Jessie Keane - Playing Dead

‘And I think I’ve probably missed my audition . . .’

Having failed spectacularly at the Hollywood dream, Lionel took Vivienne home to England with him and married her there. She was a chatty bottle-blonde and tired of being pawed over by fat old producers on the casting couch, tired of being wild at heart while presenting a carefully virginal image to the outside world, tired of the coke-fuelled merry-go-round that Hollywood truly was.

Vivienne was charmed by his English gentility, thinking that here was a real gentleman. He’d played at Stratford, for Chrissakes. He quoted the Bard’s love poems to her, and she melted. Accustomed to encounters like the one Lionel had interrupted, lifting her skirts for quick, sweaty couplings in draughty backstage corridors on the promise of a part – after which the part always failed to materialize – Vivienne was entranced by his old-fashioned charm and amazed that he actually took the trouble to woo her. Before a year was out, she was pregnant with Frances.

It was such a touching story, such a happy tale, it should have ended with bliss everlasting. Lionel and the lovely Vivienne waltzing off into the sunset together. But Vivienne quickly got bored with daily life in England. She was a good-time girl; she loved the bright lights. And Chamberlain’s famed ‘piece of paper’ had been proved worthless. War was declared on Germany, so Lionel went off to fight.

Feeling lucky to be alive and not maimed when so many of his comrades had died or had their lives altered forever at the hands of the Nazis, Lionel returned home when it was all over and thought, What the hell? He would give the acting dream one last shot.

He ditched his old agent and acquired a new thrusting one called LaLa LaBon, who was bursting with energy and unscrupulously single-minded in the pursuit of a deal. LaLa was a rampaging, cheroot-puffing dyke with black bobbed hair and a vulpine, predatory face. She appreciated beauty in her male clients and was now pushing him westwards with manic enthusiasm.

‘Think of it! Hollywood! You heard of an actor called Archie Leach?’ she asked him one rainy day in her poky little London office.

‘No,’ he said, feeling dubious but finding her enthusiasm infectious. He’d already told her he’d tried Hollywood before, but LaLa was not to be deterred. ‘I’ve never heard of him.’

‘And you fucking well won’t,’ she said, busily puffing on her cheroot. She stabbed the air with it, making her point. Her eyes gleamed diabolically through the smoke-haze. ‘You know why? Because he changed his name to Cary Grant and look what happened to him. He’s English, he’s charming, he’s handsome. And so, Lionel my pet, are you – and your time is now.’

So he went back to Hollywood not as Lionel Driver (‘My God – so dull!’ said LaLa) but as Rick Ducane.

He was back on the party circuit again in no time. LaLa went with him and worked long and hard to get him into the best places. He was rubbing shoulders with people like Frank Sinatra and Ava Gardner now, and the dirt was they were having a hot affair, with Sinatra singing and shooting out streetlights as he walked her home.

As for Rick’s affairs – well, he had taken Vivienne and sulky little baby Frances with him; he owed them that much, surely? The gloss had already gone off the marriage thanks to Viv’s drinking, but he couldn’t just abandon them, now could he? LaLa insisted he could. Rick insisted he couldn’t.

Finally, LaLa won the vote. And she laid down the ground rules. Rick rented a modest house in the hills and Vivienne had to stay there with her little boy. To the outside world, to Hollywood, Rick Ducane must be a single man. There must be no mention of any marriage, none at all – not unless he wanted to fuck up his career before it had even started. He needed to be free to escort older ladies, the fading stars who needed ‘walkers’ and could thereby get him into the most desirable parties.

‘Jesus,’ complained Vivienne. ‘That fucking woman dictates our whole life. What, are you ashamed of me? Ashamed of your son ?’

Vivienne took a lot of placating, but she agreed in principle to just keep her head down and later, much later, when he’d made it, LaLa promised that the announcement would be made and wife and son could begin to appear in public.

He’d be paid to schmooze the movers and shakers, an opportunity that many a struggling actor would kill for. What more could LaLa do for him? she demanded. Hold his fuckwit little hand ?

So Rick Ducane started schmoozing. He schmoozed so hard he felt as if his head was coming off. He chatted with directors, producers, gofers and lighting men; he attended so many auditions that he became bewildered about which part he was reading for.

He resented it. He was back here again, chasing bit parts and walking old female farts who usually got falling-down drunk or hopped to the eyeballs on drugs, and groped him. After a year of exhausting failure and domestic discord he was all but ready to call it a day.

‘You’re never going to make it,’ Viv told him in one of her drunken rages. She was hitting the bottle harder than ever. ‘You’re a loser .’

But the war had taught him endurance in the face of adversity and so he went on, sparkling, entertaining, handsome, until one night he exerted his charm on the right person and then . . . well, next day on his dressing-room door they hung a star. They really did.

Chapter 7

1971

Saul Jury watched Rocco Mancini and Frances Ducane from his car, which was parked across the street. Idiots , he thought. They were sitting there in a window seat in the diner, thinking themselves unobserved. Touching hands all the time – Jesus, he hated faggots.

A woman’s instinct , he thought grimly. Hadn’t his own mother told him it was lethally accurate, whenever he’d tried her out with some scam or other? Didn’t his own wife tell him it was infallible, when he tried to get away with his own little minor indiscretions?

And look at this; they were both right. And so was Cara Barolli Mancini. Only she was right in a way that was unexpected; probably it was going to shock her. However, he took the pictures, particularly pleased with the one that clearly showed Rocco Mancini kissing his little fag friend Frances Ducane’s cheek as he left. If Mrs Mancini was going to snoop on her ever-loving husband, then she had to accept that the consequences might not be pleasant.

The private detective knew the identity of Frances Ducane because he’d already trailed him twice, once to Rocco’s cruiser out in New York Sound, and had even given Mrs Mancini his name. She was paying him plenty for all this work; he was a happy man. Frances was a good-looking kid, an actor – and, like ninety-five per cent of all actors, he was spending a lot of time ‘resting’. His father Rick had been a big noise in Hollywood in the Fifties, before a spectacular fall from grace. Saul hoped little Frances wasn’t going to go the same way, but the way things were shaping up, it didn’t look so good for him.

Rocco had married a whole heap of money – apparently the Barolli family were huge importers of wine, olive oil and fruit from all around the world – and Frances was reaping the benefits, happily accepting not only Rocco’s manhood in places where Saul didn’t even like to think about, but accepting expensive presents too.

Of course it was the presents that had given him away. Woman’s instinct.

Yeah, his mother and his wife were right. If a woman got a feeling about something, probably there were some grounds to it. Cara had been going through Rocco’s pockets for weeks, looking for evidence to back up her theory that he was playing away from home; finally, Rocco got careless and she found receipts. Incriminating stuff. And then she had hired Saul. And Saul had done his work, and now . . . now he was going to spin this out just a little longer, bump up the tab. She could afford it.