Mhairi McFarlane - Mhairi McFarlane 3-Book Collection - You Had Me at Hello, Here’s Looking at You and It’s Not Me, It’s You

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Three hilarious novels from the SUNDAY TIMES bestselling authorYOU HAD ME AT HELLO: Rachel and Ben. Ben and Rachel. It was them against the world. Until it all fell apart. It’s been a decade since they last spoke, but when Rachel bumps into Ben one rainy day, the years melt away. They’d been partners in crime and the best of friends. But life has moved on: Ben is married. Rachel is not. Yet in that split second, Rachel feels the old friendship return. And along with it, the broken heart she’s never been able to mend. Hilarious, heartbreaking and everything in between, you’ll be hooked from their first ‘hello’.HERE’S LOOKING AT YOU: Anna Alessi – history expert, possessor of a lot of hair and an occasionally filthy mouth – seeks nice man for intelligent conversation and Mills & Boon moments. Despite the oddballs that keep turning up on her dates, Anna couldn’t be happier. As a 30-something with a job she loves, life has turned out better than she dared dream. However, things weren’t always this way, and her years spent as the ‘Italian Galleon’ of an East London comprehensive are ones she’d rather forget. So when James Fraser – the architect of Anna’s final humiliation at school – walks back into her life, her world is turned upside down. But James seems a changed man. Polite. Mature. Funny, even. People can change, right? So why does Anna feel like she’s a fool to trust him?IT’S NOT ME, IT’S YOU: Delia Moss isn’t quite sure where she went wrong. When she proposed and discovered her boyfriend was sleeping with someone else – she thought it was her fault. When she realised life would never be the same again – she thought it was her fault. And when he wanted her back like nothing had changed – Delia started to wonder if perhaps she was not to blame… From Newcastle to London and back again, with dodgy jobs, eccentric bosses and annoyingly handsome journalists thrown in, Delia must find out where her old self went – and if she can ever get her back.

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‘There is a middle ground between stoner daisies and constant bickering.’

‘Grow up, Rachel.’

Rhys’s stock reaction to any of my doubts has always been this: a gruff ‘grow up’, ‘get over it’. Everyone else knows this is simply what relationships are and you have unrealistic expectations. I used to like his certainty. Now I’m not so sure.

‘It’s not enough,’ I say.

‘What are you saying? You want to move out?’

‘Yes.’

‘I don’t believe you.’

Neither do I, after all this time. It’s been quite an acceleration, from nought to splitting up in a few minutes. I’ve practically got hamster cheeks from the g-force. This could be why it’s taken us so long to get round to tying the knot. We knew it’d bring certain fuzzy things into sharper focus.

‘I’ll start looking for places to rent tomorrow.’

‘Is this all it’s worth, after thirteen years?’ he asks. ‘You won’t do what I want for the wedding – see ya, bye?’

‘It’s not really the wedding.’

‘Funny how these problems hit you now, when you’re not getting your own way. Don’t recall this … introspection when I was buying the ring.’

He has a point. Have I manufactured this row to give me a reason? Are my reasons good enough? I weaken. Perhaps I’m going to wake up tomorrow and think this was all a mistake. Perhaps this dark, apocalyptic mood of terrible clarity will clear up like the rain that’s still pelting down outside. Maybe we could go out for lunch tomorrow, scribble down the shared song choices on a napkin, start getting enthused again …

‘OK … if this is going to work, we have to change things. Stop getting at each other all the time. See a counsellor, or something.’

He can offer me next to nothing here, and I will stay. That’s how pathetic my resolve is.

Rhys frowns.

‘I’m not sitting there while you tell some speccy wonk at Relate about what a bastard I am to you. I’m not putting the wedding off. Either we do it, or forget it.’

‘I’m talking about our future, whether we have one, and all you care about is what people will think if we cancel the wedding?’

‘You’re not the only one who can give ultimatums.’

‘Is this a game?’

‘If you’re not sure after this long, you never will be. There’s nothing to talk about.’

‘Your choice,’ I say, shakily.

‘No, your choice ,’ he spits. ‘As always. After all I’ve sacrificed for you …’

This sends me up into the air, the kind of anger where you levitate two feet off the ground as if you have rocket launchers on your heels.

‘You have not given anything up for me! You chose to move to Manchester! You act like I have this debt to you I can never repay and it’s bullshit! That band was going to split up anyway! Don’t blame me because you DIDN’T MAKE IT.’

‘You are such a selfish, spoilt brat,’ he bellows back, getting to his feet as well, because shouting from a seated position is never as effective. ‘You want what you want, and you never think about what other people have to give up to make it happen. You’re doing the same with this wedding. You’re the worst kind of selfish because you think you’re not. And as for the band, how fucking dare you say you know how things would’ve turned out. If I could go back and do things differently—’

‘Tell me about it!’ I scream.

We both stand there, breathing heavily, a two-person Mexican standoff with words as weapons.

‘Fine. Right,’ Rhys says, eventually. ‘I’m going back home for the weekend – I don’t want to stay here and take this shit. Start looking for somewhere else to live.’

I drop back down on the sofa and sit with my hands in my lap. I listen to the sounds of him stomping around upstairs, filling an overnight bag. Tears run down my cheeks and into the neckline of my shirt, which had only just started to dry out. I hear Rhys in the kitchen and I realise he’s turning the light off underneath the pan of chilli. Somehow, this tiny moment of consideration is worse than anything he could say. I put my face in my hands.

After a few more minutes, I’m startled by his voice, right next to me.

‘Is there anyone else?’

I look up, bleary. ‘What?’

‘You heard. Is there anyone else?’

‘Of course not.’

Rhys hesitates, then adds: ‘I don’t know why you’re crying. This is what you want.’

He slams the front door so hard behind him, it sounds like a gunshot.

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