the lotus position on the green benches, between two large, booming and red-faced Tories. 32He called the caricature Philip Sassoon in Strange Company . Philip was very different in appearance and manner from the knights of the shires and veteran soldiers of colonial wars who adorned the House of Commons. There were also very few Jewish MPs, and over 90 per cent of the Conservatives were practising members of the Church of England. But Parliament was starting to change with more businessmen and middle-class professionals, as well as the growing representation of workers and trade unionists from the Labour Party. The House of Commons Philip entered in June 1912 featured some of the greatest names in the history of that chamber, including statesmen like David Lloyd George, Arthur Balfour and Winston Churchill. It was also a time of political uncertainty as the Liberal government led by Prime Minister Herbert Asquith, whose wife Margot had been a close friend of Philip’s mother, was beginning to run into trouble. There had been Lloyd George’s great and controversial ‘People’s Budget’ in 1909, followed by the constitutional crisis over reform of the House of Lords, and the ongoing and intractable problems of the government of Ireland. The Conservatives had been in opposition for over six years, but they had high hopes of getting back into power at the next election.

Philip waited until November 1912 to make his maiden speech, speaking against the government bill on Irish home rule. Max Aitken (later Lord Beaverbrook fn15), the Canadian businessman, MP and newspaper proprietor, remembered that ‘It was an indifferent performance but it brought forth a flood of notes of congratulations not because he had made a good speech but because he had big houses and even bigger funds to maintain them.’ 33Philip looked to put these to good effect as well, by hosting a grand lunch at Park Lane before the great Hyde Park demonstration in support of Ulster loyalism, with guests including the Unionist leader, Sir Edward Carson, and senior Conservatives like Lord Londonderry, F. E. Smith and Austen Chamberlain. Philip’s Unionist credentials were further established when it was reported that at a speech in Folkestone he had suggested that he would pay for a ship to take local army reservists to Ireland to support the cause of Ulster remaining free from the interference of home rule government in Dublin – although it was a promise that he later denied having made. 34These actions may reflect his early ambitions in politics and a desire to make a good impression, rather than a genuine conviction on his part. He was trying to be helpful in aligning himself with issues close to the heart of the leadership of the Conservative Party, but he otherwise made no great impression in Parliament in his first two years in the House of Commons. He certainly became much more liberal in his views on issues like Irish home rule after the war.

The years 1912 and 1913 marked a turning point in Philip’s life, and that of his sister Sybil. With their parents gone, youth had ended and adult life had been thrust upon them. This also brought them closer together. Sybil had been educated in Paris, while Philip was at school in England. Now they would both live in London. In 1913 Philip and Sybil had individual portraits painted by the family friend, John Singer Sargent, who captured their beauty and poise, presenting them both on the brink of fulfilling their youthful promise. More interesting was a second portrait Philip commissioned from his friend the young artist Glyn Philpot. In this darker painting Philpot depicts Sassoon dressed in the same formal clothes as in the Sargent portrait, but instead of looking away and into the distance, Philip’s head is turned and lowered a fraction to look at us. While still elegant, he appears a more human, lonely and less certain figure, carrying the weight of the responsibilities that have been placed upon him.

On 6 August 1913 Sybil, at nineteen, was married after a brief courtship to George, Earl of Rocksavage, the dashing heir of the Marquess of Cholmondeley. Philip had introduced Sybil to ‘Rock’; they had known each other through their mutual friend Lady Diana Manners. Sybil’s marriage added to Philip’s relative isolation at this time. She would depart on a honeymoon of almost a year in India, and when they returned set up home at Rock’s family estate in Norfolk, Houghton Hall, and their townhouse at 12 Kensington Palace Gardens. The marriage also caused a severe rift with many of their Jewish relations, particularly the Rothschilds, who took exception to Sybil marrying outside their religion. Philip gave his sister away, and their great-aunt Louise Sassoon and cousin David Gubbay were witnesses, along with Rock’s father, the Marquess of Cholmondeley. None of Sybil’s Rothschild relations attended the ceremony and they would have no contact with her for many years. The wedding was a quiet affair, and took place at Prince’s Row register office, off Buckingham Palace Road in central London. The ceremony lasted only a quarter of an hour and there were no more than ten guests, who were themselves outnumbered by the pressmen and photographers waiting for them outside. 35

Before her marriage, Sybil had often accompanied Philip to parties and West End first-night performances. She had also supported him at dinners and the entertainments he gave at home at Park Lane. Philip never married, and would often insist that he had been so spoilt by his charming sister that no other woman could match up to her. However, while there is no definitive proof either way, the suspicion has always been that the real reason why Philip Sassoon never married was that he was gay.

Homosexuality remained illegal in the United Kingdom until 1967, and even the word itself was considered taboo during Philip’s lifetime. 36He was in any case a very private man who did not like to discuss his personal affairs, but for it to have been generally known that he was gay would have caused a scandal. The writer Beverley Nichols recalled that ‘there were still a large number of people – particularly in high places – to whom the whole of this problem was so dark, so difficult and so innately poisonous, that they instinctively shut their eyes to it’. 37In 1931, when King George V was confronted with the news that Earl Beauchamp, a friend who had carried the Sword of State at his coronation, was in danger of being exposed as a homosexual, he exclaimed, ‘I thought men like that shot themselves.’ The Earl escaped prosecution but was required to live most of the rest of his life in exile from England. fn16, 38

Yet the trial of Oscar Wilde for ‘gross indecency’ in 1895 showed that just because homosexuality was illegal, that didn’t mean it was unheard of, even if it was ‘the love that dare not speak its name’. fn17In fact after the First World War in ‘university circles’ Oscar Wilde was considered to be something of a ‘martyr to the spirit of intolerance’. 39The writer Robert Graves, seven years Philip’s junior and a friend of his distant cousin Siegfried Sassoon, believed that at that time ‘Homosexuality had been on the increase among the upper classes for a couple of generations,’ 40and in part he blamed the public school system. Graves also discussed homosexual experiences in a very matter-of-fact way in his memoir Goodbye to All That . Eton was considered to be ‘perhaps the most openly gay school of the era’, 41but Philip Sassoon’s contemporary Lawrence Jones believed that at Eton ‘homosexuality [was] a mere substitute for heterosexuality. It would not exist if girls were accessible. It was not carried beyond that leaving day.’ 42This idea was also expressed by another Old Etonian friend of Philip’s, Lord Berners, who wrote in his memoirs:

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