Vivian Conroy - Lady Alkmene Collection - Four fabulous 1920s murder mysteries you won’t want to miss!

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Step back in time with the perfect cosy crime bundle, featuring all four Lady Alkmene mysteries!Murder can be deadly!A Proposal to Die ForA murderous beginningWith her father away in India, Lady Alkmene Callender finds being left to her own devices in London intolerably dull, until the glamorous Broadway star Evelyn Steinbeck arrives in town! Gossip abounds about the New York socialite, but when Ms Steinbeck’s wealthy uncle, Silas Norwhich, is found dead Lady Alkmene finds her interest is piqued. Because this death sounds a lot to her like murder…Diamonds of DeathA family of secrets…After hearing about the vicious murder of her relation, Lord Winters, Lady Alkmene is intrigued to find out that the cat burglar found standing over his body, the safebox emptied of jewels, might not be the murderer after all…Deadly TreasuresMurder on the coastLady Alkmene Callender has little interest in marriage, especially when her father is up to his matchmaking tricks, but when the opportunity arises to visit an archaeological dig she cannot resist.However, when she arrives to find her potential groom under arrest for murder Lady Alkmene begins to wonder if she isn’t in the right place at the right time.Fatal MasqueradeMasked danger…Lady Alkmene Callender has always loved grand parties, but when she receives an invitation to a masked ball thrown by Franklin Hargrove – oil magnate, aviation enthusiast and father of her best friend, Denise – she’s never seen such luxury. But below the glamour, evil is lurking. When a dead body is discovered, it forces Lady Alkmene to throw off her mask and attempt to find the true killer…

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Elopement rather suggested the relationship was illicit, but who knew, he might be a long-suffering fiancé who finally wanted to marry the girl and be done with it.

The countess’s fine brows drew together in concentration. ‘I do not think so. The old man seemed very surprised to see him – and upset. I think almost…startled. Like he had seen a man returned from the dead.’

Alkmene hitched a brow. ‘Returned from the dead? You mean, like he didn’t want to meet him?’

‘No, literally.’ The countess waved a breakable hand covered with a thin web of green veins. ‘Like he had seen someone whom he believed to be dead and all of a sudden he was there, in his life again. Making demands on him.’

Alkmene pursed her lips. ‘That sounds rather intriguing. I wish I had been there, and could have seen them for myself.’ Their gestures during the argument, or just the clothes of the unexpected arrival, could have told her so much. Leaning over eagerly, she asked, ‘This man returned from the dead, was he a gentleman, well dressed, in place there, or rather different? A foreigner perhaps?’

‘He was young, tall, broad in the shoulders. Well dressed, but not rich, if you know what I mean. Not like all of those sons of earls and dukes, running about.’

The countess sounded so deprecating that Alkmene had to laugh. ‘They are not all bad, you know.’

The countess waved a hand. ‘Ah, but they have never had to work for anything, long for anything, strive for it with all of their energy. They have it all; they get things with a flick of the hand. It doesn’t make men of them. Oh…’ She suddenly focused across the room and said, waving past Alkmene, ‘There is a dear friend I must see. Take care. Greet your father from me.’

Alkmene did not take the trouble to explain her father was off again on one of his botanical quests, this time to India, and was not expected to be back before Michaelmas.

The idea of all those weeks of delicious luxurious freedom beckoned her, and with a smile she reached for another glass of champagne.

Two days later, over toast with Cook’s excellent prune preserve, Alkmene unfolded the morning paper, still pristine as her father was not there to smudge it with egg yolk and bacon grease while he studied the social column so he could send attentions for weddings and births and always appear to be an engaged gentleman instead of a hermit who only knew the Latin names of plants.

He was so good at hiding his social deficiencies that people kept sending him invitations to balls and soirées he had stopped attending two decades ago. In his defence it had to be said that Alkmene usually pinched the envelopes from out between his other letters as soon as the post came in. Her father was a dear but a disaster in the wild, and he preferred the company of his microscope and his mould specimens anyway.

On page 2 a heading read: Banker dies in accident.

Unexpected death always had an unhealthy appeal to Alkmene, and she perused the few lines underneath with great interest.

‘Yesterday morning around eight Mr Silas Norwhich, a former banker, was discovered dead by his manservant in his library, apparently having fallen and struck his head on the rim of the hearth the night before. As it had been the servants’ night off, nobody had noticed the incident until the next morning.

‘A widower with no children, Mr Norwhich lived a very secluded life, focusing solely on his substantial art collection. The collection, containing masterpieces from Rembrandt, Van Gogh, Monet and Rodin, will now pass to his only heir: his niece, the actress Evelyn Steinbeck, recently come in from New York City, where she is a rising star on Broadway.

‘Miss Steinbeck wasn’t home at the time of the accident and has been treated by a doctor for nervous shock.’

It was rather a short and poor piece, lacking any form of useful information about the death, but Alkmene forgot the prune preserve and studied the text as if it contained the vital clues to the whereabouts of a gold mine.Buck Seaton had called the young woman who had appeared from behind the screen the other night Evelyn. She had spoken with an American accent and admitted she had only been in London for a few weeks. She had also mentioned an uncle who was an art lover.

The countess, who had seen the blonde at the theatre, had mentioned her being there with an older man who was not known to her socially, which fit with the newspaper’s assertion that the murdered man had lived a very secluded life.

Apparently until his vivacious niece from New York had arrived.

He had wanted to have her portrait painted and had taken her out to the theatre.

Not that Evelyn Steinbeck seemed to have appreciated the trouble her uncle took for her. She had spurned the portrait in favour of photographs.

Of her balancing on the railing of London Bridge no less. A testimony to a daring character, taking risks rather than fitting the mould.

And her talk of the old man and him dying of apoplexy behind the screen had been callous, almost cruel. Like she wanted to get rid of excess weight.

Alkmene stared into the distance. Evelyn had discussed her uncle’s death with a man, and lo and behold, two days later he was dead and she would inherit his art collection. Judging by the mention of some of the pieces it contained, it had to be worth a fortune. An excellent motive for murder.

But what about the young intruder into the theatre who had given the old man such a fright? The argument between them had been the cause for the old man to leave the performance early. Out of fear?

Had the intruder followed him to see where he lived? Killed him when he had been alone? It had been the servants’ night off so if somebody had rung the bell, the old man would have answered the door himself.

Alkmene narrowed her eyes. A push, a fall and no one around to see a thing…

With a beautiful, manipulative heiress and an intimidating stranger part of this story, there had to be something more behind the ‘accidental’ death. It warranted further investigation.

She left her breakfast for what it was, already shrugging out of her purple embroidered dressing gown while still climbing the stairs.

There was no place like the Waldeck tea room to catch some gossip about a sudden death.

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