Contents Cover Title Page Copyright Dedication Introduction Letters to an Unknown Soldier Afterword List of Contributors Acknowledgements About the Publisher
Copyright Contents Cover Title Page Copyright Dedication Introduction Letters to an Unknown Soldier Afterword List of Contributors Acknowledgements About the Publisher
William Collins
An imprint of HarperCollins Publishers,
1 London Bridge Street
London SE1 9GF
WilliamCollinsBooks.com
This eBook first published in Great Britain by William Collins 2014
Introduction © Neil Bartlett and Kate Pullinger 2014
Letters © individual contributors 2014
Photographs of statue © Dom Agius 2014
Neil Bartlett and Kate Pullinger assert the moral right
to be identified as the editors of this work
A catalogue record for this book is
available from the British Library
Cover shows: photo of statue © Kate Gaughran;
letters © individual contributors 2014
Designed by Kate Gaughran
Letter to an Unknown Soldier was produced in association with
Free Word and commissioned by 14-18 NOW, WW1 Centenary
Art Commissions, supported by the National Lottery through
Arts Council England and the Heritage Lottery Fund
All rights reserved under International and Pan-American Copyright Conventions. By payment of the required fees, you have been granted the non-exclusive, non-transferable right to access and read the text of this e-book on screen. No part of this text may be reproduced, transmitted, downloaded, decompiled, reverse engineered, or stored in or introduced into any information storage retrieval system, in any form or by any means, whether electronic or mechanical, now known or hereinafter invented, without the express written permission of HarperCollins.
Source ISBN: 9780008116842
Ebook Edition © November 2014 ISBN: 9780008116859
Version: 2015-10-06
Dedication Contents Cover Title Page Copyright Dedication Introduction Letters to an Unknown Soldier Afterword List of Contributors Acknowledgements About the Publisher
Dear soldier …
Cover
Title Page Contents Cover Title Page Copyright Dedication Introduction Letters to an Unknown Soldier Afterword List of Contributors Acknowledgements About the Publisher
Copyright Copyright Contents Cover Title Page Copyright Dedication Introduction Letters to an Unknown Soldier Afterword List of Contributors Acknowledgements About the Publisher William Collins An imprint of HarperCollins Publishers, 1 London Bridge Street London SE1 9GF WilliamCollinsBooks.com This eBook first published in Great Britain by William Collins 2014 Introduction © Neil Bartlett and Kate Pullinger 2014 Letters © individual contributors 2014 Photographs of statue © Dom Agius 2014 Neil Bartlett and Kate Pullinger assert the moral right to be identified as the editors of this work A catalogue record for this book is available from the British Library Cover shows: photo of statue © Kate Gaughran; letters © individual contributors 2014 Designed by Kate Gaughran Letter to an Unknown Soldier was produced in association with Free Word and commissioned by 14-18 NOW, WW1 Centenary Art Commissions, supported by the National Lottery through Arts Council England and the Heritage Lottery Fund All rights reserved under International and Pan-American Copyright Conventions. By payment of the required fees, you have been granted the non-exclusive, non-transferable right to access and read the text of this e-book on screen. No part of this text may be reproduced, transmitted, downloaded, decompiled, reverse engineered, or stored in or introduced into any information storage retrieval system, in any form or by any means, whether electronic or mechanical, now known or hereinafter invented, without the express written permission of HarperCollins. Source ISBN: 9780008116842 Ebook Edition © November 2014 ISBN: 9780008116859 Version: 2015-10-06
Dedication Dedication Contents Cover Title Page Copyright Dedication Introduction Letters to an Unknown Soldier Afterword List of Contributors Acknowledgements About the Publisher Dear soldier …
Introduction
Letters to an Unknown Soldier
Afterword
List of Contributors
Acknowledgements
About the Publisher
Our inspiration couldn’t have been simpler.
On Platform One of Paddington Station in London a famous First World War memorial by Charles Sargeant Jagger features a life-size bronze statue of an unknown soldier in full trench uniform. He is reading a letter; no one knows who his letter is from, or what message it contains. In the weeks leading up to the hundredth anniversary of Britain joining the war – in a year crowded with official remembrance and ceremony – we invited everyone in the country to pause, take a moment or two, and write that letter.
People responded in their thousands. Some wrote physical letters and posted them to the soldier at Paddington Station; the vast majority posted their letters online to a specially created website. In the thirty-seven days between the 28th of June 2014 (the centenary of the Sarajevo assassinations) and the 4th of August (the centenary of the declaration of war), the soldier received over twenty-one thousand letters. They came from across the country and around the world, and from everyone; from railway workers, writers, schoolchildren, serving soldiers, prisoners, nurses, pensioners – and the British Prime Minister.
The inspiration behind the project may have been simple, but as you will see as soon as you start to read the letters that we have chosen from those thousands for this anthology, people found responding to our invitation far from straightforward. The obvious question of ‘What shall I say?’ quickly splintered into many more. How can I write if I am not a writer? How can I talk about something as big as war? How should I address a dead person? Do I have to travel back in time and imagine I am writing my letter in 1914, or should I write from now? Am I writing to one man – to a particular named individual from my own family history perhaps – or to all the army of the dead? Is the soldier white, or is he black? Is he British, or Canadian, or Indian, or from the Isle of Lewis? And so on … The beauty of the idea turned out to be that the archetypal and archaic literary form of a letter entitled people to answer these and many other questions in their own utterly individual ways. A letter is not a text message nor a ‘like’ on Facebook – in order to write one you have to stop, and think, and feel, and compose not just your letter but yourself. A letter is also not an essay nor a short story. A letter is a page or two long, with a beginning and an end. A letter is private. A letter is everyday. A letter is familiar. A letter is, above all, personal.
All of the letters that the soldier received during the thirty-seven days that the website was open for submissions were published without censorship or alteration or editing. In creating this anthology, we have resisted any temptation to organise our chosen letters by theme or place of origin. A bewildering diversity of voice and form was as characteristic of the soldier’s daily postbag as the frequent reiteration of often familiar tropes, images, phrases and sentiments. That’s why you’ll find the letters we’ve selected in no obvious order, with a politician’s letter next to a schoolchild’s, a queer love-letter next to a military salute, a soldier’s wife next to a pacifist pensioner.
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