Nikki Gemmell - The Bride Stripped Bare Set - The Bride Stripped Bare / With My Body

One thing you could never tell your husband is that his coming takes too long. And that his penis seems bent, and often goes soft in you, as if it’s thinking of something else. And that the reason he got blow jobs all the time, when the relationship was young, was to butter him up. And to make him think you were someone else.

good habits are best learnt in youth

You sit by the concierge desk in the vast almost empty lobby while Cole changes some cash. A man passes, he wears the sun in his face, he’s a boy really, a decade or so younger than you and he smiles right into your eyes and you feel something you haven’t for years: it’s to do with university parties with bathtubs of alcohol and the smell of hamburgers on fingers and beer in a kiss. You should have been disgusted by all that but you weren’t. You’d be wet so quick; to get their clothes off, to have their weight upon you, to be rammed against a wall with your leg curled up.

You’re singing inside as you saunter back with Cole to your room of fresh roses. Every second day new roses await you, they’re never allowed to wilt in the heat. Inside, you kiss your husband fully on the mouth, surprising yourself as much as him with the ferocity of it. You taste him, drink him, and you so rarely do that. He kisses you back in his way, as if inside your mouth is the most exquisite, expensive morsel imaginable. You don’t like him kissing you on the lips very much; often you secretly wipe away the track that’s left by his mouth.

The last time Cole and you had made love, before this holiday, was your wedding night. The vintage Bugatti you’d borrowed wouldn’t start and all Cole’s distant relatives had to be met and Theo got too drunk. Cole and you had ended up giddy and sweaty back at your hotel room, ravenous, with just a Mars Bar from the mini bar to share between you. Still, there was a new sweetness to making love, even though it was soaked in a sudden tiredness and a little clumsy, and you didn’t get far: almost an afterthought to the end of a long day. It didn’t matter that the sex on that night wasn’t the best you’d ever had, for you’d been together for so long before that.

The honeymoon had been delayed because Cole was always accepting another commission and getting tied up. He finally found a window of escape four months after you’d tied the knot. You didn’t complain, you appreciate his attachment to his job, it’s so solid, so dependable: he’ll never let you down.

He’s never given you an orgasm. He assumes he has. You’re a good actress—a lot of women are, you suspect. You know what you’re supposed to do, the sounds you make and the arching of the back and the clenched face: it’s in a thousand movies to mimic, it’s everywhere but your own life. You’ve never had an orgasm by yourself or with any man that you’ve slept with. You’ve lied to every one of them that you have, that it’s worked. You’re curious about them but not curious enough. It’s like a language you don’t speak; you know you should make an attempt at it but you can get by perfectly happily without it, it’s not going to impede your life. You’re in your mid-thirties and have never even looked down there, at yourself. Cole could tell you about it if you were curious enough, but the intimacies of your own body are for someone else, you feel, not yourself.

to be delicate is considered by some ignorant people as an enviable distinction

Gin and tonics by the pool.

Cole reads aloud an extract from the historical section of the Herald Tribune. A woman in New Jersey in 1925, a mother of eight, was inspired by Ali Baba and the Forty Thieves to heat a cauldron of olive oil and pour it over her sleeping husband.

Oil, Lovely, can you believe it, oil.

But you’re hardly listening for you’re thinking of the man in the lobby and your very first fuck, with the TV show The Young Ones flicking mute in the background and how tight and dry and uncomfortable it had been. You’re thinking of the boy’s distasteful triumph afterwards, with his mates, and the TV turned up too loud. You’re thinking of Theo—but it all sounds so…squalid – as she dragged on her cigarette with uncommon ferocity. How strange you can’t recall her own account of her loss of virginity. It’s something you can’t remember talking about, in fact, with any of your girlfriends. Were a lot of the experiences as disappointing as yours, is that why they’re never discussed; do you all want to move on? You’re remembering that Theo had put copper lipstick in her hair back then to highlight the colour because she’d read it in a magazine but you’re not remembering, for the life of you, the boy’s name.

You’re thinking of Sean, the student Theo and you shared a flat with. He was still hopelessly, consumingly in love with an older woman who’d broken his heart and he never made an effort to become a part of the household; his days were spent moping, alone. One day he disappeared. The police came to your front door a week later and told you that he’d taken a train to Scotland and hitched to a remote beach where his lover had her holiday cottage and he’d swum out to sea and had never swum back. You were haunted by that for years afterwards, the wild, jagged love that Sean had, and of the outside leaking into him, the water swelling his flesh and lapping at his bones. He was brave in a way, to do that, you’d thought that for so long. Now, you just wish he’d grown up and known other women, that he’d journeyed to a point in his life where he could look back and laugh.

exercise is quite as requisite for girls as it is for lions and tigers

Muli takes you to Yves St Laurent’s public garden, sheltered and cool within high walls. The noise of Marrakech falls away as you enter. This would be Theo’s kind of place. It’s spiky and seductive with cacti and palms and splashes of blue paint and bougainvillaea-pink cascading over walls. You take a photo for her. You’ll tuck it in an envelope, with some rose petals from the room.

You escape the press of the heat in the winding coolness of the market alleyways. You love the souks, the instrument shop that could have existed several hundred years ago next to a shop selling live iguanas next to one crammed with Sylvester Stallone T-shirts. Love the donkeys in the alleys and skinny cats and red Coca-Cola signs in Arabic, the attacking light, the dust heavy on your skin and clotting your hair, the mountains rimming the city, the talking dark, the crickets and dogs and frogs. There’s the call to prayers and Muli excuses himself for ten minutes. You love the pervasiveness of religion in this place, how the chant wakes you in darkness and plots your day. Cole admires the colours of the city, the vaulting blue of the sky and rich ochres and pinks but he can’t bear the dust and the cram and the heat, he’s very loud about all that, he’s not enjoying being dragged around.

Your confidence is softly leaking as a wife. You’d never tell him. That you sometimes feel as if all the men through your life, the lovers, colleagues, bosses, with their clamour and demand, have been rubbing you out.

Cole’s in another meeting. He’s resorted to watching Pokemon cartoons in French, a language he doesn’t understand, for the English stations carry just rolling news and the stories aren’t changing enough. There are also local news broadcasts with items that run for twenty minutes and seem to be made up entirely of long shots of the King on parade or men in suits on low chairs. The news anchor’s young, with the most beautiful eyes, it’s as if they have kohl round them. You wonder what he’d be like as a lover, if he’d be different. You’ve heard that Muslim women are shaved and all at once you feel a soft tugging between your legs, thinking of that; and of being robed, for your husband’s eyes only. Muli told you both that no one’s ever laid eyes on the Queen, she’s not seen in public, is hidden.