4th Estate
An imprint of HarperCollins Publishers
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London SE1 9GF
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This eBook first published in Great Britain by 4th Estate in 2018
Copyright © Jonas Jonasson 2018, first published by Piratförlaget, Sweden, and upon agreement with Brandt New Agency
Translation copyright © Rachel Willson-Broyles 2018
Cover based on a series design by Jonathan Pelham
Jonas Jonasson asserts the moral right to be identified as the author of this work
A catalogue record of this book is available from the British Library
This novel is a work of fiction. The names, characters and incidents portrayed in it are the work of the author’s imagination or are used fictitiously. Any resemblance to actual persons, living or dead, events or localities is entirely coincidental.
All rights reserved under International and Pan-American Copyright Conventions. By payment of the required fees, you have been granted the non-exclusive, non-transferable right to access and read the text of this e-book on-screen. No part of this text may be reproduced, transmitted, down-loaded, decompiled, reverse engineered, or stored in or introduced into any information storage retrieval system, in any form or by any means, whether electronic or mechanical, now known or hereinafter invented, without the express written permission of HarperCollins.
Source ISBN 9780008275570
Ebook Edition © August 2018 ISBN: 9780008275587
Version: 2018-10-03
Cover
Title Page
Copyright
Foreword
Indonesia
Indonesia
Indonesia
The Indian Ocean
The Indian Ocean
Congo
North Korea
USA, North Korea
The Indian Ocean
The Indian Ocean
Tanzania
North Korea
North Korea
North Korea
South Korea
North Korea
USA
Switzerland, USA
North Korea
North Korea
USA
USA
USA
USA, Sweden
Sweden
Indonesia
Sweden
Sweden
Sweden
USA
Sweden
Russia
Sweden, Germany
Germany
Denmark, Sweden
Russia
Sweden
Sweden
Sweden
Sweden
Sweden
Sweden
Sweden
Sweden
Russia
Sweden
Sweden
Sweden
Sweden
Sweden
Sweden
Sweden
Sweden
Sweden
Sweden
Sweden
Sweden
Sweden
Sweden, Denmark
Russia
Denmark
Sweden
Denmark, Sweden, Germany
Germany
Russia
Tanzania
Congo
Tanzania
Tanzania, Kenya
Tanzania, Kenya
Kenya
Kenya
Congo
Kenya
Kenya
Indonesia
Kenya, Germany
Kenya
Kenya, Madagascar
Kenya, Germany
Germany
Kenya
Sweden
Madagascar, North Korea, Australia, USA, Russia
Sweden, USA, Russia
Kenya
Extra thanks to:
Also by Jonas Jonasson
About the Publisher
I AM JONAS JONASSON and I want to explain myself.
There was never meant to be a sequel to the story of the hundred-year-old man who climbed out of a window and disappeared. Many people wanted one, not least the protagonist, Allan Karlsson, who kept strolling around inside my head and calling attention to himself whenever he wished.
‘Mr Jonasson,’ he might say, out of nowhere, as I was busy with my own thoughts. ‘Have you changed your mind yet, Mr Jonasson? Don’t you want to have another round before I’m really old?’
No, I didn’t. I’d already said everything I wanted to say about what was perhaps the most miserable century ever. The idea had been that if we reminded one another of all the shortcomings of the twentieth century, maybe it would make us better at remembering and less inclined to make at least those mistakes again. I packaged this message of mine with warmth and humour. Soon the book spread all over the world.
It sure as hell didn’t make the world a better place.
Time passed. My inner Allan stopped getting in touch. All the while, humanity kept moving forwards, or whatever direction it was moving in. Event after event filled me with the sense that the world was more incomplete than ever. All the while, I was just an onlooker.
More and more I started to feel the need to speak up again, in my own way. Or Allan’s. One day I heard myself asking Allan straight out whether he was still with me.
‘Yes, I’m here,’ he said. ‘What might you have on your mind, Mr Jonasson, after such a long time?’
‘I need you,’ I said.
‘For what?’
‘For telling it like it is and, indirectly, how it ought to be.’
‘About everything?’
‘About more or less everything.’
‘Mr Jonasson, you understand that won’t help, right?’
‘Yes, I do.’
‘Good. Count me in.’
* * *
RIGHT, THERE’S ONE MORE THING. This is a novel about recent and present events. I make use of a number of public political figures in the plot, and of people in their immediate vicinity. Most of the characters in the book go by their real names. Others, I have spared.
Since these leaders sometimes look down upon, rather than up at, ordinary folks, it’s reasonable to poke a little fun at them. But that doesn’t make them less than human, every one, and as such they deserve a moderate amount of respect. To all these potentates, I would like to say: I’m sorry. And: Deal with it. It could have been worse. As well as: What if it is?
Jonas Jonasson
A life of luxury on an island in Paradise ought to be satisfactory to just about anyone. But Allan Karlsson had never been just anyone, and his hundred-and-first year of life wasn’t the time to start.
It was, for a certain amount of time, gratifying to sit in a lounger under an umbrella and be served drinks of various colours at whim. Especially when one’s best and only friend, the inveterate petty thief Julius Jonsson, was right next to one.
But soon old Julius and the much older Allan grew tired of doing nothing but frittering away the millions from the suitcase they’d happened to bring with them from Sweden.
Not that there was anything wrong with frittering. It just got so monotonous. Julius tried renting a fully staffed hundred-and-fifty-foot yacht so he and Allan could sit on the foredeck with fishing rods in hand. It would have been a pleasant break if only they enjoyed fishing. Or, for that matter, eating fish. Instead, their yacht excursions involved doing the same thing on deck as they’d already learned to do on the shore. Namely, nothing at all.
Allan, for his part, made sure to fly Harry Belafonte in from the United States to sing three songs on Julius’s birthday – speaking of too much money and not enough to do. Harry stayed for dinner even though he wasn’t paid extra for it. Altogether, this constituted an entire evening of pattern-breaking.
By way of explanation for his selection of Belafonte over anyone else, Allan pointed out that Julius had a soft spot for this newer, youthful sort of music. Julius appreciated the gesture and didn’t mention that the artist in question hadn’t been young since the end of the Second World War. Compared to Allan, he was, of course, a child.
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