Marianne Faithfull - Memories, Dreams and Reflections

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This book is a more personal history than has ever before been written by or about Marianne Faithfull. Anecdotal, conversational, intimate and revealing, this is her no-holds-barred account of her life, her friends, her triumphs and mistakes.A decade after the publication of ‘Faithfull’, one of the most acclaimed rock autobiographies of all time, Marianne Faithfull is back, vowing periodically leave her wicked ways behind and grow up, but finding that somehow strange things keep happening.A wry observer of her slightly off-kilter world, Marianne muses nostalgically about afternoons languishing on Moroccan cushions at George and Pattie's, getting high and listening to new songs. She fondly recalls the outlandish antics of her Beat friends Allen Ginsberg and William Burroughs; is frequently baffled at her image in the press (opening the paper to read of her own demise: 'Sixties Star in Death Plunge'); terrified by the curse sent by Kenneth Anger; mortified by her history of reckless behaviour; not to mention her near-death experience in Singapore while looking for an opium den.Marianne peoples her anecdotal memoir with legendary characters one can imagine only Marianne assembling around her, both the eccentric and the beautiful, from Henrietta Moraes and Donatella Versace to Sofia Coppola, Juliette Greco, and Yves St. Laurent's dog. Here is Marianne on the dark side of the sixties and the bright side of the nineties, which saw her collaborating with the likes of Blur and Jarvis Cocker; compelling recollections of an unconventional childhood in her father's orgiastic literary commune to a hilariously decadent few days at Lady Caroline Blackwood's deathbed. Here she is her blossoming movie career, on her records as subliminal autobiography. This is as intimate a portrait as we've ever had of Marianne, as she meditates on sex and drugs, confronts her alter-ego, the Fabulous Beast, and faces her own mortality in her battle with breast cancer.Since her last book Marianne has, in her own words, 'made quite a few records, gone on many tours, tried to play it straight, and… Well, the rest is the subject of this book.'

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After the Nazis came in of course everything changed. She could easily have left. She had done her first Hollywood film test in the early thirties and they wanted her out there. I could never understand why she didn’t just go. She said it was because she couldn’t leave her people, and there always was something really rather noble about my mother in a crisis. She came of age in a time of perpetual crisis – afterwards, normal life was a little more difficult for her. My father admired my mother’s courage. Theirs was a classic wartime romance. Afterwards, they must have found out just how incredibly different they were. The romance of the war, the danger they found themselves in – Glynn was a spy and Eva his connection – was very romantic. And Eva was so beautiful – but of course very, very spoilt, and Glynn was not the sort of person who was going to indulge her whims.

When I was young my mother still had extravagant habits. Even in little things there was a huge difference between Eva’s and Glynn’s attitudes. As a child I used to spread oodles of butter on my toast – heart-attack amounts. I’d lather it on so thickly that you could barely see the toast. My father would go absolutely nuts.

‘What on earth do you think you’re doing?’ he would growl, eyeing the ton of butter on my toast. And this would cause rows between my parents, with my mother saying, ‘She can put on any amount she wants to.’ And this would go on and on. I guess it was just before the end of post-war rationing that in Britain went on right into the mid-fifties.

The war had taught my father to be frugal, but it had taught my mother something altogether different. The war years in Vienna had been very hard for her – there was no margarine, let alone butter – so she decided that now was the time to have as much butter as possible, not to mention anything else that had been rationed. As a child I would have mounds of cherries and apples and bananas. I loved Eva’s domestic recklessness, but as she got older my mother became more like my father, a change in attitude that I could hardly believe. In her mind she went back to the austerity of the war years; I think a lot of this had to do with her friends, who were far more effective at curbing her extravagances than my father ever was. My mother ended up very like Henrietta’s – the ‘mustn’t grumble’ approach to life that came out of the war years. I remember as she got older, when she would run a bath, she would only fill it up four inches, and I would say: ‘Why are you doing that? Why don’t you pour yourself a really good bath, because your back’s bad and it would be so good for you.’

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