J. Farjeon - Detective Ben

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Ben the tramp, the awkward Cockney with no home and no surname, turns detective again – and runs straight into trouble.Ben encounters a dead man on a London bridge and is promptly rescued from the same fate by a posh lady in a limousine. But like most posh ladies of Ben’s acquaintance, this one isn’t what she seems. Seeking escape from a gang of international conspirators, Ben is whisked off to the mountains of Scotland to thwart the schemes of a poisonous organisation and finds himself in very unfamiliar territory.With its startling prelude, Detective Ben is a glorious adventure, told with the unsurpassed mixture of humour and creepy thrills that made J. Jefferson Farjeon famous and Ben the tramp one of the best-loved characters of the Golden Age.

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Just the same, she had implied that this was not going to be a comedy, and with that Ben very earnestly agreed. Whatever her job was, he had a job of his own, and he was going to hang on to it till kingdom come. And it probably would come. But he could not complete his job till he knew hers. So what was it?

The darkness refused to tell.

‘Nex’. Wot abart this journey?’

Blank.

‘When’s it goin’ to start?’

Blank.

‘Where’s it goin’ to be to?’

Blank.

‘’Ow am I goin’ to git out o’ this ’ouse, s’posin’ I want to?’

Blank.

‘Yus, and wot’s goin’ on in this ’ouse? That’s the fust thing, ain’t it? Wot’s goin’ on?’

This time he received an answer startlingly, but though it was illuminating it merely threw light upon himself. A thin beam shot across the room, played on him for an instant, and vanished.

He leapt to his feet, to be out of its path if it reappeared. He stood stock-still in the new spot to which he had leapt. For five seconds nothing happened. Then the beam shot across the room again, picked him out as before, and vanished as before. It was following him.

‘Lumme, it’s one o’ them death rays!’ he thought, palpitating. A second thought was more comforting. ‘Then why ain’t I dead? So I ain’t!’

A sound outside the door switched his mind to a fresh unpleasantness.

‘She’s still outside!’ he reflected. ‘She’s bin there orl the time, listenin’. Crikey, ’ave I bin torkin’ in me think?’

The key turned. The door slowly opened. Once more the thin streak of light revealed Ben’s features. Its source was an electric torch, held in the hand of a tall, thin, shadowy figure.

4

The Man in the Next Room

‘Good-evening, Mr Lynch,’ said a soft, effeminate voice. ‘That is, I take it you are Mr Lynch?’

Ben also took it that he was, and struggling to conceal his fright, he replied, with hoarse gruffness:

‘That’s me!’

‘It is a sweet name,’ went on the soft voice. It reminded one vaguely of dressmaking. ‘Almost too sweet to believe. So perhaps, after all, we need not believe it?’

‘Eh?’

‘I expect you have chosen it to indicate your habits?’

A thin, ghostly hand moved up to the speaker’s collarless neck, engaging it in a pale and flabby clasp.

‘The last one called himself Churchyard, but I always thought that was a grave mistake. It proved prophetic. Yes.’

‘I s’pose you know wot yer torkin’ abart?’ inquired Ben.

The visitor’s attitude was not balm to the spine, but at least he did not appear immediately menacing, and this circumstance assisted the process of recovery.

‘You,’ he answered. ‘Mr Harry Lynch. You will look charming one day in wax. Meanwhile, I am very pleased to meet you in the flesh and to welcome you to our little home. Do you like it?’

‘Well, I ain’t seen much of it,’ remarked Ben.

‘You will see more of it.’ He had been standing in the doorway, but now he suddenly entered, closing the door quietly behind him. ‘Perhaps more than you want, but that is only a guess. I spend a lot of my time guessing. Life is terribly boring, apart from its occasional highlights—yes, there are occasional highlights—and you must fill in the time with some occupation. Even staying in bed tires you, after a certain number of hours. Once I played golf. Yes, really. I got so I could hit the ball. But you can’t play golf here. So I guess. I guessed right about Mr Churchyard. Do you mind if I examine you a little more closely? You seem an unusually interesting specimen.’

Once more the electric torch—the only source of illumination—nearly blinded Ben.

‘’Ere, I’ve ’ad enough o’ that!’ exclaimed Ben.

‘Yes, I hope you will forgive me for having used my private peepholes. They are in the wall. My room is next to yours. Isn’t that nice? But it will be better—do you mind?—if you speak a little more quietly.’

‘Why?’

‘Well, it’s rather late, isn’t it? Now, then, your face. Yes, I do like it. Not classic, of course. Not aesthetic. But—as I have already implied—manna for wax. And you can see it on the front page of a newspaper, with interesting titbits under it. I do a lot of reading.’

‘Yus, well, that’s enough abart my fice,’ growled Ben. He disliked the analysis, and he was sure Mr Harry Lynch would have objected also. ‘Wot abart your fice?’

‘Oh, certainly.’ The torch swung round, and the visitor’s chin became grotesquely illuminated. Above the chin were a weak mouth, very pale cheeks, and light blue eyes. The crowning hair was yellow-gold; perfectly waved. ‘Not your fancy, eh?’

‘I saw worse once,’ replied Ben.

‘How you must have suffered,’ sighed the visitor. ‘Personally, I like my face. I spend a lot of time looking at it. My theory is that you either attend to your appearance, or you do not. No half-measures. I attend to it. My life is different from yours, but, having accepted it—and again there are no half-measures—I am quite as happy as you, or a politician, or a member of the Stock Exchange, before we all go to hell. Now tell me something else. This is important. What do you think of your hostess?’

‘Ah, well, there you are,’ answered Ben noncommittally, while trying to work out what Harry Lynch’s opinion should be.

‘Am I?’ murmured the visitor. ‘I wonder! I see you believe in caution. You may be right—especially to one who has not been introduced and who has peepholes in walls. Do you always sit on the floor, by the way? I may be a policeman. Only I am not a policeman. If I were, I should be very careful not to put the idea into your head. My name is Sutcliffe. No relation to the Yorkshire Sutcliffe. Cricket tires me. Stanley Sutcliffe. Sometimes our hostess calls me Mr Sutcliffe. Then I call her Miss Warren. Sometimes she calls me Stanley. Then I call her Helen. sometimes—in strict private—she calls me Stan. What I call her then is not for your ears. Are we better acquainted? I hope so. I am feeling rather tired, and want to get back to bed. I hope you like my dressing-gown. But what I am asking you is whether you like your hostess?’

‘She’s a good looker,’ replied Ben.

‘She is certainly a good looker. She has one look that is so good it melts me. Be careful.’

‘It ’asn’t melted me.’

‘I don’t expect you have seen it yet.’

‘It won’t melt me when I does!’

‘I wish I could still paint. I used to, you know. Futuristic. But I gave it up. I found the brushes so heavy. I’ve given up a lot of things.’ His pale blue eyes grew sad. ‘I would like to paint you. I am sure we could startle Art between us. Your face must be preserved somehow!’

‘Yus, well, we’re torkin’ of Miss Warren’s fice,’ Ben reminded him, secretly grateful for the valuable information of her name.

‘Ah—Miss Warren’s face,’ murmured Stanley Sutcliffe. ‘Yes. Miss Warren’s face.’ He closed his eyes. ‘Dangerous, Mr Lynch. Dangerous. Why, even—’ He paused, and opened his eyes. ‘But it will not melt you , eh?’

‘Nothink melts me,’ asserted Ben. ‘Not even when me victims ’oller!’

‘Mr Churchyard made the same boast,’ smiled Mr Sutcliffe sympathetically. ‘Standing in the very spot you are standing in. “She can’t make me do what I don’t agree to do,” he said. And he would agree to most. Then she came in—’ He paused again, and turning to the door, directed his torch towards it. ‘Well, well, we shall see. Of course, Mr Churchyard was not the first. In my own case, I made no boast. I just gave way at once. Much the simplest. I believe in ease. One day—if we’re allowed the time—we must discuss philosophy.’

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