Alison Giles - Meadowland

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Meadowland: краткое содержание, описание и аннотация

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A compelling first novel which centres on a young woman and the emotional legacy left by her father’s death; two widows, his mistress and his wife. Charissa finds herself torn between the two.At 25 yrs, Charissa has her life under control – until her father dies and in his dying hour extracts a promise from her to visit his weekend mistress. Since her early teenage years Charissa has been helplessly caught up in the conspiracy of silence verging on denial surrounding her father’s mistress. Far from the seductress Charissa had imagined, Flora turns out to be a self-contained , down-to-earth country woman in her fifties to whom she finds herself unexpectedly drawn. Like her father, she too begins to deceive her repressed, conventional mother by paying increasingly frequent visits to Flora ‘s West Country home. As the relationship between herself and Flora blossoms, Charissa starts to unravel her emotional past and, with the help of Flora’s attractive neighbour Andrew, to overcome her wariness of commitment nurtured by her parent’s complex relationship.

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But the thought had stirred an image; myself, cringing; and Father sweeping me up in his arms, laughing away my fears. ‘They’re only bats, silly,’ I heard him say, his voice deep and comfortable. When could that have been, I wondered.

Now I could discern branches stirring gently and, in the distance, the shimmer of headlights. I watched them approaching, turning into the lane and lighting it up with powerful beams. There was a squeal of brakes and the sound of tyres swerving on gravel as the vehicle swept round and up to the house. The lights were extinguished.

I retreated towards the table. A metallic bang was followed by heavy footsteps. A broad shape passed the window. Then, with no more than a token knock, the same man who had spoken to me earlier in the day from his Land Rover pushed open the door and stood in the entrance.

He gave a swift glance round the room before addressing me. ‘Flora in?’ Then he looked at me more closely. ‘Oh, it’s you. Nearly ran into your car out there.’ He shook his head tolerantly. ‘Do you always park in damn fool places?’

I clapped my hand to my mouth. ‘Oh, I’m sorry … no lights. I hadn’t thought …’

‘If you give me the keys, I’ll move it.’

I scrabbled in my bag and produced them. ‘That’s very kind of you.’

‘Self-interest. By the way, where’s Flora?’

I hesitated. ‘I’m not sure. I mean, she didn’t actually say.’

He gave me a bemused look. ‘Probably shutting up the hens.’ He jiggled the keys in his hand. ‘Right. I’ll just go and do this.’ He strode out.

Aware that my face was probably still showing traces of my recent outburst, I reached for my make-up. As I touched up, Flora returned.

‘I see Andrew’s here,’ she said from the lobby. She stepped into the kitchen. ‘Where is he?’

‘Moving my car.’ My words were accompanied by the sound of its engine starting up.

She nodded and went to the sink to wash her hands.

When he came back, she introduced us.

‘Not …?’ He hesitated and looked questioningly at Flora.

‘Yes. That’s right. Hugh’s daughter.’

His reaction on discovering my identity was totally different from Flora’s. His eyes lit up in greeting as he moved forward to grasp my hand. ‘Really?’

I responded gratefully.

Andrew turned to Flora. ‘You didn’t tell me …’

‘I didn’t know.’ Flora stood leaning against the cupboard, arms relaxed at her sides.

‘You mean … you just …?’ He swivelled his head from one to the other of us, seeking clarification.

‘My father asked me to return some books.’

Andrew’s face sobered. ‘We all miss him,’ he said. Then, as though realising the possible trickiness of his ground, ‘What I mean is …’

‘Thank you,’ I said.

So he obviously knew the situation. It occurred to me that Flora wasn’t the sort of person to try to hide it. Whatever else, there seemed a straightforwardness about her. I couldn’t help wondering if things would have been different if my mother had cared less about what the neighbours thought.

‘So what brings you, Andrew?’ It was Flora who spoke.

He jerked his attention back to her.

It turned out to be a matter of mild curiosity about rumours concerning the egg farm. They chatted about it, Flora meanwhile opening a tin of cat food and spooning it into a dish. Columbus, awoken by the sound of scraping, stirred himself and then bounded across the room to its source. When he’d licked the plate clean, Andrew bent down, scooped him up and carried him to the door where he unceremoniously shooed him out into the night. ‘Go catch some mice,’ he said.

For the first time, I saw Flora laugh. ‘What, with his stomach as full as that? At best he’ll only have the energy to sit and ogle Joe Manning’s tortoiseshell.’

Andrew’s eyes crinkled acknowledgement. ‘Mind if I help myself to a beer?’ He was clearly very much at home.

‘Go ahead.’

He poured himself one and came to sit beside me on the sofa, to which I’d retired while they were talking.

‘Flora’s bite’s not nearly as fierce as her bark,’ he informed me conversationally, grinning across the room to where she still stood. Her face was a mask.

He pulled out a packet of cigarettes, gestured it towards Flora who waved it away, then held the packet out to me.

I made to take one, then glanced at Flora. ‘If you don’t mind?’

‘Not at all.’

Gratefully I lit up.

‘So,’ Andrew said, ‘did you enjoy your walk this afternoon?’ He gave Flora a quick résumé of our earlier encounter.

We pursued the subject briefly. Then: ‘Didn’t Hugh do a painting of the view from up there?’ He looked enquiringly at Flora.

She nodded.

He turned to me. ‘Has Flora shown you your father’s watercolours?’

I hesitated, then opted for honesty. ‘I didn’t even know he painted.’

A flicker of surprise crossed his face, and then he said, ‘Well, you must see them.’ He looked at Flora for confirmation. ‘Mustn’t she?’

Flora went to fetch them, for the first time opening the door to the rest of the house. A rush of cooler air swept in, and on it the steady tick of what I guessed could only be a grandfather clock – the sound I’d been aware of earlier, no longer muffled by panelling.

I shivered involuntarily. Andrew grinned. ‘Now you know why Flora lives in the kitchen.’

She returned moments later bearing a dozen or so examples of my father’s work. As I studied them, one by one, I gasped. ‘But they’re amazing. Did he really do these?’ I found it hard to comprehend. The paintings were delicate and robust at one and the same time; mostly landscapes, but here and there focusing with finely sketched lines on an animal or, in one instance, a young woman. I stared at this last – one of the only two framed ones. The girl was seated amongst meadow grass, arms hugged round legs over which full skirts were drawn tight, eyes turned towards a background of tree-dotted hills. Cornflowers bent, as though pressed by the same gentle breeze as ruffled her hair.

Andrew studied it over my shoulder. I felt him turn to look again at me. ‘It’s you!’ he said.

I knew he was right.

Yet again those tears – those damn tears – started to well up.

Flora was the one who broke the tension.

‘Are you staying for supper, Andrew?’

‘I was hoping you’d ask me. Ginny’s taken the boys off to visit their grandparents. Don’t know where she gets her energy from, working all week and then rushing around at the weekend.’

I surreptitiously dried my eyes, then stacked the paintings. From the conversation I gathered Ginny taught music, wind instruments mostly and some singing, juggling her time between several different schools.

‘Mind you, I’m all for it,’ Andrew was saying. ‘No point women sitting at home all day, wasting their talents.’

‘I do.’ Flora challenged him with a look that might or might not have been serious.

‘Waste your talents?’

Flora allowed herself a small smile. ‘That’s for others to judge. I meant stay at home.’

Like my mother always had, I thought.

Andrew was laughing. ‘Ah, but you’re one on your own, Flora. You don’t need the world like the rest of us mere mortals.’

He had, I realised with a sudden start of recognition, the image of my mother receding rapidly, put his finger on something.

‘And what about you, Charissa?’ He turned to draw me back into the conversation. ‘Didn’t your father say …’ He stopped. ‘Don’t you work for a travel company?’

I nodded. ‘At their head office.’

He encouraged me to expound.

Recruited from university, I explained; stints in different sections. ‘I seem to have settled for the time being in the Complaints Department.’

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