From Notebook 4 a tantalising glimpse of a project, never realised, from the 1960s.
Published by HarperCollins Publishers Ltd
1 London Bridge Street
London SE1 9GF
www.harpercollins.co.uk
Fully revised and expanded edition published 2016
First published in Great Britain in two volumes by HarperCollins Publishers as Agatha Christie’s Secret Notebooks and Murder in the Making 2009, 2011
Copyright © John Curran 2009, 2011, 2016
Agatha Christie Notebooks, The Man Who Knew , The Incident of the Dog’s Ball , The Case of the Caretaker’s Wife and The Capture of Cerberus copyright © Christie Archive Trust 2009, 2011
Quotations copyright © Agatha Christie Limited 2009, 2011
Agatha Christie®, Poirot®, Marple® and the Agatha Christie Signature are registered trade marks of Agatha Christie Limited in the UK and elsewhere.
All rights reserved
www.agathachristie.com
Cover layout design © HarperCollins Publishers Ltd 2016
Cover design by Henry Steadman
Photograph of Agatha Christie © Popperfoto/Getty Images
John Curran asserts the moral right to be identified as the author of this work.
A catalogue copy of this book is available from the British Library.
This novel is entirely a work of fiction. The names, characters and incidents portrayed in it are the work of the author’s imagination. Any resemblance to actual persons, living or dead, events or localities is entirely coincidental.
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Source ISBN: 9780008129620
Ebook Edition © October 2016 ISBN: 9780008129644
Version: 2017-04-11
For
Joseph, Conor,
Francis, Oisin and Lorcan
And for
Mathew, Lucy and Mahler,
without whom …
Contents
Cover
Title Page
Copyright
Dedication
Foreword
Introduction
Preface: Shadows in Sunlight
1. The Beginning of a Career
2. The Evidence of the Notebooks
3. Agatha Christie at Work
4. Rule of Three
5. Crime Writers in the Notebooks
Part I: The First Decade
The Mysterious Affair at Styles
The Man in the Brown Suit
The Secret of Chimneys/Chimneys
The Mystery of the Blue Train
My Favourite Stories and ‘The Man Who Knew’
Part II: The Second Decade
‘The Bird with the Broken Wing’
‘Manx Gold’
The Murder at the Vicarage
The Sittaford Mystery
‘The Mystery of the Baghdad/Spanish Chest’
Peril at End House
‘The Second Gong’
‘Death on the Nile’
Lord Edgware Dies
Three Act Tragedy
Death in the Clouds
‘How Does Your Garden Grow?’
The AB C Murders
‘Problem at Sea’
‘Triangle at Rhodes’
‘The Regatta Mystery’
Murder in Mesopotamia
‘Murder in the Mews’
Dumb Witness
‘The Incident of the Dog’s Ball’
Death on the Nile
‘The Dream’
Appointment with Death
‘How I Created Hercule Poirot’
Hercule Poirot’s Christmas
And Then There Were None
Part III: The Third Decade
Sad Cypress
One,Two, Buckle my Shoe
‘Four-and-Twenty Blackbirds’
Evil under the Sun
N or M?
‘The Case of the Caretaker’s Wife’
The Body in the Library
Five Little Pigs
The Moving Finger
Towards Zero
‘Strange Jest’
Death Comes as the End
Sparkling Cyanide
The Hollow
Three Blind Mice/The Mousetrap
The Labours of Hercules
‘The Capture of Cerberus’
Butter in a Lordly Dish
Taken at the Flood
Crooked House
Part IV: The Fourth Decade
A Murder is Announced
They Came to Baghdad
Mrs McGinty’s Dead
They Do It With Mirrors
After the Funeral
A Pocket Full of Rye
Personal Call
Destination Unknown
Spider’s Web
Hickory Dickory Dock
Dead Man’s Folly
‘Greenshaw’s Folly’
4.50 from Paddington
The Unexpected Guest
Ordeal by Innocence
Cat among the Pigeons
Part V: The Fifth Decade
The Pale Horse
The Mirror Crack’d from Side to Side
Rule of Three
The Clocks
A Caribbean Mystery
At Bertram’s Hotel
Third Girl
Endless Night
By the Pricking of my Thumbs
Hallowe’en Party
Part VI: The Sixth Decade
Passenger to Frankfurt
Nemesis
Fiddler’s Three
Elephants Can Remember
Akhnaton
Postern of Fate
Curtain: Poirot’s Last Case
Sleeping Murder
Postscript: Unused Ideas
Appendix I: Chronology of Titles
Appendix II: Alphabetical List of Titles
Endnotes
Index of Titles
Acknowledgements
About the Publisher
When John Curran’s book Agatha Christie’s Secret Notebooks was published in 2009, the reading public was given something very rare: perhaps the most complete document for any author of the notes and sketches of their novels. Reading the book was like studying the preliminary sketches of any great artist, and in doing so we automatically found ourselves searching for clues. It gave us an insight into the workings of Agatha Christie’s mind – plus the gift of two new unpublished Poirot stories!
John Curran not only gives us the facts of what is written in Mrs Christie’s notebooks, but he uses conjecture firmly based upon these facts to show us how her remarkable novels came to be written. He even manages to get into her mind and into her psychology. He studies her life and her relationships (both personal and professional), and places these facts together with what is in her ‘secret’ notebooks to inform us how she wrote and how her writings were influenced by her daily life and the current affairs of the time.
Poirot is often heard to exclaim to Hastings, ‘ The facts, Hastings … the facts! ’ These for Poirot are the most important matters to ‘arrange’. And now John Curran in his book becomes himself the veritable Hercule – well … almost!
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