Stephen Davis - LZ-’75 - Across America with Led Zeppelin

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Stephen Davis’s brilliantly-written personal account of criss-crossing America with Led Zeppelin on their 1975 tour. A warts-and-all snapshot of the world’s biggest hard-rock band at their peak.As a young rock writer Stephen Davis landed the ultimate commission – touring America with Led Zeppelin.This is a personal account by Davis of his journey, which saw him crossing the country with the band on board the Starship, their famous Boeing passenger jet, complete with deep shag purple carpet, electric pianos, girlfriends and star-struck hangers-on.This is also the story of one of the hardest-living bands in the world at their peak. For Robert Plant, Jimmy Page, John Paul Jones and John Bonham, the most beautiful women in America tear their spangled jackets from them and riots start outside their gigs.LZ-75 captures a few perfect months in rock, when Led Zeppelin epitomised the free-living rock dream, but, like Icarus, their wings were already beginning to melt. It wouldn't be long before John Bonham died of a vodka overdose, and punk killed their brand of monumental rock.With it's up-close-and-personal accounts of band members, managers, groupies, fans and drug-dealers, there's a lot of Almost Famous about this book – Led Zep's 1975 tour is in fact the very one on which Cameron Crowe's film was based.Stephen Davis was barely twenty in 1975, but now he is recognised as one of the best rock writers in the world. He is the author of the mega-selling Hammer of the Gods – a biography of Led Zeppelin. He recently unearthed his notebooks of the 1975 tour – which he didn't use for Hammer of the Gods – to write LZ-75.LZ-75: Across America with Led Zeppelin is a wonderful and unique thing – a beautifully succinct account of a single moment in rock, when no lyric was too far-fetched, no drink went undrunk and no expense was ever, ever spared. It's a moment that will never be repeated.

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Boston was considered an important tryout town by British musicians because it had a huge student population and the multimedia that catered to it. When Fleetwood Mac arrived from London earlier in the year, they became virtually the Tea Party’s house band. Many UK bands started American tours in front of generally friendly Boston audiences who were about the same age as the group. So Peter with his camera and I with my notebook were politely received by brilliant guitarist Jeff Beck, bassist Ronnie Wood, and drummer Mick Waller. Less effusive, in fact completely ignoring us, was the group’s young singer, Rod Stewart, who was staring at himself in the full-length mirror, using spit to straighten the ends of his exquisitely shag-cut hair.

The band was nervous. This was a big tour for them, and they were supporting a terrific record, Truth, that had several careers depending on its success. We told them we loved the record and played it all the time. The famously moody Jeff Beck loosened up a bit, and Ronnie Wood cracked a few jokes. When the drummer disappeared into the bathroom, Wood informed us that “Wanky” Waller liked to have a quick jerk before playing the show. Rod continued to obsessively tend his coiffure. We were invited to help ourselves to bottles of imported Watneys Red Barrel beer from the ice chest and hang out backstage while the opening band, the Hallucinations, finished their set.

As I was sipping beer, standing against the wall while Jeff Beck and Ron Wood tuned their guitars, my eyes gradually adjusted to the dressing room’s low light. After a while, I noticed two figures sitting in a dark corner. One was a huge man of enormous girth, the other a slender figure in velvet clothes and very long dark hair. Don Law explained that the large one was Peter Grant, who managed the Jeff Beck Group. The slender hippie was his other client, Jimmy Page, who had been playing bass with the Yardbirds and was now stepping into the lead guitar role recently vacated by Jeff. Jimmy was joining the Beck tour for a few days to check out the reaction of the American kids to the new, guitar-heavy rock bands emerging from England. Later that winter, Don told me, Jimmy Page was coming back to America with his band, then called the New Yardbirds, playing a new style of heavy rock that people were saying would blow everyone else out of the sky. Peter Grant was just now booking the Tea Party for Page’s new band.

That night, the Jeff Beck Group was a smash at the Boston Tea Party. Rod Stewart was so shy in those early days that he usually began the set out of sight, singing his gravel-road lyrics from behind the stacks of Marshall amplifiers. Jeff was incredible, making the guitar howl like a hound and purr like a leopard in heat. In the back of the hall, watching the audience grooving and cheering, stood Jimmy Page and Peter Grant—taking it all in, seeing a vision of the future they would eventually come to own.

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