Jean Ure - Showtime

First published in Great Britain by HarperCollins Children’s Books in 2018

Published in this ebook edition in 2018

HarperCollins Children’s Books is a division of HarperCollins Publishers Ltd,

HarperCollins Publishers

1 London Bridge Street

London SE1 9GF

The HarperCollins Children’s Books website address is

www.harpercollins.co.uk

Text copyright © Jean Ure 2018

Cover illustration © Lucy Truman; decorative frame © Shutterstock

Cover design © HarperCollins Publishers 2018

Jean Ure asserts the moral right to be identified as the author and illustrator of the work.

A catalogue record for this book is available from the British Library.

All rights reserved under International and Pan-American Copyright Conventions. By payment of the required fees, you have been granted the non-exclusive, non-transferable right to access and read the text of this ebook onscreen. No part of this text may be reproduced, transmitted, downloaded, decompiled, reverse engineered, or stored in or introduced into any information storage and retrieval system, in any form or by any means, whether electronic or mechanical, now known or hereinafter invented, without the express written permission of HarperCollins.

Source ISBN: 9780008164546

Ebook Edition © 2018 ISBN: 9780008174866

Version: 2018-03-09

Contents

Cover

Title Page

Copyright First published in Great Britain by HarperCollins Children’s Books in 2018 Published in this ebook edition in 2018 HarperCollins Children’s Books is a division of HarperCollins Publishers Ltd, HarperCollins Publishers 1 London Bridge Street London SE1 9GF The HarperCollins Children’s Books website address is www.harpercollins.co.uk Text copyright © Jean Ure 2018 Cover illustration © Lucy Truman; decorative frame © Shutterstock Cover design © HarperCollins Publishers 2018 Jean Ure asserts the moral right to be identified as the author and illustrator of the work. A catalogue record for this book is available from the British Library. All rights reserved under International and Pan-American Copyright Conventions. By payment of the required fees, you have been granted the non-exclusive, non-transferable right to access and read the text of this ebook onscreen. No part of this text may be reproduced, transmitted, downloaded, decompiled, reverse engineered, or stored in or introduced into any information storage and retrieval system, in any form or by any means, whether electronic or mechanical, now known or hereinafter invented, without the express written permission of HarperCollins. Source ISBN: 9780008164546 Ebook Edition © 2018 ISBN: 9780008174866 Version: 2018-03-09

Chapter One

Chapter Two

Chapter Three

Chapter Four

Chapter Five

Chapter Six

Chapter Seven

Chapter Eight

Chapter Nine

Chapter Ten

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Books by Jean Ure

About the Publisher

“I simply cannot believe –” Chloe opened her tote bag and took out a little hammer. Then she picked up one of her pointe shoes – brand-new, sparkly-clean pointe shoes – and began bashing at it. “I simply cannot believe we’re in our second year!”

Somewhat soberly I said, “I can’t believe we’ve all survived.”

It still made cold, damp goosefeet go plapping down my spine when I thought how close I’d come to being thrown out. At the end of our very first term, that had been. Not because my dancing wasn’t up to standard but because Ms Hickman, Head of Ballet, hadn’t thought I was committed enough. It was only thanks to Caitlyn that I’d been given a second chance. She had actually been brave enough to speak up for me! What was more, Ms Hickman had actually listened. Which was why I was still here, a year later, on the first day of the new term – sitting in the Green Room next to Studio One, waiting for the studio to clear so that afternoon class could begin. We were all here, all eight of us. Me and Caitlyn, Alex and Roz, Tiffany, Amber, Chloe, Mei. Survivors!

Alex nodded, complacently. “It’s practically unheard of, everyone being kept on.”

I agreed. City Ballet School has a reputation for being ruthless when it comes to what Mum calls “weeding out”. Too tall, wrong shape, hasn’t lived up to earlier promise.

“We’re obviously an exceptionally talented group,” I said.

“Oh, Maddy, don’t,” begged Caitlyn. “Please! It’s like tempting fate!”

Personally I felt I’d already tempted fate. Going ice skating and injuring myself halfway through my very first term really had been asking for trouble. Even Sean had lectured me about it, and Sean isn’t at all a lecturing kind of person even though he’s my big brother and doesn’t always take me seriously. Mum and Dad, thank goodness, had never known. I still had nightmares, wondering what Mum would have had to say. She’d said enough when Jen (my sister) had got married and had Thomas and immediately stopped dancing. You’d have thought the world had come to an end! But at least Jen had had an excuse, and now that he was a toddler even Mum thought Thomas was pretty cute. I wouldn’t have had any excuse at all. Just as well it had stayed a guilty secret!

I slowly sank down on to the floor, leaning back against the wall, legs comfortably lolling. In just a few minutes I’d be working hard enough, bending, stretching, leaping. Mr Leonardo, who takes us for Character (the class we were waiting for and one of the ones I like best) is a very sweet and lovely man who almost never loses his temper or makes sarcastic remarks (unlike Ms Hickman, who makes them all the time). Mr Leonardo would far sooner praise you for your good points than shame you in front of the whole class by sarcastically informing you that you looked like a sack of potatoes or moved with about as much animation as a slug. For all that, he doesn’t believe in letting us relax. Character is a whirl of activity from the word go.

I gazed around, contentedly, at the others. Caitlyn, next to me, was taking the opportunity to finish darning a pair of pointe shoes. Darning pointe shoes is a job I particularly dislike, but Caitlyn actually takes pride in it. She is always so industrious! Chloe, meanwhile, was still merrily bashing with her hammer.

“It always seems such a pity,” said Caitlyn, “that we have to do these horrible things.” She held up the shoe she’d been working on. Her stitches (unlike mine) are always so neat and precise; she turns darning into some kind of art form. “Honestly,” she said, “it makes me feel like a vandal. Those poor shoemakers! It must be absolutely heartbreaking for them … They give us these beautiful, delicate shoes and the first thing we do is destroy them!”

“Yes, and if we didn’t,” pointed out Tiffany, in her usual crushing tones, “we wouldn’t be able to dance in them and there wouldn’t be much point in anyone bothering to make them in the first place.”

Tiffany is one of those people that has no soul. When I stop to think about it, it does seem rather cruel, the way we treat our shoes. We snip off bits of the satin, we glue and we darn and we batter and bash. Sometimes we even cut the backs to make them fit properly. What Chloe was doing was breaking the shank and softening the block so that her shoes wouldn’t make loud clopping noises as she danced. We all do it; you have to. Imagine a whole corps de ballet clip-clopping about like carthorses! And if we didn’t darn the toes we wouldn’t have a good grip when we went on pointe and would most likely end up on our backs with our legs in the air. But even then, after all our hard work, one pair of shoes would hardly last a full performance. Certainly not in a long ballet like Swan Lake or Giselle. Not that any of us had reached that stage yet. When we did – if we did, fingers tightly crossed – it would mean having several pairs of shoes all prepared and ready to go, and that would mean forever having to darn and hammer and sew on ribbons. As I once bitterly remarked to Sean, it was so much easier for him. Of course he just laughed. This is what I mean about not always taking me seriously.