Andrew Kaplan: Homeland: Carrie’s Run

This novel is entirely a work of fiction. The names, characters and incidents portrayed in it are the work of the author’s imagination. Any resemblance to actual persons, living or dead, events or localities is entirely coincidental.

Harper

An imprint of HarperCollins Publishers Ltd.

1 London Bridge Street

London SE1 9GF

www.harpercollins.co.uk

First published in Great Britain by HarperCollins Publishers Ltd 2013

Homeland: Carrie’s Run . Copyright © 2013 by Twentieth Century Fox Film Corporation. All rights reserved.

Cover artwork © 2013 Showtime Networks, Inc. A CBS Company. All Rights Reserved.

Cover layout design © HarperCollins Publishers Ltd 2013

Andrew Kaplan asserts the moral right to be identified as the author of this work

A catalogue copy of this book is available from the British Library

All rights reserved under International and Pan-American Copyright Conventions. By payment of the required fees, you have been granted the non-exclusive, non-transferable right to access and read the text of this ebook on screen. No part of this text may be reproduced, transmitted, down-loaded, decompiled, reverse engineered, or stored in or introduced into any information storage and retrieval system, in any form or by any means, whether electronic or mechanical, now known or hereinafter invented, without the express written permission of HarperCollins ebooks

HarperCollins Publishers has made every reasonable effort to ensure that any picture content and written content in this ebook has been included or removed in accordance with the contractual and technological constraints in operation at the time of publication

Source ISBN: 9780007521272

Ebook Edition © SEPTEMBER 2013 ISBN: 9780007521289

Version: 2016-11-21

To my son, Justin, who makes everything better,andto the men and women of the U.S. intelligence services,who pursue in shadow the most elusive commodity on earth—truth

For readers interested in additional information on the characters, organizations and agencies described in this novel, a glossary and a list of characters are provided at the back of the book.

Table of Contents

Cover

Title Page HOMELAND: CARRIE’S RUN Andrew Kaplan

Copyright Copyright This novel is entirely a work of fiction. The names, characters and incidents portrayed in it are the work of the author’s imagination. Any resemblance to actual persons, living or dead, events or localities is entirely coincidental. Harper An imprint of HarperCollins Publishers Ltd. 1 London Bridge Street London SE1 9GF www.harpercollins.co.uk First published in Great Britain by HarperCollins Publishers Ltd 2013 Homeland: Carrie’s Run . Copyright © 2013 by Twentieth Century Fox Film Corporation. All rights reserved. Cover artwork © 2013 Showtime Networks, Inc. A CBS Company. All Rights Reserved. Cover layout design © HarperCollins Publishers Ltd 2013 Andrew Kaplan asserts the moral right to be identified as the author of this work A catalogue copy of this book is available from the British Library All rights reserved under International and Pan-American Copyright Conventions. By payment of the required fees, you have been granted the non-exclusive, non-transferable right to access and read the text of this ebook on screen. No part of this text may be reproduced, transmitted, down-loaded, decompiled, reverse engineered, or stored in or introduced into any information storage and retrieval system, in any form or by any means, whether electronic or mechanical, now known or hereinafter invented, without the express written permission of HarperCollins ebooks HarperCollins Publishers has made every reasonable effort to ensure that any picture content and written content in this ebook has been included or removed in accordance with the contractual and technological constraints in operation at the time of publication Source ISBN: 9780007521272 Ebook Edition © SEPTEMBER 2013 ISBN: 9780007521289 Version: 2016-11-21

Dedication To my son, Justin, who makes everything better, and to the men and women of the U.S. intelligence services, who pursue in shadow the most elusive commodity on earth—truth

Author’s Note AUTHOR’S NOTE For readers interested in additional information on the characters, organizations and agencies described in this novel, a glossary and a list of characters are provided at the back of the book.

2006 Before Brody 2006

Chapter 1

Chapter 2

Chapter 3

Chapter 4

Chapter 5

Chapter 6

Chapter 7

Chapter 8

Chapter 9

Chapter 10

Chapter 11

Chapter 12

Chapter 13

Chapter 14

Chapter 15

Chapter 16

Chapter 17

Chapter 18

Chapter 19

Chapter 20

Chapter 21

Chapter 22

Chapter 23

Chapter 24

Chapter 25

Chapter 26

Chapter 27

Chapter 28

Chapter 29

Chapter 30

Chapter 31

Chapter 32

Chapter 33

Chapter 34

Chapter 35

Chapter 36

Chapter 37

Chapter 38

Chapter 39

Characters

Keep Reading

Glossary

About the Author

Also by Andrew Kaplan

About the Publisher

“You know how it is at Princeton on a dark winter morning, five A.M. , before anyone else is up? Coming out of 1915 Hall in my sweats, because I was never the glamour girl. I was the serious girl, the one who didn’t flirt with the boys but who maybe was going to do something. I would start my run without touching the stopwatch. The campus silent, no one anywhere, the air so cold it hurt to breathe. Running all the way to Nassau Street, shops shuttered, streetlights reflected on the icy pavement. Then right on Washington, back on campus, past Woodrow Wilson and Frist to Weaver Track.

“I would stop, my breath coming out in clouds, the sky breaking gray, then click the stopwatch and run the fifteen hundred as if my life depended on it, trying to remember the pacing, but I swear, Saul, there were times, even when it was killing me in the final two hundred, I thought I could run forever.”

“What do you want, Carrie? What the hell do you really want?”

“I don’t know. To be that girl again. To feel the cleanness—is that a word? He’s hiding something, Saul. I swear to God.”

“Everybody’s hiding something. We’re human.”

“No, something bad. Something that’s going to really hurt us. We can’t let it happen again.”

“Let’s be clear, you’re not just risking your life and both our careers; it’s national security, the Agency itself. You sure you want to do this?”

“I just realized something. I’ll never be that girl again, will I?”

“I’m not sure you ever were.”

Nightingale was late.

Sitting in the darkened movie theater, second seat, fourth row from the back, Carrie Mathison tried to decide whether to abort. It was supposed to be an initial contact only. “Passing ships,” Saul Berenson, her boss and mentor, had called it during training back at the Farm, the CIA’s training facility in Virginia. Get a close-up look at one Taha al-Douni, to whom they’d assigned the code name “Nightingale,” let him get a quick look at her for the next time, whisper the time and location for the next meet and leave. Strictly by the book.