Anne Berry - The Water Children

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Four lives. Four defining moments which will bring them together.Owen Abingdon is haunted by nightmares of the Merfolk. He believes they have stolen his little sister who vanished while he was meant to be minding her on the beach, but he was only a child himself. Is it fair for his mother to blame him?Catherine Hoyle's perfect Christmas with her cousin from America was blighted when they went skating on thin ice and Rosalyn nearly died. Somehow, instead of being praised for raising the alarm, Catherine gets blamed.Sean Madigan grew up on a farm in Ireland. Learning to swim in the Shannon was his way of escaping the bitter poverty of his childhood, but it also incurred his father's wrath. He flees to England, but his heart belongs to the Shannon and her pulling power is ever near…Unlike the other three, Naomi Seddon didn't fear the sea. She'd been orphaned and placed in a children's home in Sheffield and cruelly abused. The sea offered her a way out and she revelled in its cruel power.The "water children" meet in London in the searing hot summer of 1976 and Naomi uses her siren's charm to lure Owen, Catherine and Sean into her tangled web of sexual charm and dangerous passion. A holiday in the Tuscan mountains with a flooded reservoir and its legend of the beautiful Teodora who drowned there brings this emotional drama to a powerful climax. Will the power of family, love and redemption finally help the water children conquer their fears and triumph over their childhood traumas?

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‘I need to make love to you, Judy,’ Walt said reasonably. Judy clasped her hands behind her head and sighed contentedly. Then they were holding onto each other as if they were cast adrift in an ocean and each was the other’s lifebuoy. They stood. Again they kissed, long and lingeringly. When they headed off towards Judy’s tent, Naomi tracked them. She waited, and when they re-emerged she joined them as they made their way down Desolation Row. They found a loose panel in the fencing and clambered through into the arena. They managed to fight their way right up to the stage, and The Doors played, and The Who, and Sly and The Family Stone. Walt caressed her wiggling serpentine body. He toyed with her and petted her. Feet apart from them, Naomi gave off intense hatred like static. When they went back to Judy’s tent she hastened after them, tripping over sprawled bodies, being sworn at, being kicked. She stayed outside until she had counted the stars, then snuck in. She squatted like a gargoyle in a corner and kept vigil while they slept. The music vibrated her ears, and Mara was a marble rolling in her head, muddling her thoughts. She was wide eyed when Judy sat up, stretched, yawned. Walt woke more slowly. He saw Judy beside him, her fair hair sleep-tumbled. A second later he started at the spectre of Naomi crouching at her feet. The tent was jade green, the morning light filtering through it creating the impression that they were all under the sea.

‘Hello, Naomi,’ Judy greeted her, as if there was nothing out of the ordinary in waking up to see a woman squatting like a gargoyle ogling you. ‘I want to take Holy Communion. It’s Sunday. There’s a service by the marquee. Roman Catholic and Church of England. I saw a notice.’ Judy whistled through her even white teeth into the watery greenness. She was naked and so was Walt. Blinking at her, he nodded. Naomi backed out of the tent on her hands and knees like a dog, leaving them to worm their way from their sleeping bag and into their clothes. They emerged from the tent, hands clasped, to find her still attending them. She did not look vengeful, or angry, or jealous, just blank, a blank page.

‘Hello again,’ Judy said, relaxed. And she leaned forward and kissed Naomi lightly on the cheek. Walt followed suit.

‘Naomi, have you been with us all night?’ Walt wanted to know. She nodded.

‘Are you all right?’ breathed Judy. She had her scarf in her hand and had begun folding it, running a thumb and forefinger along the fabric edge as if creasing paper to make a fan. She tied it around her head. Then, ‘Do you want to take Communion? Come with us.’ And she clasped Naomi’s hand in hers and felt the rough nails scrabble against her palms.

When they got close enough, the priests – there were two of them speaking into a microphone in resonant sing-song tones – ushered them forwards. Judy looked very earnest as she took the silver chalice. She focused on her reflection in it before she took a swallow. Walt mimicked her example. He glanced round to locate Naomi and saw that she was frozen. Her arms were slung about her chest, hands plunged into her armpits. She was staring at one of the priests, her expression haunted. He was robed in satin, the dark material patterned with huge swirling flowers, wide white cuffs on his bell sleeves. He was elderly. A side parting navigated its way through untidy grey straggles of hair. Horn-rimmed glasses perched on a large nose, which was latticed with broken red veins. His head was down, one hand lifted stiffly in blessing over the plate of wafers.

The other priest, taller, less ostentatious in black, was pouring the wine into a second chalice. Suddenly Naomi spun on her heels, shoving her way through the communicants and fled. For a space she walked aimlessly. For a space she merged with a group who were all leaping like grasshoppers to bat about an enormous orange balloon, on the scale of a hot-air balloon but lacking the buoyancy.

‘Man, this is great,’ said one guy, his shoulder-length brown hair lashing about as he jumped. ‘Don’t you just want to do this forever?’

She realized, startled, that he was addressing her. She was standing on tiptoes and lowered herself carefully. She made no reply. She was tiring of the pointless game. ‘I’ve won,’ she said.

‘Oh, far out! You’re a riot.’ She fixed him with her individual glare and he stopped springing about like Zebedee from The Magic Roundabout . ‘Wow, your eyes are amazing. Like two separate women in one. Want to go somewhere?’ he propositioned bluntly. She gave her hesitant mechanical blink and stalked off.

She joined a queue, shuffling forward patient as a cow, and was rewarded with a slice of melon, a hamburger, a pint of milk. She ate hungrily, drank thirstily, licked the cream off her top lip. Re-energized, she stepped into a wall of foam and leapt about, making believe she was inside a cloud. It was mildly amusing. It made her feel sexy, the foam on her skin and people looming out of the whiteness. She’d like to have fucked Walt with all that foam splitting and flaking around them. It would have been like screwing in a giant snow-globe.

‘But then he’s probably busy fucking sweet little Judy right now,’ she mumbled under her breath.

She wasn’t in the mood to trampoline on clouds after that, so she spent a period staring at a plantation of rubbish. It seemed to be burgeoning right before her, dividing, doubling, a cancer spreading. It stank, its rank odour permeating the air. She wondered if anyone else saw the astonishing beauty in this living monument to decay and death. Then it was the evening. She materialized out of the throng and sat beside Walt and Judy on the grass. They heard Donovan, Ralph McTell and the Moodies. She decided that she would never forget the Moodies, the music from that incredible Mellotron seeming to wrap around them. It came from everywhere and nowhere, reverberating off the slopes, bouncing off the canvas gables on Desolation Row. The huge darkness was pegged with stars, the air was a mêlée of scents, of grass and hash and dew and people, and yes, even here, garbage. She was a drop in an ocean of people, pulled by the currents of music.

‘Judy, we were always meant to be together,’ Walt declared. ‘Come back to San Francisco with me?’ And when she did not reply, only smiled, he asked her to give him her address, her phone number.

‘You’re a treasure,’ she said as if he was an adorable puppy she didn’t want to keep. Then, ‘Goodbye.’ She kissed him on the cheek and Naomi as well, and shimmered off, losing herself in the heaving mass. Walt’s face cracked as if it was a nut split open in a nutcracker. He was hardly aware of Naomi, of the bottle she handed him.

‘Jimi Hendrix,’ she said.

‘Foxy Lady,’ he replied, gulping the drink she had handed him. He grimaced. ‘What . . . what is it? It tastes like air freshener.’ But such was his thirst that he drained the bottle anyway.

After a time she said, ‘You’re tired.’

As if she was a hypnotist and he was her subject, he nodded obediently. Instantly he was exhausted, worn ragged. He needed to sleep. Jimi Hendrix seemed far away, a blur of pink and orange, a flash of silver around his neck. He wanted to hear the end but he hadn’t the will to keep awake. Then Naomi was helping him back to the tent. ‘I want to see . . . see . . . Je . . . Jethro, Jethro Tull. I want . . . want to see Joan Baez. Naomi? Naomi?’ He waved his arm and stumbled. Distantly he knew he was losing co- ordination, control. ‘Was there something . . . something in that drink?’

‘Don’t be silly.’

‘Na . . . omi?’ he slurred.

‘Yes?’ she said, a clear bell sounding through the fudge of his speech.

‘Don’t let me miss Leonard. Don’t let me . . .’ He broke off, remembering he had to breathe. ‘Don’t let me miss Leonard Cohen. I must . . . must hear Leonard.’ Someone was turning the volume down on his voice. The effort of making himself understood was too great. ‘Mm . . . mm . . . Na—’

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