Published by HarperCollins Publishers Ltd
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London SE1 9GF
www.harpercollins.co.uk
First published in Great Britain by HarperCollins Publishers 2016
This edition published by Harper360 2016
Copyright © Mhairi McFarlane 2016
Cover layout design © HarperCollins Publishers Ltd 2016
Jacket illustration © CSA-Images/iStock
Cover design © Jessica Lacy Anderson
Mhairi McFarlane asserts the moral right to be identified as the author of this work.
A catalogue copy of this book is available from the British Library.
This novel is entirely a work of fiction. The names, characters and incidents portrayed in it are the work of the author’s imagination. Any resemblance to actual persons, living or dead, events or localities is entirely coincidental.
All rights reserved under International and Pan-American Copyright Conventions. By payment of the required fees, you have been granted the non-exclusive, non-transferable right to access and read the text of this e-book on screen. No part of this text may be reproduced, transmitted, down-loaded, decompiled, reverse engineered, or stored in or introduced into any information storage and retrieval system, in any form or by any means, whether electronic or mechanical, now known or hereinafter invented, without the express written permission of HarperCollins.
Source ISBN: 9780007525003
Ebook Edition © September 2016 ISBN: 9780008184803
Version: 2016-07-05
For Natalie, Paula & Serena
My favourite mix tape
Table of Contents
Cover
Title Page
Copyright
Dedication
Chapter 1
Chapter 2
Chapter 3
Chapter 4
Chapter 5
Chapter 6
Chapter 7
Chapter 8
Chapter 9
Chapter 10
Chapter 11
Chapter 12
Chapter 13
Chapter 14
Chapter 15
Chapter 16
Chapter 17
Chapter 18
Chapter 19
Chapter 20
Chapter 21
Chapter 22
Chapter 23
Chapter 24
Chapter 25
Chapter 26
Chapter 27
Chapter 28
Chapter 29
Chapter 30
Chapter 31
Chapter 32
Chapter 33
Chapter 34
Chapter 35
Chapter 36
Chapter 37
Chapter 38
Chapter 39
Chapter 40
Chapter 41
Chapter 42
Chapter 43
Chapter 44
Chapter 45
Chapter 46
Chapter 47
Chapter 48
Chapter 49
Chapter 50
Chapter 51
Chapter 52
Chapter 53
Chapter 54
Chapter 55
Chapter 56
Chapter 57
Chapter 58
Chapter 59
Chapter 60
Chapter 61
Chapter 62
Chapter 63
Chapter 64
Chapter 65
Chapter 66
Chapter 67
Chapter 68
Chapter 69
Chapter 70
Chapter 71
Chapter 72
Chapter 73
Chapter 74
Chapter 75
Chapter 76
Chapter 77
Acknowledgements
About the Author
Also by Mhairi McFarlane
Keep Reading
About the Publisher
Life through a phone is a lie. Edie imagined the process like a diagram from physics lessons, the one on that Pink Floyd album cover – a beam of white light refracted in a prism, splintering and fanning out as a rainbow.
I mean, how much artifice, she wondered, was crammed into this one appealing photograph? She gazed at its seductive fictions in the slightly greasy, warm slab of screen in her palm as she queued at the hotel bar.
Activity in the room whirled around her, messy unkempt sweaty reality, soundtracked by The Supremes ‘Where Did Our Love Go?’ In this still life, everything was forever image managed and perfect.
Untruth number one: she and Louis looked like they adored each other’s company. In order to squeeze into the frame, Edie had rested her head against his shoulder. She was coquettish, wearing a mysterious smile. He was doing the self-satisfied, slightly 007 quirk of the lip that conveyed hey life is great, no big deal. It really wasn’t a big deal.
They’d spent five hours as platonic plus ones – the wedding planner had demanded pairs, like Noah’s Ark – and now they were grating on each other, in heat and booze and wedding clothes with waistbands that had got tighter and tighter, as if inflating a blood pressure cuff.
Edie’s heels had, like those high enough for special occasions, moved from ‘wobbly and pinchy, but borderline tolerable’ to stabbing at her viciously like some mythic pain where she’d given up her mermaid tail for size 4s and the love of a prince.
Falsehood number two, the composition. Twinkling-happy party girl Edie, looking up through roadsweeper-brush-sized false lashes. You could glimpse the top half of her red dress, with nicely hoisted pale bosom, stomach carefully held in. Louis’s cheekbones were even more ‘killer in a Bret Easton Ellis’ sharp than usual, chin angled downwards.
This was because they’d held the lens at arm’s length above their heads and discarded five less flattering images, bartering over who liked which one. Edie had eye bags, Louis objected he looked gaunt, the expressions were slightly too studied, the shadows had not fallen in their favour. OK, another, another! Pose, click, flash . Half a dozen was the charm: they both looked good, but not too much like they’d tried to look good.
(‘Why does everyone do that expression now, like you’re sucking on a sour plum?’ Edie’s dad asked, last time she was home. ‘To make yourself look thin and pouty, I suppose. But you don’t look like that face you pull, in real life. How strange.’)
Louis, an Instagram professional and very sour plum, fiddled with the brightness and contrast settings. ‘Now to filter ourselves to fuck.’
He selected ‘Amaro’, bathing them in a fairytale cloud of lemonade fog. Complexions were perfected. The mood was filmic and dreamy, you’d think it captured a perfect moment. You had to (not) be there.
And then there was the caption. The biggest deception of all. Louis tapped it out and hit ‘post.’ ‘ Congratulations Jack & Charlotte! Amazing day! So happy for you guys <3 #perfectcouple living their #bestlife.’
This was mostly for the benefit of the rest of the Ad Hoc agency, who’d all found elegant excuses not to travel from London to Harrogate. Nothing tested popularity like several hundred miles of motorway.
Like after admiring Like rolled in. ‘Sigh. You two are another #perfectcouple!’ ‘Shame I’m a bender!’ Louis replied. That’d be the least of our problems , Edie thought. They’d all done the arithmetic with Louis, that if he slagged off everyone else to you, he slagged you off, too.
And of course, Louis had not stopped grousing under his breath about the ‘amazing’ wedding. Edie thought criticising someone’s big day was like making fun of the way they ate, or the size of their ankles. Good people instinctively understood it was not fair game.
I really thought Charlotte would go for something more clean, minimal. Like Carolyn Bessette marrying JFK Jnr. The crystal beading on that gown’s a bit Pronuptia, isn’t it? Even women with taste seems to lose the plot and go Disney disaster in a bridal salon. I am so over those rose bouquets with pearl studs and white ribbon round the stems, like a bandaged stump! Once a WAG has done something, it is DONE. And sorry, but I find a tanned bride vulgar. Ugh, two sips of that Buck’s Fizz and it was into a plant pot. I can’t bear orange juice used to hide cheap champagne. Look at the DJ, he’s about fifty in a blouson leather jacket, where did he get that from, 1983? He looks like he should be on Top Gear. It’ll be rocking out to Kings Of Leon’s ‘Sex On Fire’ and Toni Braxton for the erection section. Why can’t weddings be more MODERN?
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