Alex Archer - City Of Swords

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In Charlemagne's footsteps, a man who would be Holy Emperor…It was the kind of internet posting guaranteed to attract the attention of the American cable TV show Chasing History's Monsters: "Dog-headed men sighted by tourists in Avignon." Drawn to France to explore the myth of Saint Christopher and the cynocephalus, or the dog-headed, archaeologist and television host Annja Creed finds herself repeatedly and inexplicably targeted by vicious mercenaries. Her best defense is to trace this brutal violence back to its source, which she soon discovers to be a millionaire and self-professed descendant of King Charlemagne.Caught up in a romantic and ruthless sixth-century world, the man is convinced that if he collects mankind's most precious and holy swords, he can fulfill his medieval ancestor's failed goal to build the City of God. And he's stealing the priceless relics one by one to arm his modern-day paladins. Now he has his eye on a very special sword–Annja's.And he'll have to kill her to get it.

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“Miss Creed.” Jacques slogged forward, pointing to a recess under the bridge. “My brother waits there.”

“Now I have a bad feeling about this,” Annja whispered. The whole thing hadn’t felt quite right, not since she’d read the note from Doug about this interview. Actually, not since she’d set foot in Avignon... But she needed to pursue this. Something niggled at the back of her mind. “Gaston?” She raised her voice to be heard over the running river, the drumming of the rain and the slapping of Jacques’s footsteps ahead of them.

A figure emerged from the shadows. He had a build similar to Jacques’s, but she couldn’t make out any details other than that he looked bedraggled and rumpled.

“I am Gaston.” He spoke English, but his accent was thick.

Annja paused, but Rembert, camera to his face, crunched forward over broken glass and gravel. His backside looked like a mud slick.

“She said she would pay us,” Jacques announced. “Miss Creed has money and—”

“So you’re a cynocephalus?” Rembert asked. He paused and stood directly in front of the man, blocking Annja’s view of him. “One of the dog-men of France? You look pretty human to me. In fact...hey, what are you—”

It happened fast. The two grabbed Rembert and spun him around, the taller putting a knife to his throat, the other producing a blade and holding it to his stomach. Rembert dropped the camera, his arms flailing, but stopped moving when the one named Gaston drew blood.

“Stay still,” Gaston said. “If you want to live.”

Annja had been reaching for the sword with her mind, had felt the sensation of the pommel forming against her palm, but didn’t take it. The blade hung in the otherwhere, waiting.

“I told Jacques the money’s at the hotel.” She peered through the driving rain, eyes locking onto Rembert’s panicked stare. “I’ve only got a few euros with me. You can have them, but—”

“We don’t want your money, Annja Creed. We want your sword.”

The accent. It wasn’t French. Close, but there was a difference.

Gaston nudged Rembert farther out from under the bridge.

“You.” Annja recognized Gaston. He was one of the gang she’d fought in Paris, outside the train station. He was one of the Romanies who’d fled before the police arrived.

What was he doing here?

Had Gaston overheard her talking to Roux, telling him she was coming to this city for another episode of Chasing History’s Monsters?

“The sword! If you hand over the sword, Annja Creed, we’ll let your friend live.”

Chapter 9

“Annja!” Rembert’s face was pale. “What do they want? Money? I’ve got euros. Give them our money!”

Although Rembert didn’t know much French beyond asking where the nearest restaurant and bathroom were—and though he was oblivious to what the pair were really after—he recognized their intent. Annja saw his lower lip quiver. He had broken out in a sweat. He clumsily tried to reach into his pockets, maybe to pull out a wallet, but the Romanies snarled and poked him with their knives. Rembert stood still. Her photographer was not a physically weak man, but neither was he a stupid one.

“The sword, American archaeologist!” the taller of the two shouted. He pressed the knife harder against Rembert’s skin, which was white around the tip of the blade, with a splotch of red showing. “It was not in your hotel room. At either hotel. Where is it? Where is the old sword?”

“I don’t have a sword,” she snapped. Only the two of them, right? Not much of a threat... No threat at all, if Rembert wasn’t in the equation. “Do you see a sword?”

There could be more, hiding behind the embankment or up on the bridge, maybe behind her. She couldn’t hear any other people talking, no crunch of shoes over the gravel and glass at the edge of the river. She wasn’t going to risk a glance over her shoulder—not yet.

Her mind raced. They’d followed her from Paris.... Was it possible that night outside the old train station, when she’d been looking for a fight to ease her soul, they’d actually been looking for her? Her, specifically? That they were the ones doing the stalking? Had they known about her sword before the street fight? Was that possible?

Annja had always tried to be circumspect when she called the sword. She’d never been caught on tape wielding it. She would know if that had been the case; she had contacts all over the world who followed her interests on the internet and who would have notified her. If nothing else, Roux would have said something.

“The sword! Hand it over! Hurry!”

“I’ve got no sword here. No gun. No knife. You can see I have no weapon.” She paused. “But I have money. Euros. We were going to pay for an interview. We’ve got money for that. We can go back to the hotel, all of us, Gaston, and—”

He laughed. “A ruse to get you here. Dog-men.” He spat.

“Look, whoever you are—” She stopped when she heard the cry of some large bird passing low over the river, followed by the noise of a siren, which quickly receded. What sounded like a boat behind her on the river... She doubted anyone on board could see into the shadows under the bridge, but maybe she could do something to get their attention.

“We don’t want your money, American.” The tall one spat again, as if the notion of cash left a bad taste in his mouth, and drew the knife down Rembert’s throat. The pressure was enough to produce a line of blood, but not enough to cause the photographer serious harm.

“Annja!” Rembert howled. “Give them what they want.”

“I do not think you worry about your friend, American archaeologist. I do not think you consider us serious. I can promise you, we are serious. We will kill if we have to.”

His companion laughed and jabbed Rembert in the stomach, again enough to draw blood. “She should take us serious, eh, Dimitru?”

The tall one scowled.

So she had one piece of information, a name: Dimitru. Definitely Romany.

“Dimitru!” Annja had the thug’s complete attention. “You say you want a sword. I could—”

“No. Not a sword. Your sword. The one you flashed in Paris, that night so late. Before the police came and took my brothers.”

“I’ll have to go get it for you.” She extended her arms to her sides and opened her hands as wide as her fingers would stretch. “I’m not carrying a sword.” She turned slowly, taking a deep breath, glad for the opportunity to look behind her. She saw the ship, a barge. Not yet close enough. It didn’t look as if anyone was on deck. She hadn’t heard anyone come up behind her. Other than the threats of the Romanies, she’d heard only the sounds of traffic across the bridge and past the embankment. Finished her circle, she faced the Romany again. They’d pulled Rembert a little deeper into the shadows under the bridge. “It won’t take me long.”

“You think me simple,” the tall one hissed. “You have the sword, Annja Creed. You have it with you. Maybe it is invisible. Maybe it is a ghost thing. But I know you have it.”

“We are done talking to her, right, Dimitru?” The other guy poked Rembert again. “A boat is coming. Someone might see us.”

“They see nothing,” Dimitru said softly. “This rain.”

“Annja,” Rembert pleaded. “What do they want? We can give them money, can’t we? My camera...I dropped it there. They can have that. Annja, tell them they can—”

“We do not want your money,” Dimitru said in English. “We want the woman’s sword. I am done with this.”

“Stop!” Annja cried. “Leave him alone. Let Rembert out of here, let him leave, and you can have the sword. Let—”

“Rembert is our insurance, Annja Creed. Is the sword worth more than his life?”

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