Angela Saini - Superior - The Fatal Return of Race Science

4th Estate

An imprint of HarperCollins Publishers

1 London Bridge Street

London SE1 9GF

www.4thEstate.co.uk

First published in Great Britain by 4th Estate in 2019

Copyright © Angela Saini 2019

Angela Saini asserts the moral right to be identified as the author of this work.

Cover photographs © Cover: Michelangelo (Buonarroti, Michelangelo 1475–1564) David – detail (head in profile). Florence, Accademia. © 2019. Photo SCALA, Florence – courtesy of the Ministero Beni e Att. Culturali e del Turismo. Francis Harwood (1726/1727–1783) Bust of a Man. Digital image courtesy of the Getty’s Open Content Program.

A catalogue record for this book is available from the British Library.

All rights reserved under International and Pan-American Copyright Conventions. By payment of the required fees, you have been granted the non-exclusive, non-transferable right to access and read the text of this e-book on-screen. No part of this text may be reproduced, transmitted, down-loaded, decompiled, reverse engineered, or stored in or introduced into any information storage and retrieval system, in any form or by any means, whether electronic or mechanical, now known or hereinafter invented, without the express written permission of HarperCollins.

Source ISBN: 9780008341008

Ebook Edition © March 2019 ISBN: 9780008293840

Version: 2019-04-15

‘This is an essential book on an urgent topic by one of our most authoritative science writers’

SATHNAM SANGHERA, author of The Boy with the Topknot

‘Whether you think of racist science as bad science, evil science, alt-right science, or pseudoscience, why would any contemporary scientist imagine that gross inequality is a fact of nature, rather than of political history? Angela Saini’s Superior connects the dots, laying bare the history, continuity, and connections of modern racist science, some more subtle than you might think. This is science journalism at its very best!’

JONATHAN MARKS, author of Tales of the Ex-Apes

‘Angela Saini’s investigative and narrative talents shine in Superior , her compelling look at racial biases in science past and present. The result is both a crystal-clear understanding of why race science is so flawed, and why science itself is so vulnerable to such deeply troubling fault lines in its approach to the world around us – and to ourselves’

DEBORAH BLUM, author of The Poison Squad

‘This deeply researched and unsettling book blends history, interviews, and the author’s personal experiences growing up as an Indian girl in a white working-class section of London … An important and timely reminder that race is “a social construct” with “no basis in biology”’

Kirkus (starred review)

‘Angela Saini’s Superior is nothing short of a remarkable, brilliant, and erudite exploration of what we believe about the racialized differences among our human bodies. Saini takes readers on a walking tour through science, art, history, geography, nostalgia and personal revelation in order to unpack many of the most urgent debates about human origins, and about the origin myths of racial hierarchies. This beautifully-written book will change the way you see the world’

JONATHAN M. METZL, author of Dying of Whiteness

‘Some writers have tackled the sordid history of race science previously, but none have gone so deep under the skin of the subject as Angela Saini in Superior . In her deceptively relaxed writing style, Saini patiently leads readers through the intellectual minefields of “scientific” racism. She plainly exposes the conscious and unconscious biases that have led even some of our most illustrious scientists astray’

MICHAEL BALTER, science journalist and author of The Goddess and the Bull

For my parents, the only ancestors I need to know.

Contents

Cover

Title Page

Copyright

Praise for Superior

Dedication

Prologue

1 Deep Time

2 It’s a Small World

3 Scientific Priestcraft

4 Inside the Fold

5 Race Realists

6 Human Biodiversity

7 Roots

8 Origin Stories

9 Caste

10 Black Pills

11 The Illusionists

Afterword

References

Index

Acknowledgements

By the Same Author

About the Publisher

‘In the British Museum is where you can see ’em

The bones of African human beings’

– Fun-Da-Mental, ‘English Breakfast’

I’M SURROUNDED BY DEAD PEOPLE, asking myself what I am.

Where I am is the British Museum. I’ve lived in London almost all my life and through the decades I’ve seen every gallery in the museum many times over. It was the place my husband took me on our first date, and years later, it was the first museum to which I brought my baby son. What draws me back here is the scale, the sheer quantity of artefacts, each seemingly older and more valuable than the last. I feel overwhelmed by it. But as I’ve learned, if you look carefully, there are secrets – secrets that undermine the grandeur, that offer a different narrative from the one the museum was built to tell.

When medical doctor, collector and slave owner Sir Hans Sloane bequeathed the British Museum’s founding collection upon his death in 1753, an institution was established that would come to document the entire span of human culture, in time and space. The British Empire was growing, and in the museum you can still see how these Empire-builders envisioned their position in history. Britain framed itself as the heir to the great civilisations of Egypt, Greece, the Middle East and Rome. The enormous colonnade at the entrance, completed in 1852, mimics the architecture of ancient Athens. The neo-classical style Londoners associate with this corner of the city owes itself to the fact that the British saw themselves as the cultural and intellectual successors of the Greeks and Romans.