Seth Adams - If You Go Down to the Woods - The most powerful and emotional debut thriller of 2018!

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GET READY FOR THE MOST POWERFUL AND EMOTIONAL DEBUT THRILLER OF 2018!Perfect for fans of It by Stephen King, The Chalk Man by C. J. Tudor and the TV show Stranger Things.SOMETHING IS HIDING IN THE SHADOWS…We were so young when it all happened. Just 13-years-old, making the most of the long, hot, lazy days of summer, thinking we had the world at our feet. That was us – me, Fat Bobby, Jim and Tara – the four members of the Outsiders’ Club.The day we found a burnt-out car in the woods was the day everything changed. Cold, hard cash in the front seat and a body in the trunk… it started out as a mystery we were desperate to solve.Then, the Collector arrived. He knew we had found his secret. And suddenly, our summer of innocence turned into the stuff of nightmares.Nothing would ever be the same again…‘An atmospheric, gritty page-turner’ Alex Lake, author of After Anna‘I went through every emotion reading this novel’ Sam Carrington, author of Saving Sophie‘Chilling and absorbing’ Phoebe Morgan, author of The Doll House

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If You Go Down to the Woods

SETH C. ADAMS

If You Go Down to the Woods The most powerful and emotional debut thriller of 2018 - изображение 1

A division of HarperCollins Publishers

www.harpercollins.co.uk

Copyright Table of Contents Cover Title Page Copyright Dedication Part One: The Promise Chapter One Chapter Two Chapter Three Chapter Four Chapter Five Part Two: The Car and the Collector Chapter Six Chapter Seven Chapter Eight Part Three: This is the Night Chapter Nine Chapter Ten Chapter Eleven Chapter Twelve Chapter Thirteen Acknowledgements About the Author About the Publisher

KillerReads

an imprint of HarperCollins Publishers Ltd

1 London Bridge Street

London SE1 9GF

www.harpercollins.co.uk

First published in Great Britain by HarperCollins Publishers 2018

Copyright © Adam Contreras 2018

Cover design © HarperCollins Publishers Ltd 2018

Cover illustrations © Shutterstock.com

Adam Contreras asserts the moral right to be identified as the author of this work.

A catalogue copy of this book is available from the British Library.

This novel is entirely a work of fiction. The names, characters and incidents portrayed in it are the work of the author’s imagination. Any resemblance to actual persons, living or dead, events or localities is entirely coincidental.

All rights reserved under International and Pan-American Copyright Conventions. By payment of the required fees, you have been granted the non-exclusive, non-transferable right to access and read the text of this e-book on screen. No part of this text may be reproduced, transmitted, down-loaded, decompiled, reverse engineered, or stored in or introduced into any information storage and retrieval system, in any form or by any means, whether electronic or mechanical, now known or hereinafter invented, without the express written permission of HarperCollins.

Ebook Edition © April 2018 ISBN: 9780008280246

Version: 2018-01-24

Dedication Table of Contents Cover Title Page Copyright Dedication Part One: The Promise Chapter One Chapter Two Chapter Three Chapter Four Chapter Five Part Two: The Car and the Collector Chapter Six Chapter Seven Chapter Eight Part Three: This is the Night Chapter Nine Chapter Ten Chapter Eleven Chapter Twelve Chapter Thirteen Acknowledgements About the Author About the Publisher

This story is about family, friends, and a good dog (which qualifies as both!), and so it is to these I dedicate the novel.

To Mom and Dad, for allowing—and encouraging—their weird son to read whatever he wanted.

To my own group of Outsiders that enriched my life throughout the school years. We may have never fought off assassins and gangsters, but sometimes just surviving life is a fight all its own, made a bit easier with a good group of pals.

To Sheba, Rusty, Outlaw, and Banjo: great dogs, and even better friends.

Table of Contents

Cover

Title Page If You Go Down to the Woods SETH C. ADAMS A division of HarperCollins Publishers www.harpercollins.co.uk

Copyright

Dedication

Part One: The Promise

Chapter One

Chapter Two

Chapter Three

Chapter Four

Chapter Five

Part Two: The Car and the Collector

Chapter Six

Chapter Seven

Chapter Eight

Part Three: This is the Night

Chapter Nine

Chapter Ten

Chapter Eleven

Chapter Twelve

Chapter Thirteen

Acknowledgements

About the Author

About the Publisher

PART ONE

CHAPTER ONE

1.

This is the night. These are the times.

I heard these words for the first time from a killer the summer I met the Outsiders’ Club. Years passed before I finally understood them and, by then, everyone—my friends, my family, my dog—were long gone: some to the dirt that eventually claims us all, others to the remote reaches of time and memory.

The promise the Outsiders’ Club made to each other had a part to play in the way things went down. No doubt about it. But much of it was just life itself, and things beyond our control. Yet I still wonder how it all would have turned out had other choices been made, different roads taken. This is called regret, and it’s very important you listen to what it says.

In my case, the long trail of dead that summer demands it.

Sometimes life’s fucked up that way. Sometimes the darkness lingers.

Here’s what happened.

2.

My family moved to Payne, Arizona when I was thirteen. My dad, John Hayworth, got a job as the manager of a Barnes & Noble bookstore, and we moved there from Southern California. Mom, a college-educated woman, decided that being a mother was far more important than searching for meaning in the writing of centuries-dead English novelists, and wholeheartedly supported the move. For those prematurely crying sexism, this was a two-way street kind of respect: Dad supported her, offered to be the stay-at-home parent as she climbed the ranks of prestige in academia. But I think Mom saw more value in passing on her passion for the written word to her children, reading us stories snuggled in our beds or on the sofa, than lecturing youth enrolled in electives, packed like sardines in large lecture halls.

My sister and I had to leave our friends, and though I was sad about some of the people I left behind, I also saw it as something of an adventure. Sarah, on the other hand, sixteen going on retarded, acted like she was saying goodbye to her whole life and every shot at happiness. She had some greasy-haired boyfriend that she was leaving behind, some young stud who thought wearing a leather jacket and slicking his hair back with a few pounds of hair gel made him some sort of James Dean. I thought it made him look like he’d melted butter and greased his head with it.

I told him so once.

He flipped me off.

I laughed at him and gave the old jerk-me-off sign language.

Sarah didn’t talk to me for a week after that. That was fine by me. Likewise, I tolerated her like a bothersome rash: it was there, it caused discomfort, but there wasn’t much you could do except live through it.

Looking back, I realize she wasn’t all that bad. I might even go so far as to say she was a good older sister in some ways. But try telling that to a thirteen-year-old boy, just learning the mysteries of girls and the smaller head in his pants, living in a small house with an older sister who liked barging into his room at any hour to bestow upon him the gifts of noogies, wedgies, and wet willies.

Last, but most definitely not least, I can’t forget my dog, Bandit, a German shepherd mix, with some of that mix maybe being wolf. White and gray and silent like some sort of ghost dog from an Indian legend, Bandit was large and stoic and loyal, obedient but obstinate in his own way, and never left my side if I allowed it. He slept in my bed, his loose hairs finding their way up my nose and in my mouth, and my sinuses suffered for it for years. Dad invariably scolded me about keeping that dog in my bed, but there’s something about dogs and boys, how they’re meant to be, and the years that dog spent with me—warm friend, heartbeats lulling each other to sleep on cold nights—and I don’t regret a day.

I remember the long drive through the desert highways to our new home. Hills that seemed to roll to forever in every direction. Sparse trees like stubble on the earth. Mom and Dad took turns driving so the other could rest. Sarah dozed across the seat from me in the back or stared pathetically out the window, a hand under her chin in melodramatic melancholy. Bandit sat or stood on the seat between us, going from window to window, paws on my lap to try to get a good sniff of what was passing us by, and I’d let him, until a stray paw stepped on my nuts, then I’d push him away. I stared out the car windows as well, watched the fiery skies of morning give way to the bruise-blue of afternoon, and remember thinking that though things were changing it might not be all that bad.

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