Matthew Plampin - Illumination

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Illumination: краткое содержание, описание и аннотация

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A powerful story of revolution, love and intense rivalry set in 1870 during the four-month siege of Paris.1870. All over Paris the lights are going out. The Prussians are encircling the city and Europe’s capital of decadent pleasure and luxury is becoming a prison, its citizens caught between defiance and despair. Desperate times lie ahead as the worst winter for decades sets in and starvation looms.One man seems to shine like a beacon in the shadows. Jean-Jacques Allix promises to be the leader the people need, to save the city itself. Painter Hannah Pardy, his young English lover, believes in him utterly; taking up arms for his cause, she is drawn into the heart of the battle for Paris. But as the darkness and panic spreads it is harder and harder to see things as they really are, and Hannah struggles to separate love from self-interest and revolutionaries from traitors.Faced with impossible decisions, Hannah must confront the devastating reality of her beloved Paris to establish what truly matters to her – and what she will do to protect it.

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À bas les Prussiens! ’ everyone cried. ‘ Vive la France!

Clem took hold of his mother’s arm. ‘We need to find somewhere to stay. This is the best course open to us. Forget your rivalries for the moment. We need to talk with Mr Inglis.’

Elizabeth was gazing skyward, anger and pride wrestling with her common sense. Common sense prevailed; she removed her arm from Clem’s grasp and set off towards the boulevards.

Montague Inglis lived in a splendid apartment building barely a hundred yards from the boulevard des Capucines. He would not see them there, however; a note was sent down to the concierge’s desk saying that he would be in the lobby of the Grand Hotel at ten, where he was due to meet with a friend.

‘See how he tries to put me in my place,’ Elizabeth said. ‘Pathetic man.’

They passed an hour in a large café opposite the hotel. It was an elegant establishment, all polished brass, potted ferns and mosaic table-tops, and it was devoid of both waiters and customers. Their order was served by a woman in a brown velvet dress who Clem guessed was the proprietor’s wife; she quivered at each distant rumble of artillery, spilling his coffee into the saucer as she poured.

Little was said. Elizabeth wrote in her notebook, filling several pages. Clem sat staring out at the boulevard, paralysed by imaginings of the café’s wide windows shattering; the ornamental stonework being blown to powder; the great block of the Grand cracking and crumbling apart. His coffee went cold in its cup, a pastry lying untouched on a plate beside it.

Inglis was twenty minutes late for his meeting. They cornered him at the reception desk, at almost exactly the same spot where he’d greeted them the afternoon before.

‘Still in Paris then, Mrs P,’ he observed. ‘Can’t say I’m much surprised.’

The journalist’s clothes were smarter today, his coal-black coat cut long in the Imperial style. Clem, in his faded travelling suit, felt humble indeed beside him – as was surely Inglis’s intention. Elizabeth was not cowed in the least, though, stating without preamble that they had little money, nowhere to stay and required his assistance. Inglis’s eyes held a hint of scorn, but he seemed to find it amusing to play the charitable gentleman. Clem looked from one to the other, wondering what had happened between them. Could it have been some form of writers’ quarrel, back at the height of Elizabeth’s renown – or a romantic entanglement, after she’d been widowed? Inglis hardly struck Clem as his mother’s choice of paramour. Perhaps this had been the problem.

A manager was summoned with whom the Sentinel correspondent was particularly friendly. The two men reached an agreement and the Pardy luggage once more vanished behind the desk of the Grand.

Elizabeth’s gratitude was restricted to a brief nod. ‘You will lose nothing, Mont,’ she said. ‘I promise you that. I have funds enough in London to cover any bill that might be run up.’

This was patently untrue. Clem had been forced to pawn a pair of his late father’s silver ink pots just to pay for their travel and a single night’s accommodation. He began a silent inventory of their remaining possessions. By his reckoning, a stay in the Grand of anything over a fortnight would have them down to bedsteads and door handles.

The thump of faraway cannon sent a vibration through the hotel’s glass doors. Without speaking, the manager gathered up half a dozen ledgers and a cash-box and retreated to a back room.

‘Mrs P,’ said Inglis, ‘since you are to remain with us, I must absolutely insist that you come on this morning’s jaunt. My friend and I are heading south, outside the wall. Word is that there’s quite a skirmish being fought up on the Châtillon plateau. What d’you say?’

Clem nearly grinned; this was an obvious ploy, designed to draw Elizabeth out into the open. By accepting Inglis’s invitation she would be effectively admitting a professional interest in the siege, confirming the suspicions he’d voiced the evening before. Clem thought of the notebook, of the many pages that had already been covered, and knew what her answer would be.

‘What else do I have to occupy me, Mont, now that you have been so kind as to help us secure our rooms?’ Elizabeth’s tone was good-humoured and utterly unapologetic. ‘I find that I have a keen desire to see something of these Prussians who are causing so much blessed inconvenience.’

Inglis laughed, a little too loudly; a contest had begun. ‘How wonderful,’ he said.

‘Shouldn’t we unpack first?’ Clem asked Elizabeth. ‘Take stock of the situation – get word to Han, maybe?’

His mother didn’t think so. ‘This may be a deciding moment, Clement. We must leave this minute. You can return to your new friend in Montmartre later on.’

Clem looked off into the hotel, a blush creeping up his neck. She’d seen through him yet again. He had indeed been aiming to slip away to the boulevard de Clichy at some point, just to let Mademoiselle Laure know that he was still in town. If Elizabeth was going on this expedition, though, he would stick with her instead. Spectating at a battle sounded perfectly insane to him; he vowed to keep them within dashing distance of the French fortifications.

A man was watching them from the far side of the lobby, almost hidden behind a column. He wore a modern grey suit with a short jacket and a round-topped hat. At his feet were several bags and cases – more than one person could reasonably hope to carry. He appeared to be waiting.

‘Mr Inglis,’ Clem asked, ‘is that the fellow you’re here to meet, by any chance? Your friend?’

Inglis turned. ‘Why yes, so it is. Dear Lord, what’s he doing over there, lurking in the shadows?’

The journalist took a step in the man’s direction and launched into a stream of imperious French, his voice amplified by the lobby’s marble-clad emptiness. Clem could understand little of it, but Inglis sounded more like a displeased employer than any kind of friend. The man emerged from behind his column and went about picking up his baggage. He did this quickly and methodically, as if following a system. Across his back went a canvas sack containing what appeared to be tent poles; under his arm was tucked a black leather doctor’s bag; in each of his hands was a sturdy wooden box.

Clem suddenly realised what all this gear was. ‘A photographer,’ he said.

‘Indeed.’ Inglis moved closer to Elizabeth. ‘This is the chap from Montmartre I mentioned to you yesterday, Mrs P, the associate of the great Nadar. I have it in mind to commission him to capture certain scenes from the siege – views, key personages and so forth.’

Elizabeth responded with a taut smile. Photographs meant illustration; prints could be sent back to London, engraved and then reproduced in this diary Inglis was planning to publish. The inclusion of pictures brought a strong commercial advantage. Elizabeth, if she did put together a book of her own, couldn’t hope to do anything similar. She’d just been obliged to beg for Inglis’s help in securing her accommodation; she certainly wasn’t in a position to pay for original photographs. Inglis was well aware of this, of course. He was revelling in it.

The photographer drew near. Around thirty years old, he had the compact build of an athlete and bore his weighty equipment easily. His features were sharp and dark; his moustache long but neat, bleached a dusty brown by the sun. Inglis introduced him, in English, as Monsieur Émile Besson.

‘This fine lady here, Besson, is Mrs Elizabeth Pardy, the famous adventurer and authoress. You may recall her Notes and Reflections on the French Nation – caused quite a stir it did, back in the late forties.’ The journalist’s beard twitched. ‘And this is Clement, her son.’

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