Juliet Macur - Cycle of Lies - The Fall of Lance Armstrong

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As Lance Armstrong’s precipitous fall from grace continues, New York Times sports reporter Juliet Macur takes the reader behind the scenes to bring you the astonishing twists and turns of an outrage that has rocked the world of cycling.With unprecedented access to the key players in the drama – from Armstrong’s fellow cyclists and top cycling officials to doctors, trainers and wives – ‘Cycle of Lies’ reveals how Armstrong built a fortress of people around him to protect his image and upend the lives of anybody who stood in his way.As America’s fallen idol faces potential perjury charges, ‘Cycle of Lies’ widens the focus to expose corruption at all levels of the sport in a thrilling, page-turning work of contemporary narrative history.

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On June 7, I return to see those workers clear the main house. They take Armstrong’s Tour trophies from their illuminated shelves, cover them with green bubble wrap and place them in blue boxes. In a moving box marked #64, one mover places a silver frame containing a 5×7 photograph of Armstrong’s 2005 Discovery Channel team sitting at a dinner table after his seventh and final Tour victory. He, his teammates and longtime team manager Johan Bruyneel are holding up seven fingers. A yellow rubber Livestrong bracelet hangs from each man’s wrist. A table is littered with half-empty wineglasses. A former life.

Box #64 goes onto the truck with the rest. I follow the movers into the media room. Wearing white cotton gloves, they take down the seven yellow Tour leader’s jerseys framed above the couch. The day before, as Armstrong and I sat in this room, he had an idea. He asked if I wanted to lie on the couch, if I wanted to pose for a photograph under the jerseys that were still left.

“It’ll be funny,” he said.

I didn’t get the joke.

In the dark before dawn, Armstrong left the big house for good. At 4:15 a.m. on June 7, 2013, with Hansen and his five children, he drove to Austin/Bergstrom International Airport for a commercial flight to the Big Island in Hawaii, where they would remain for the first part of the summer.

Armstrong tells me he didn’t look back at the house he had built. He says sentiment has never been his thing. The move means only that part of his life has ended and another will begin. That’s all it is, he says. Maybe he believes the words coming out of his mouth. Maybe he doesn’t.

Several days later, only two of his possessions remained on his estate. One couldn’t fit in the moving truck: a 1970 black Pontiac GTO convertible given him by the singer Sheryl Crow, with whom he had a very public romance that ended when he pedaled away just before she got cancer. The car, with its evocations of another Armstrong failure, carries a price tag of $70,000.

And, finally, left over in the living room of the guesthouse was a fully assembled drum kit. Just another piece of the man’s discarded life. Oh beat the drum slowly and play the fife lowly , I thought while I looked at the set, words of a song I know from my time working in Texas,

Take me to the valley, and lay the sod o’er me,

For I’m a young cowboy and I know I’ve done wrong.

PART ONE

CHAPTER 1

Lance Armstrong’s mother, Linda, is always the hero of her own story. As she tells it, the two of them—she and Lance—struggled to survive in Dallas’s Oak Cliff neighborhood in the hardscrabble projects on the wrong side of the Trinity River. They had only each other. The boy never met his father; she raised him alone. She said she taught him to ride a bike, encouraged him as an athlete, paid for his equipment, bought their home, traveled to all his races, secured his sponsorships and was out the door with him at 7 a.m. every Saturday so he could administer a beating to yet another set of, say, prepubescent middle-distance runners.

In her autobiography, No Mountain High Enough: Raising Lance, Raising Me , she revels in the constant question, “How did a single teenage mom manage to raise a real live superhero?” In the author’s note, before the story unfolds, she warns of her “totally biased, subjective, slanted, rationalized, and confabulated” account. She even says, “Someone else might have a different perspective.” She dared those people to write their own book.

She used pseudonyms for her three ex-husbands: Eddie Gunderson, Terry Armstrong and John Walling. She calls Lance’s father “Eddie Haskell” after the sweet, conniving character in the 1950–’60s television show Leave It to Beaver . The Gundersons were Lance Armstrong’s first family. Eddie Gunderson and Linda Mooneyham married while they were in high school. The baby came seven months later.

The shotgun wedding united two troubled families. Both of Armstrong’s grandfathers had been heavy drinkers whose wives fled with their children after one sodden mishap or another. His paternal grandfather was so mean that he would put kittens in fruit jars to smother them. Armstrong’s father was an alcoholic with as many wives as his mother would have husbands—four.

By the age of twenty, Armstrong had had three different fathers: one biological, one adoptive and one step. (In her book, Linda Armstrong writes of the failures of her love life as having been the result of “stupid, self-undermining, counterintuitive and utterly stinko” choices.) After that, Lance was tossed about in the tumult of a dozen stand-in fathers of his choosing.

As a motivational speaker, Linda has made a living off bromides of her struggles to raise the greatest cyclist the world has ever seen, telling her audience, “We had everything against us,” and “It was about survival.” She talks about how Lance once showed up at a race in the mountains of New Mexico without a long-sleeve shirt and how, while the other racers had fancy gear, he had to borrow her tiny pink windbreaker to stay warm. He broke the course record.

She talks about going “from poverty with no money to personal success” and emphasizes that she played an integral role in her son’s accomplishments. “I really believe that your children are a product of you.”

By her telling, she has been the single constant presence in his life. Early on, she made it clear that she, and only she, would shape her son. The first step in that process began when she removed him from the Gunderson family. Armstrong’s mother has told her side of that story for years. It’s a story that a lifetime later brings Willine Gunderson Harroff, Eddie’s mother, and his sister, Micki Rawlings, to tears.

Linda Armstrong has said she was alone in raising Lance, that others in Lance’s life played only bit parts no matter what they contributed or how long they were involved. She called herself a single mother though she was only without a husband for a year before Lance was sixteen and a half—and even then her first husband’s family said they helped her get by, babysitting while she worked. Over time, the media played up the tragedy and triumph of it all: that one of the greatest athletes in history was a product of a teenage mother who had struggled for survival with no one to lean on but her young son.

Linda’s mythmaking didn’t sit right with the rest of Lance’s family, according to Willine Gunderson.

The Gundersons had their own version of Lance’s childhood to tell. For one thing, they called Lance’s father Sonny. He was a handsome, blue-eyed rebel with shiny brown hair, a mischievous grin and a willingness to help friends steal tape decks from parked cars. He once rode his motorcycle through the back door and into the kitchen of a high school girlfriend’s house, causing her parents to call the police.

In their neighborhood of Wynnewood, a middle-class area of the city—nothing like “the projects of Dallas” proclaimed by the promotional videos for Linda’s public speaking—the Gundersons were neighbors with another family, the Mooneyhams.

Linda Mooneyham was a high school homecoming princess and a star on the school’s drill team. Sonny asked her for a date. Soon enough, they were going steady and cruising around town in his souped-up Pontiac GTO. He had a bad-boy charm that caused him, one night in the winter of 1970, to whisper to Linda, “Make love, not war.” That evening, she got pregnant. When a sixteen-year-old Linda refused to get an abortion, her mother told her to leave the house. Far from being left on her own—with “everything against us”—she found a family that took her in. She lived in Sonny’s house. She became, in effect, an adopted daughter of Willine Gunderson, whom family members called “Mom-o.”

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