Barbara Erskine - Sleeper’s Castle - An epic historical romance from the Sunday Times bestseller

‘He’s not come out of that room all day.’ Joan was bending over the pot hanging from the trivet over the fire, her face red from the heat. Sturdily built with muscular arms, she padded her hands against the hot metal of the handle with a cloth and unhooked the pot, thumping it down on the table. ‘Did she find any eggs?’

‘Two.’ Catrin produced them from her basket and set them carefully in the wooden bowl on the table. ‘I’ll go and see if he’ll come and eat. He’ll get ill if he goes on like this.’ Another gust of wind shook the house and both women looked towards the window. Sleeper’s Castle stood full square and solid on its rocky perch beside the brook but when the wind roared up the cwm like this from the north there was nowhere to hide. The shutters were rattling ominously. Only weeks before one had torn free and gone hurtling off into the brook. It had been days before they could find one of the men from the farmstead down the valley willing to come up and fasten it back into place. She hated this time of year. Even the patches of snowdrops growing in the lee of the stone walls could not make up for the wild gales screaming over the mountains and the patches of snow still lying on the high scree. There were no real signs yet of spring; the deep impenetrable cold of winter was still implacable within the stone of the house.

Crossing the large empty hall and pushing the door open, Catrin peered into the shadows of her father’s study. The candles on his desk guttered and spat throwing shadowed caricatures of his hunched figure over the walls. ‘Go away!’ He did not look up. His hand was racing across the page, the pen nib spluttering as he wrote and crossed out and wrote again. ‘I need more ink,’ he added.

Catrin sighed. ‘I’ll fetch it from the stillroom. Please, could you not stop to take some pottage? Joan has made your favourite.’

He did not bother to answer. She turned away. At the door she hesitated and looked back. He was seated on a high stool in front of his writing slope, bent low over his work, his weary figure illuminated into flickering highlights by the candles. He had a thin ascetic face with dark lively eyes, narrowed now with exhaustion and eyestrain. His hair was white, long and tangled. ‘What is it, Tad ?’ Again he was furiously scratching out with his knife the words he had just written, almost tearing the thin parchment in his agitation. He ignored her. With a sigh she left him.

Joan glanced at her. ‘Is he still working?’

‘And still irritable. I need to fetch him more ink.’

They called it the stillroom, but it was really the buttery. That and the pantry led off one side of the hall, the main living space of the house, while her parlour and her father’s study led off the other. The kitchen had originally been built separately, behind the house, but now it was joined into the main fabric of the building as a solid extension with behind it the bakehouse with its stone oven. Beyond it lay the high castellated wall of the yard.

Drawing her cloak around her against the cold, Catrin went into the buttery to find the ink. Besides overseeing the storage of their ale and beer and cider casks, she made her simples and receipts and remedies in this room. They were a small household; she and her father with their cook housekeeper Joan, Betsi the maid of all work and Peter the outside boy and scullion. Joan did her best but she was worked off her feet in the old house, which had grown increasingly shabby and neglected over the years.

When Catrin’s father and mother had first come here there had been a steward and other servants and farmworkers but one by one they had been sent away. Catrin’s father did not tolerate people around him; they distracted him from his poetry and from his dreams. And they cost money. Now all that was left of the livestock were a few sheep, a pig and a cow and they still had two horses and a mule. They were all looked after by Peter, who added to his long list of duties that of fisherman, keeping Joan’s kitchen stocked with trout and grayling and crayfish, which he pulled from secret pools in the brook. He also had made himself responsible for training the two corgis – the short-legged cattle dogs that followed him everywhere – and, from time to time, cosseting the barn cats; her father did not tolerate cats or dogs indoors either.

The buttery was Catrin’s special domain, full of the rich smell of herbs and the precious spices she brought back sometimes from the market. The stoppered jug which contained the ink she made several times a year was stored on a high shelf. Carefully she set the candlestick down and reached for one of the spare inkhorns, filling it from the heavy jug. The black liquid glistened in the candlelight. She glanced at the basket of oak apples on the shelf and next to it the jar of precious gum arabic and the dish of blue-green copperas crystals bought from a pedlar who called in from time to time as he travelled between the fairs and monasteries. If he didn’t call again soon she would have to make the long arduous journey to Hereford to visit the only mercer there who stocked the items she needed. Her father was particular. He wanted his ink to be the best quality and he wanted it to last on the page. Early autumn was the best time to make the ink, the galls strong and full of acid after the worms had crawled out and left them empty. She had thought she had collected plenty; now there was but half a small basket left.

When she returned to her father’s workroom he wasn’t there. The candle flames guttered as she made her way across to his desk. The page he had been working on was still lying where he had left it, the lettering cramped and heavily crossed out. She set down the inkpot and leaned closer, squinting in the flickering light, reading what he had written. It was the draft of a poem. She loved her father’s poetry. It was clever, intricate, perfectly written with the complex rules on metre and rhythm and rhyme as laid down by the bards of old, exactly as he had taught her but, as she looked at the page, her eyes widened in dismay. This was no poem.

The words were scratched angrily across the page. The point of the quill had split and splayed with the force of his hand and had spattered ink everywhere. She could see where his knife had tried to excise the words, angrily scraping the surface of the parchment scrap on which he was writing until it thinned so much it tore. At that point he had obviously thrown down his pen and walked out of the room.

‘ Tad ?’ she called. ‘Where are you?’ With another horrified glance at the page she turned to run back into the great hall. The front door of the house was standing open and, despite the heavy screens set up to keep it at bay, the large room was full of the wind. Sparks and ash flew in all directions from the fire. There was no sign of her father.

The garden was dark and reverberated with the noise from the trees beyond the high walls thrashing in the gale. As she stood on the step looking round she could see nothing. The sound of the brook hurtling down over the rocks vied with the wind and the trees to drown out any sound her father might make. She peered round desperately and then as her eyes grew used to the fitful starlight she thought she could see him, a darker shape against the shadows. She made her way cautiously down the path. He was indeed there, staring out across the cwm towards the mountains.

‘ Tad ?’ She came to a standstill beside him and timidly she reached out and touched the sleeve of his robe. He didn’t react. ‘Please, talk to me. I saw what you had written.’