Down on the beach, the air smelled of the orange trees in pots around Café Estrella, their leaves shiny as plastic, and the drunken fig that had crushed the wall and lay draped half across the path, its ripening fruit sweetening the air with a perfume so heady, so addictive that the more Ava inhaled the more she needed, as if all the breaths in the world wouldn’t satisfy the craving. Light-headed from all the sniffing, she bounced her case across the cobbles of the square in the direction of the rusty black gates. On the wall above the letterbox was a bell with a little light and the words Valentina Brown (Mrs) .
She couldn’t quite believe she was here.
She had wavered slightly when she’d touched down in the UK. Wondered whether to back track and relegate the whole idea to a conversation topic about how her big bad brother had denied her this chance of a lifetime. She had actually half-presumed that her boss Peregrine would be the one to put the kybosh on it – unable to manage without her – but instead he’d been nothing but supportive, waffling on about her loyalty to the company. He could think of nothing more worthwhile than taking a break to find oneself and wished he had done it himself at her age. He and their intern – a dashing young up-start, Hugo, the incredibly self-assured son of Peregrine’s best friend – would hold the fort in her absence. If she was honest, she’d been a little put out by Peregrine’s blasé belief that the company could manage perfectly well without her, secretly wishing herself indispensable. But he clearly wasn’t worried, coming back from lunch with a travel diary, still in the Paperchase bag with the receipt, as a parting gift to seal the deal.
So here she was, unzipping the pocket in her bag for the key, still on the familiar little black bull keyring, a miniature version of the huge cut-outs that loomed high above the roadside on her taxi journey from the airport, reminding her that this was Spain.
She looked across at the Café Estrella. In the darkness a TV flickered. Two old men played chess on a table in the shade. The blackboards were tired and smudged. There was no one there that she recognised. The waiter was drying the cups, his glance flicking between the TV and his few customers. She remembered nights when they’d danced on the tables.
She turned the key in the iron gate lock and walked up the dusty path, past the bougainvillea trailing unchecked over the fence and the pots of plump green succulents. Her fingers were shaking slightly and at the front door she fumbled the key, dropping it on the threshold. Bending down to pick it up she saw the shells. Pressed into the cement by her and Val: Our Summerhouse . She paused and rubbed one of the little shells with her thumb before taking a deep breath, picking up the keys and going inside.
The corridor was dark. The shutters closed. It was stranger than she’d imagined, being there alone. No smells of cooking. No vacuuming or absent-minded flower-arranging or kettle boiling. No stray cats purring. No telephone ringing or swearing at the TV, no diary scribbling or wild gesticulations about making no noise and coming to the window to look at what was going on in the street outside.
Nothing, Ava noted as she pushed the door open, just some junk mail on the mat and dusty dried lavender in a vase.
It was empty, unlived in, musty.
She walked straight through to the living room and opened the windows, the air instantly filling with the salty breath of the sea. She stood with her hands on the sill, looking out at the beach, at the rows of bronze-limbed sun-worshippers and children digging holes in the sand. Then she turned her back to the window and took in the familiar sight of a million old Spanish paintings wonkily filling every inch of the magnolia walls. The sofa, threadbare, spilling with cushions. The coffee table stacked high with big art books, stains on the glass from coffee cups. The shelves toppling with family photographs. The desk by the window covered with papers. Everything exactly as she remembered it but coated with a thin layer of sticky dust.
In the kitchen she tore off a bin bag and went through the fridge, chucking everything out. Then did the same in the avocado bathroom, binning the half-used bottles of shampoo, the night creams and the flattened toothpaste tube. The little half-bar of soap by the bathroom sink, heartbreaking but unusable, too closely tied to the once living.
As she looked, Ava did her best to ignore the growing weight pressing down on her, trying not to dwell on the life that had gone. She blinked away the vision of someone finding her own half-bars of soap, immediately glad that she’d chucked everything out for the airbnb tenant.
Her friends were WhatsApping. So jealous of your weather. How’s it going?
She paused in the corridor to reply, leaning up against the cool geometric tiles. Great. Amazing. It’s the kind of heat that makes you have to move slower. So relaxed.
It was sort of true. It was hot, sticky limbs weather.
No one replied. She checked the time. They were all at work, stressed and manic and attempting to double-screen in meetings. All of them jealous of her holiday, not realising that she was a little bit jealous of them.
She looked up and caught sight of the coat hanging by the front door: bright red brocade with a faux leopard fur collar, ankle length, cylindrical. It had swamped Ava as a kid in the same way it swamped Val in old age. She remembered it being tucked around her on the plane as she slept on the way back from visiting her mother in New York. She glanced to the right, almost to check no one was watching, then leant forwards so her nose was just touching the material and inhaled the scent of citrus, sandalwood and juniper. ‘ The thing about men, Ava, is that they like the smell of power. Always wear cologne. ’
And she realised, suddenly, that there would be no more such skew-whiff wisdom in her life. Unwanted at the time, unbearably poignant in retrospect.
She took a step back, turned and found herself staring up to the bedroom. The open door at the top of the stairs, the big gilt mirror on the wall, the dusky pink walls. Val’s room. The steps creaked as she walked. It was a lethal staircase, a flimsy banister with no spindles, and steps with open risers. As kids they would lie on their backs to slip through the gaps between each step and see how high they could go and still be able to cope with the drop to the floor. When Val caught them she banned the game, which of course didn’t stop them, but, as usual, it was Ava who got hurt when it all went wrong.
Now she paused on the top step, hand on the wobbly banister, and watched the sun battling its way through a gap in the curtain. There were velvet slippers tucked neatly under the bed waiting for feet. Faded ribbons tied on the gold, scrolled bed frame. A huge canvas of a black and white flamenco dancer leant against a shelf above the bedhead next to the window. Whirlpools of sun and dust eddied in the air.
Ava walked inside. She could see her reflection in the mottled mirror of the neat little Victorian wardrobe. She swallowed. She wanted to scoop everything up in her arms and walk holding it forever.
This was her family. Her stability. One of life’s guarantees. Like Christmas at Rory and Claire’s; the Starbucks next to Peregrine’s shop; Louise trying to be funny on WhatsApp. It was safe here. There was love here. Wonky advice and unending gossip, but a home whenever she needed it. And of course, someone who would talk, unendingly, about her mother; hours they had spent together remembering the stage lights, the smell of backstage at the theatre, the heat of the dressing room, the taste of make-up in the air.
Ava’s eyes trailed across to the carved wooden cabinet and a mirror above it draped with jewels; necklaces glimmered in the sunlight, bowls of rings shone on the surface next to a cluster of little ornaments and glass bottles. Shoe boxes snaked ladders up the wall.
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