Desmond Bagley - The Tightrope Men / The Enemy

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Double action thrillers by the classic adventure writer set in Norway, Finland and Sweden.THE TIGHTROPE MENWhen Giles Denison of Hampstead wakes up in an Oslo hotel room and finds the face looking back at him in the mirror is not his own, things could surely get no more bizarre. But it is only the beginning of a hair-raising adventure in which Denison finds himself trapped with no way to escape. One false move and the whole delicately balanced power structure between East and West will come toppling down…THE ENEMYWealthy, respectable George Ashton flees for his life after an acid attack on his daughter. Who is his enemy? Only Malcolm Jaggard, his future son-in-law, can guess, after seeing Ashton's top secret government file. In a desperate manhunt, Jaggard pits himself against the KGB and stalks Ashton to the silent, wintry forests of Sweden. But his search for the enemy has barely begun…Includes a unique bonus - Desmond Bagley's pen portrait, written for the original publication of The Tightrope Men.

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His head throbbed with the beginning of a headache – the legacy of those extra couple of drinks – and his mouth was parched. He glanced around the room and noted the unrumpled companion bed, the jacket hanging tidily on the back of a chair and the scatter of personal possessions on the dressing-table. He was about to cross to the dressing-table when the pressure in his bladder became intolerable and he knew he had to find a bathroom.

He turned and stumbled into the small hall off the bedroom. One side was panelled in wood and he swung a door open to find a wardrobe full of hung clothes. He turned again and found a door on the other side which opened into darkness. He fumbled for a switch, found it, and light sprang up in a white-tiled bathroom.

While he was relieving himself his mind worried about the electric switch, wondering what was strange about it, and then he realized that it was reversed – an upward movement to turn on the light instead of the more normal down pressure.

He flushed the toilet and turned to the hand basin seeking water. Two glasses stood on a shelf, wrapped in translucent paper. He took one down, ripped off the paper and, filling it with water from the green-topped tap, he drank thirstily. Up to this moment he had been awake for, perhaps, three minutes.

He put down the glass and rubbed his left eye which was sore. Then he looked into the mirror above the basin and, for the first time in his life, experienced sheer terror.

TWO

When Alice went through the Looking Glass the flowers talked to her and she evinced nothing but a mild surprise; but a psychologist once observed, ‘If a flower spoke to a man, that man would know terror.’

So it was with Giles Denison. After seeing the impossible in the bathroom mirror he turned and vomited into the toilet bowl, but his laboured retchings brought up nothing but a thin mucus. Panting with his efforts, he looked into the mirror again – and reason left him.

When he became self-aware he found himself prone on the bed, his hands shaped into claws which dug into the pillow. A single sentence was drumming through his mind with mechanical persistence. ‘ I am Giles Denison! I am Giles Denison! I AM Giles Denison! I am GILES DENISON!’

Presently his heavy breathing quieted and he was able to think beyond that reiterated statement of identity. With his head sideways on the pillow he spoke aloud, gathering reassurance from the familiar sound of his own voice. In a slurred tone which gradually became firmer he said, ‘I am Giles Denison. I am thirty-six years old. I went to bed last night in my own home. I was a bit cut, that’s true, but not so drunk as to be incapable. I remember going to bed – it was just after midnight.’

He frowned, then said, ‘I’ve been hammering the bottle a bit lately, but I’m not an alcoholic – so this isn’t the DTs. Then what is it?’ His left hand moved up to stroke his cheek. ‘What the hell is this ?’

He arose slowly and sat on the edge of the bed, screwing up his nerve to go back into the bathroom as he knew he must. When he stood up he found his whole body trembling and he waited a while until the fit had passed. Then he walked with slow paces into the bathroom to face again the stranger in the mirror.

The face that looked back at him was older – he judged the man to be in his mid-forties. Giles Denison had worn a moustache and a neatly clipped beard – the stranger was clean shaven. Giles Denison had a full head of hair – the stranger’s hair receded at the temples. Denison had no distinguishing marks as called for in passport descriptions – the stranger had an old scar on the left side of his face which passed from the temple across the cheekbone to the corner of the mouth; the left eyelid drooped, whether as a result of the scar or not it was impossible to say. There was also a small portwine birthmark on the angle of the right jaw.

If that had been all perhaps Denison would not have been so frightened, but the fact was that the face was different. Denison had been proud in a non-committal way of his aquiline good looks. Aquiline was the last word to describe the face of the stranger. The face was pudgy, the nose a round, featureless blob, and there was an incipient but perceptible double chin.

Denison opened his mouth to look at the stranger’s teeth and caught the flash of a gold capping on a back molar. He closed both his mouth and his eyes and stood there for a while because the trembling had begun again. When he opened his eyes he kept them averted from the mirror and looked down at his hands which were gripping the edge of the basin. They were different, too; the skin looked older and the nails were shortened to the quick as though the stranger bit them. There was another old cicatrice on the back of the right thumb, and the backs of the forefinger and middle finger were stained with nicotine.

Denison did not smoke.

He turned blindly from the mirror and went back into the bedroom where he sat on the edge of the bed and stared at the blank wall. His mind threatened to retreat to the mere insistence of identity and yammered at him, ‘I AM GILES DENISON!’ and the trembling began again, but with an effort of will he dragged himself back from the edge of that mental precipice and forced himself to think as coherently as he could.

Presently he stood up and went to the window because the street noises forced themselves on his attention in an odd way. He heard an impossible sound, a sound that brought back memories of his childhood. He drew back the curtain and looked into the street to find its origin.

The tramcar was passing just below with the accompanying clangour of a past era of transport. Beyond it, in a dazzle of bright sunshine, were gardens and a bandstand and an array of bright umbrellas over tables where people sat eating and drinking. Beyond the gardens was another street filled with moving traffic.

Another tramcar passed and Denison caught a glimpse of the destination board. It made no sense to him because it seemed to be in a foreign language. There was something else odd about the tramcar and his eyes narrowed as he saw there were two single-deck coaches coupled together. He looked across the street at the fascia boards of the shops and found the words totally meaningless.

His head was aching worse than ever so he dropped the curtain to avoid the bright wash of sunlight and turned into the dimness of the room. He crossed to the dressing-table and looked down at the scatter of objects – a cigarette case, apparently of gold, a smoothly modelled cigarette lighter, a wallet and a note-case, and a handful of loose change.

Denison sat down, switched on the table lamp, and picked up one of the silver coins. The head depicted in profile was that of a fleshy man with a prow of a nose; there was something of the air of a Roman emperor about him. The wording was simple: OLAV.V.R. Denison turned the coin over to find a prancing horse and the inscription: I KRONE. NORGE.

Norway!

Denison began to feel his mind spin again and he bent forward as a sudden stomach cramp hit him. He laid down the coin and held his head in his hands until he felt better. Not a lot better, but marginally so.

When he had recovered enough he took the wallet and went through the pockets quickly, tossing the contents into a heap on the table top. The wallet emptied, he put it aside after noting its fine quality and began to examine the papers. There was an English driving licence in the name of Harold Feltham Meyrick of Lippscott House, near Brackley, Buckinghamshire. Hair prickled at the nape of Denison’s neck as he looked at the signature. It was in his own handwriting. It was not his name but it was his penmanship – of that he was certain.

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