Thomas Hardy - Far From the Madding Crowd

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HarperCollins is proud to present its new range of best-loved, essential classics. Here is one of Thomas Hardy’s most popular novels, soon to be released as a major motion picture in May 2015.‘I shall do one thing in this life – one thing certain – that is, love you, and long for you, and keep wanting you till I die’Independent and spirited, Bathsheba Everdene owns the hearts of three men. Striving to win her love in different ways, their relationships with Bathsheba complicate her life in bucolic Wessex – and cast shadows over their own. With the morals and expectations of rural society weighing heavily upon her, Bathsheba experiences the torture of unrequited love and betrayal, and discovers how random acts of chance and tragedy can dramatically alter life’s course.The first of Hardy’s novels to become a major literary success, Far from the Madding Crowd explores what it means to live and to love.

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The performer seemed quite at home anywhere between a horse’s head and its tail, and the necessity for this abnormal attitude having ceased with the passage of the plantation, she began to adopt another, even more obviously convenient than the first. She had no side-saddle, and it was very apparent that a firm seat upon the smooth leather beneath her was unattainable sideways. Springing to her accustomed perpendicular like a bowed sapling, and satisfying herself that nobody was in sight, she seated herself in the manner demanded by the saddle, though hardly expected of the woman, and trotted off in the direction of Tewnell Mill.

Oak was amused, perhaps a little astonished, and hanging up the hat in his hut went again among his ewes. An hour passed, the girl returned, properly seated now, with a bag of bran in front of her. On nearing the cattle-shed she was met by a boy bringing a milking-pail, who held the reins of the pony whilst she slid off. The boy led away the horse, leaving the pail with the young woman.

Soon soft spirts alternating with loud spirts came in regular succession from within the shed, the obvious sounds of a person milking a cow. Gabriel took the lost hat in his hand, and waited beside the path she would follow in leaving the hill.

She came, the pail in one hand, hanging against her knee. The left arm was extended as a balance, enough of it being shown bare to make Oak wish that the event had happened in the summer, when the whole would have been revealed. There was a bright air and manner about her now, by which she seemed to imply that the desirability of her existence could not be questioned; and this rather saucy assumption failed in being offensive because a beholder felt it to be, upon the whole, true. Like exceptional emphasis in the tone of a genius, that which would have made mediocrity ridiculous was an addition to recognized power. It was with some surprise that she saw Gabriel’s face rising like the moon behind the hedge.

The adjustment of the farmer’s hazy conceptions of her charms to the portrait of herself she now presented him with was less a diminution than a difference. The starting-point selected by the judgement was her height. She seemed tall, but the pail was a small one, and the hedge diminutive; hence, making allowance for error by comparison with these, she could have been not above the height to be chosen by women as best. All features of consequence were severe and regular. It may have been observed by persons who go about the shires with eyes for beauty that in Englishwomen a classically-formed face is seldom found to be united with a figure of the same pattern, the highly-finished features being generally too large for the remainder of the frame; that a graceful and proportionate figure of eight heads usually goes off into random facial curves. Without throwing a Nymphean tissue over a milkmaid, let it be said that here criticism checked itself as out of place, and looked at her proportions with a long consciousness of pleasure. From the contours of her figure in its upper part she must have had a beautiful neck and shoulders; but since her infancy nobody had ever seen them. Had she been put into a low dress she would have run and thrust her head into a bush. Yet she was not a shy girl by any means; it was merely her instinct to draw the line dividing the seen from the unseen higher than they do it in towns.

That the girl’s thoughts hovered about her face and form as soon as she caught Oak’s eyes conning the same page was natural, and almost certain. The self-consciousness shown would have been vanity if a little more pronounced, dignity if a little less. Rays of male vision seem to have a tickling effect upon virgin faces in rural districts; she brushed hers with her hand, as if Gabriel had been irritating its pink surface by actual touch, and the free air of her previous movements was reduced at the same time to a chastened phase of itself. Yet it was the man who blushed, the maid not at all.

‘I found a hat,’ said Oak.

‘It is mine,’ said she, and, from a sense of proportion, kept down to a small smile an inclination to laugh distinctly: ‘it flew away last night.’

‘One o’clock this morning?’

‘Well – it was.’ She was surprised. ‘How did you know?’ she said.

‘I was here.’

‘You are Farmer Oak, are you not?’

‘That or thereabouts. I’m lately come to this place.’

‘A large farm?’ she inquired, casting her eyes round, and swinging back her hair, which was black in the shaded hollows of its mass; but it being now an hour past sunrise the rays touched its prominent curves with a colour of their own.

‘No; not large. About a hundred.’ (In speaking of farms the word ‘acres’ is omitted by the natives, by analogy to such old expressions as ‘a stag of ten’.)

‘I wanted my hat this morning,’ she went on. ‘I had to ride to Tewnell Mill.’

‘Yes, you had.’

‘How do you know?’

‘I saw you.’

‘Where?’ she inquired, a misgiving bringing every muscle of her lineaments and frame to a standstill.

‘Here – going through the plantation, and all down the hill,’ said Farmer Oak, with an aspect excessively knowing with regard to some matter in his mind, as he gazed at a remote point in the direction named, and then turned back to meet his colloquist’s eyes.

A perception caused him to withdraw his own eyes from hers as suddenly as if he had been caught in a theft. Recollection of the strange antics she had indulged in when passing through the trees was succeeded in the girl by a nettled palpitation, and that by a hot face. It was a time to see a woman redden who was not given to reddening as a rule; not a point in the milkmaid but was of the deepest rose-colour. From the Maiden’s Blush, through all varieties of the Provence down to the Crimson Tuscany the countenance of Oak’s acquaintance quickly graduated; whereupon he, in considerateness, turned away his head.

The sympathetic man still looked the other way, and wondered when she would recover sufficient to justify him in facing her again. He heard what seemed to be the flitting of a dead leaf upon the breeze, and looked. She had gone away.

With an air between that of Tragedy and Comedy Gabriel returned to his work.

Five mornings and evenings passed. The young woman came regularly to milk the healthy cow or to attend to the sick one, but never allowed her vision to stray in the direction of Oak’s person. His want of tact had deeply offended her – not by seeing what he could not help, but by letting her know that he had seen it. For, as without law there is no sin, without eyes there is no indecorum; and she appeared to feel that Gabriel’s espial had made her an indecorous woman without her own connivance. It was food for great regret with him; it was also a contretemps which touched into life a latent heat he had experienced in that direction.

The acquaintanceship might, however, have ended in a slow forgetting but for an incident which occurred at the end of the same week. One afternoon it began to freeze, and the frost increased with evening, which drew on like a stealthy tightening of bonds. It was a time when in cottages the breath of the sleepers freezes to the sheets; when round the drawing-room fire of a thick-walled mansion the sitters’ backs are cold, even whilst their faces are all aglow. Many a small bird went to bed supperless that night among the bare boughs.

As the milking-hour drew near Oak kept his usual watch upon the cowshed. At last he felt cold, and shaking an extra quantity of bedding round the yeaning ewes he entered the hut and heaped more fuel upon the stove. The wind came in at the bottom of the door, and to prevent it Oak laid a sack there and wheeled the cot round a little more to the south. Then the wind spouted in at a ventilating hole – of which there was one on each side of the hut.

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