Anne Berry - The Water Children

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Four lives. Four defining moments which will bring them together.Owen Abingdon is haunted by nightmares of the Merfolk. He believes they have stolen his little sister who vanished while he was meant to be minding her on the beach, but he was only a child himself. Is it fair for his mother to blame him?Catherine Hoyle's perfect Christmas with her cousin from America was blighted when they went skating on thin ice and Rosalyn nearly died. Somehow, instead of being praised for raising the alarm, Catherine gets blamed.Sean Madigan grew up on a farm in Ireland. Learning to swim in the Shannon was his way of escaping the bitter poverty of his childhood, but it also incurred his father's wrath. He flees to England, but his heart belongs to the Shannon and her pulling power is ever near…Unlike the other three, Naomi Seddon didn't fear the sea. She'd been orphaned and placed in a children's home in Sheffield and cruelly abused. The sea offered her a way out and she revelled in its cruel power.The "water children" meet in London in the searing hot summer of 1976 and Naomi uses her siren's charm to lure Owen, Catherine and Sean into her tangled web of sexual charm and dangerous passion. A holiday in the Tuscan mountains with a flooded reservoir and its legend of the beautiful Teodora who drowned there brings this emotional drama to a powerful climax. Will the power of family, love and redemption finally help the water children conquer their fears and triumph over their childhood traumas?

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‘Mm . . . very generous, I’m sure. We’ll have to match it for Simon and Rosalyn, though,’ remarks Catherine’s mother, sounding less than pleased. Her brow scrunched, she picks at her hairs rather like a monkey.

‘What do they say, Catherine?’ Her father slips out his pipe to make room for the words, then plugs it back in and puffs contentedly. He will have to extinguish it in a minute, but he may as well enjoy it while this rare reprieve continues.

‘That they haven’t decided about Christmas yet. Uncle Christopher may not be able to take the time off with all the seasonal flights.’ Her father wags his head to either side in that accepting way of his. But Catherine wants to scream, to beg him, no, to beseech him on her bended knees to force his brother to come, to make a long-distance ’phone call right now and insist on it. Even if it means cancelling all the flights, then that’s what he should tell Uncle Christopher to do. Because otherwise she will die, she will simply curl up and die. But she mustn’t say that, mustn’t let on how vital it is, because then it will all be over. There won’t be one grain of hope left in the empty sack of her life. Yet, yet . . . that is the word she must hold onto. They haven’t decided yet .

With grim determination she swallows back her dismay. She will act like Elizabeth Taylor in National Velvet . She gathers up her money and postal orders now and makes a fan of them in her hand. She flutters them and pulls her lips into a smile. She is overwhelmed by her sudden wealth, but when her father questions her she has no clue what she will spend it all on. Such unexpected largesse and all those things in the shops to choose from. Her parents have given her one of the new Sindy dolls, with curly blonde hair and bold chalk-blue eyes. She is dressed in navy jeans and a red, white and blue stripy sweater. And she has two extra outfits, a glamorous pink dress for her dream dates, and an emergency ward nurse’s uniform.

‘Like it?’ her father asks. Catherine nods. She would have preferred a bike, but she hooks up the corners of her smile valiantly. Keith Hoyle glances surreptitiously at his wife, then relights his pipe which has gone out, with the mother-of-pearl lighter he always keeps in his pocket. He settles back in his chair as if he is not in any hurry at all. ‘Let’s see her done up in all her glad rags then,’ he requests. So, face radiant, Catherine dresses Sindy up in her party outfit and trots her round the crockery.

‘She’s really swinging now,’ he says, when Sindy finally stops jigging by the sugar bowl. Truly he makes Catherine want to laugh. She lets her mind run on him for a while. It is inconceivable that her father will ever be really swinging. He is thin as a beanpole, with a mournful, equine, lined face that appears sun-tanned. This is a bit of a conundrum because he is never in the sun long enough to catch its rays. His hair is very fine, the colour of a silver birch tree, clipped close around his ears and neck, parted to one side like Catherine’s. He massages brilliantine into it before combing it down, which makes it appear as if there is even less of it. It has a funny whiff about it too, rather like an old tweed coat. Her father doesn’t talk a lot either, but it isn’t noticeable because her mother prattles enough for both of them.

Stephen, Catherine’s older brother, has promised that he will call in later on, after the party. He has a job in a garage not far away. The owner lets him stay in one of the spare rooms above the business, so he returns home infrequently, and only to bring his washing or have a hot meal. Catherine thinks he resembles James Dean with his red BSA Bantam motorbike. He is saving for a Triumph Bonneville, and when he finally has enough money to buy it, he has said he will take her all the way to Brighton on it. But today, as it is her birthday, he has promised her a ride to Bushy Park and back instead. Honestly, she is more excited about this than her party, which she feels sure is bound to be a disaster.

Later, as Catherine trails through to the sitting-room to arrange her cards on the mantelpiece over the tiled fireplace, she considers her Uncle Christopher. He is a pilot, which is just about the most romantic thing in the world, she believes. He is handsome in a chiselled kind of way, while Aunt Amy has the grace of a model about her, with her wavy blonde hair, her clear skin, and her calm, low voice. There isn’t a huge gap between Rosalyn and Simon either, not like her and Stephen. Rosalyn is ten and Simon is twelve. And they talk to each other about shared interests, and watch the same programmes on the television sitting side by side. In a way Catherine is a bit frightened of Stephen. After all, he is pretty nearly an adult, and besides there is a strong scent that hangs about him, under the smell of leather and oil. It makes her feel very shy, especially on the rare occasions when she is on his bike with her arms folded about his waist, and the thrumming, dizzying whizz of the machine between her legs.

As she starts up the stairs with her presents, her mother appears in the kitchen doorway, a cigarette in her mouth, a lighter halfway to her lips. Seeing her daughter, she slips it out and wafts it in her direction. ‘You aren’t wearing that dress for the party?’ she calls after her. ‘I told you that the pale pink velvet is best. It’s hanging in the airing cupboard.’

As Catherine lifts it out, despising the fussy, lace neckline, she imagines what it must be like to be a pilot. Her father works in the city. He is a commuter with a hat, not a bowler hat but a hat anyway, and a briefcase. He trudges off to work in creased suits looking exhausted before he’s even left. And he returns grey and even more exhausted, often long after dark. Sometimes when he blows his nose black stuff comes out, which Catherine thinks is revolting, as if he isn’t just black on the outside but is slowly turning black on the inside too. He makes her think of Tom, the chimney sweep, in the book The Water Babies , as if he needs a good scrub to get the engrained dirt out of his pores. But Uncle Christopher goes to work in a smart uniform, one fit for a general or a commander or a president. They are in the back of her mind all day, her aunt, her uncle, Simon, but mostly Rosalyn, though she is determined to make the best of her party.

***

It was Christmas. They were staying in the house in Sussex with the American Hoyles. And it was every bit as amazing as she had imagined it would be. The house was huge, nearly as tall as a castle, redbrick, rectangular and solid, with lots of windows that gleamed like dozens of golden, unblinking eyes in the winter sunshine. And there was a fire-engine red front door that had a brass knocker in the shape of a face with swept-back, wild hair. When you lifted it and banged it down a couple of times it boomed satisfyingly, like a cannon firing. There were lots of bedrooms upstairs and none of them were pokey like Catherine’s. And there was an attic floor that had been converted into yet more rooms. The kitchen was massive, dominated by a milky blue Aga that crunched up scuttles full of coal every morning, while spewing out gusty exhalations of glistening dust.

The lounge was twice the size of theirs. It had wall-to-wall carpet, not just a lino floor with a rug thrown over it. There was a baronial fireplace, in which a real fire crackled and spat and hissed in the grate. It permeated the room with a homely, spicy fragrance, because of the pine logs they fed it, her uncle said. Even her mother, in a rare moment of enthusiasm engendered by the festive season, remarked that it was all rather jolly. Though she added that their built-in bar fire was definitely much cleaner, and probably a lot more efficient – cheaper too, when you con sidered the outrageous cost of fuel.

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