Merryn Allingham - The Buttonmaker’s Daughter

MERRYN ALLINGHAMwas born into an army family and spent her childhood on the move. Unsurprisingly, it gave her itchy feet and in her twenties she escaped from an unloved secretarial career to work as cabin crew and see the world. The arrival of marriage, children and cats meant a more settled life in the south of England, where she’s lived ever since. It also gave her the opportunity to go back to ‘school’ and eventually teach at university.

Merryn has always loved books that bring the past to life, so when she began writing herself, the novels had to be historical. She finds the nineteenth and early twentieth centuries fascinating eras to research and her first book, The Crystal Cage , had as its background the London of 1851. The Daisy’s War trilogy followed, set in India and London during the 1930s and ‘40s.

Her latest novels explore two pivotal moments in the history of Britain. The Buttonmaker’s Daughter is set in Sussex in the summer of 1914 as the First World War looms ever nearer, and its sequel, The Secret of Summerhayes , forty years later in the summer of 1944 when D Day led to eventual victory in the Second World War. Along with the history, of course, there is plenty of mystery and romance to keep readers intrigued.

If you would like to keep in touch with Merryn, sign up for her newsletter at www.merrynallingham.com

To the Lost Gardens of Heligan,

the original inspiration for this novel.

Contents

Cover

About the Author MERRYN ALLINGHAM was born into an army family and spent her childhood on the move. Unsurprisingly, it gave her itchy feet and in her twenties she escaped from an unloved secretarial career to work as cabin crew and see the world. The arrival of marriage, children and cats meant a more settled life in the south of England, where she’s lived ever since. It also gave her the opportunity to go back to ‘school’ and eventually teach at university. Merryn has always loved books that bring the past to life, so when she began writing herself, the novels had to be historical. She finds the nineteenth and early twentieth centuries fascinating eras to research and her first book, The Crystal Cage , had as its background the London of 1851. The Daisy’s War trilogy followed, set in India and London during the 1930s and ‘40s. Her latest novels explore two pivotal moments in the history of Britain. The Buttonmaker’s Daughter is set in Sussex in the summer of 1914 as the First World War looms ever nearer, and its sequel, The Secret of Summerhayes , forty years later in the summer of 1944 when D Day led to eventual victory in the Second World War. Along with the history, of course, there is plenty of mystery and romance to keep readers intrigued. If you would like to keep in touch with Merryn, sign up for her newsletter at www.merrynallingham.com

Title Page

Dedication To the Lost Gardens of Heligan, the original inspiration for this novel.

Chapter One

Chapter Two

Chapter Three

Chapter Four

Chapter Five

Chapter Six

Chapter Seven

Chapter Eight

Chapter Nine

Chapter Ten

Chapter Eleven

Chapter Twelve

Chapter Thirteen

Chapter Fourteen

Chapter Fifteen

Chapter Sixteen

Chapter Seventeen

Chapter Eighteen

Chapter Nineteen

Chapter Twenty

Chapter Twenty-One

Chapter Twenty-Two

Chapter Twenty-Three

Chapter Twenty-Four

Chapter Twenty-Five

Chapter Twenty-Six

Chapter Twenty-Seven

Chapter Twenty-Eight

Chapter Twenty-Nine

Chapter Thirty

Chapter Thirty-One

Chapter Thirty-Two

Chapter Thirty-Three

Chapter Thirty-Four

Chapter Thirty-Five

Chapter Thirty-Six

Chapter Thirty-Seven

Chapter Thirty-Eight

Chapter Thirty-Nine

Chapter Forty

Chapter Forty-One

Chapter Forty-Two

Copyright

Chapter One

Sussex, England, May 1914

Her father’s voice ripped the silence apart. It burst through the closed doors of the drawing room, swept its way across the hall and rattled the panelled walls of golden oak. From where she stood on the staircase, the girl could just make out his figure shadowed against the room’s glass doors. A figure that was angry and pacing. Carefully, she made her way down the last remaining stairs, then tiptoed to a side entrance. The air was fresh on her skin, cool and tangy, the air of a glorious May evening. A sun that had shone for hours still lingered in the sky and a few birds, unsure of when this long day would end, continued their song.

She walked purposefully across the flagged terrace and down the semicircular steps to an expanse of newly mown grass. Its scent was enticing and she had to stop herself from picking up her skirt and dancing across the vast lawn. It was relief that made her feel that way, relief that she’d escaped the house and its hostility. From a young age, she’d been encircled. Family discord had been a constant. Her parents’ union was what was once known as a marriage of convenience, but whose convenience Elizabeth had never been sure. Their ill-assorted pairing had been a blight, an immovable cloud which hung over everything within the home.

Uncle Henry had done something bad, it seemed. Something to do with the stream that couched the perimeter of both their estates. An act of calculated spite, her father had roared. Whatever it was, she wanted no part of it. She shook her mind free and strode across the grass as swiftly as her narrow skirt allowed, her speedy passage disturbing one of Joshua’s prize peacocks. The bird squawked at her in annoyance and flew up onto the ridge of the stone basin that sat in the centre of the lawn, fanning his feathers irritatedly. He was lucky the gardeners had yet to prime the fountain, or he might have ended more ruffled still. The warm weather had arrived without notice and caught the staff racing to catch up. The roses crowding the pergola that linked lawn and kitchen garden were already unfurling, their scent strong.

She passed beneath the grand arch leading to the huge swathe of land that grew fruit and vegetables to feed the whole of Summerhayes, and felt its red brick humming with the heat of the day’s sun. The tension she’d been carrying began to slip away and her limbs relax into the reflected warmth. Today had been difficult. Her father’s temper, always erratic, had exploded into such fury that the very walls of the house had trembled. At such moments, she was used to finding solace in her studio, paint and canvas transporting her to a world far removed from the sharp edges of life at Summerhayes. But today, painting had failed her. And miserably.

She stopped to listen, the sound of young voices floating towards her across the still air. From behind hoops of sweet peas planted amid the potatoes and cabbages and onions, she could just make out the figures of William and his companion. They were making their way along the gravel path that lay at right angles to where she stood. It was late, too late for them to be out. They were defying the curfew imposed when Oliver had first arrived to spend the long school holiday with her brother.

‘You’d better get yourselves indoors,’ she called out to them, as the boys made their way along the cruciform of gravel that bisected the kitchen garden. ‘Papa is in a towering temper and you’ll be for it if he sees you’re still out.’

‘We’ve been down to the lake,’ Oliver said. ‘We wanted to check on progress, but not much has happened. In fact, just the opposite, the site looks a mudbath.’

‘The stream has stopped flowing,’ her brother put in. ‘At least, I think that’s the problem. The lake isn’t a lake any more. It’s a mess.’