Helen Dunmore - The Complete Ingo Chronicles - Ingo, The Tide Knot, The Deep, The Crossing of Ingo, Stormswept

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The Complete Ingo Chronicles: Ingo, The Tide Knot, The Deep, The Crossing of Ingo, Stormswept: краткое содержание, описание и аннотация

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Award-winning author Helen Dunmore’s INGO saga, a beautiful mermaid series for readers of 9 and up, now available in an unmissable ebook collection containing all five novels. Readers will be drawn into a watery world of mystery and magic by this haunting, sea-drenched series set on the coast of Cornwall…Once there was a man who fell in love with a mermaid. He swam down into the sea to be with her, and was never seen again . . .Sapphire's father told her that story when she was little. When he is lost at sea she can't help but think of the old myth. Then, the following summer, Sapphy meets Faro – an enigmatic Mer boy. Diving down into Ingo, she discovers an intoxicating world she never knew existed, where she must let go of the airy world above, and embrace the sea . . .But Sapphy doesn't just crave the wild world beneath the waves; she also longs to see her father once more. And she's sure she can hear him singing across the water: 'I wish I was away in Ingo, far across the briny sea . . .'Steeped in myth and legend, and full of the resonance of the deeps, this immersive five-book saga shows leading poet and author Helen Dunmore at her lyrical best.

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“Mum, what are those little brown fish called that you get on pizzas?”

“Anchovies.”

“Have we got any?”

“You wouldn’t like them, Sapphy. One or two on top of a pizza taste all right, but they’re much too salty to eat on their own.”

“But have we got any?”

“I might have a tin in the cupboard somewhere. Now please, try and finish at least one of those sausages. You haven’t eaten anything.”

Conor is watching me. Mum’s watching me. I cut up one of the sausages into small pieces and try to chew it.

“I can’t, Mum. It tastes awful.”

“Oh dear, you are ill. You’re so pale. Maybe you’ve got a stomach bug. But I’ve got to go to work tonight, there’s no one to take over my shift. Maybe I could ask Mary to come in and keep an eye on you again—”

“I’m not ill. I’m fine, Mum, I just don’t want to eat these sausages .”

“Saph, cool it,” says Conor warningly. I make a huge effort and swallow the hot, angry words that are rising in my mouth. Of course Mum’s got to go to work, but I don’t want Mary here to keep an eye on me. I’m not a baby. I don’t want Conor spying on me either. Everyone’s trying to stop me from doing what I want to do.

Mum goes to the sink to start the washing-up. Normally I do it in the mornings, and Conor washes up in the evenings. Mum’s tired. She works so hard. I’ll get up in a minute and dry the dishes. Mum ought to be sitting down with a cup of tea.

I watch Mum’s back as she scrubs out the frying pan. Everything seems different suddenly: safe. This is my home, the same as it’s always been. Mum’s radio is on as usual, Mum’s wearing her old jeans and a white T-shirt and she’s got her hair pulled back in a ponytail. That means she’s not going to work until later.

I’m in the kitchen, having a late – well, very late – breakfast with my mum and my brother in a normal school holiday. Maybe I am hungry, after all. I don’t want the sausages, but maybe a piece of toast with Marmite. I’ll make a mug of tea for myself as well as one for Mum. When she’s finished the washing-up, she’ll sit down opposite me at the kitchen table and drink her tea and tell me funny stories about last night’s customers. What they said, and how much they drank, and how much money she made in tips. I love hearing about all the weird things that customers do in the restaurant. A customer even snapped his fingers to call Mum over once, but Mum just said to him, “Have you lost your dog?”

“Mum,” I begin, but just then Mum turns the cold tap full on and the gush of the water hides my voice from her.

And at that same moment, I hear it again. A sweet sound, sweet but sharp, like a knife that can cut deep inside you. It’s like the sound I heard in the mirror, but this time it’s shaping itself into words. The song grows louder and louder, and the comfort of Mum’s presence fades like a dream, until she doesn’t seem important at all.

I wish I was away in Ingo

Far across the briny sea ,

Sailing over deepest waters

Where love nor care never trouble me

“Saph, what is it?” whispers Conor urgently. “What can you hear?”

“Listen, Conor. Can’t you hear them?”

Conor listens. I wait for the sound to fill his ears as it’s filling mine. I watch his searching, suspicious expression. I can tell that he hears nothing at all.

I wish I was away in Ingo

“Conor, can you really not hear it?” I feel frightened, as if Conor and Mum are far away and I’m alone. The words are for me. Only for me, not for Mum or Conor. Conor can’t hear anything, and Mum goes on calmly washing-up.

“Don’t listen to them, Saph,” whispers Con. “Close your ears. If you ignore them, they’ll go away.”

He thinks it’s Faro calling me, and maybe Elvira, but I know it’s not them. These are the words Dad used to sing. But he is not the singer. Even Dad, my Dad with his fine voice, couldn’t sing so sweetly. The sweetness draws me like a magnet, out of my chair, across the kitchen, through the open door, away from everything I know and into another world—

But Conor’s following me. “Where are you going, Saph?”

“I’ve got to go, Con. They want me to come. They want me to come now .”

“You mean Faro and Elvira?”

“No, not them,” I say. I feel as if I’m speaking in a dream. I can hardly hear my own voice, and Conor’s is thin and distant. “They’re Mer voices, that’s all I know. They’re trying to tell me something – I’ve got to go there again – they want me—”

“I’m not going to let you, Saph,” says Conor. He stands in front of me and spreads his arms wide. “You’re staying here. I’m not going to lose you as well as Dad.”

I can easily get past him. I’ve got Mer strength in me now. I could walk straight through Conor, as if he were mist instead of flesh and blood. But Conor’s gaze is fixed on my face, holding me back.

“I’m not going to let you go, Saph,” he repeats, and this time his voice is stronger.

“I’m sorry, Conor. You have to let me go. I know I can find Dad.”

“What do you mean?”

“He’s there. You were right. He’s away in Ingo.”

“Don’t you understand, Saph? They’re trying to make you think that! They want you to think you’re following Dad! That’s what this is all about.” Conor’s eyes blaze. “And then I won’t have a sister either. And Mum’ll lose you as well as Dad. Can’t you think of us at all? Can’t you think of anything except Ingo, Ingo, Ingo ?”

“I just want to find Dad, that’s all.”

“What’s the good of trying to find Dad, if we end up losing you as well as him? It’s dangerous. You know it is.”

“We swore, Conor. We swore and promised. This is our chance. Maybe the only one we’ll have.”

“All right then,” says Conor at last. “You win. I can’t watch you all the time. I can’t beat you and Ingo. But you’re not going alone. I’m coming with you.”

CHAPTER ELEVEN

“Mum, we’re going out for a bit,” Conor calls back casually through the open kitchen door. Usually Mum would shout, “OK, see you later. Stay together,” but today she comes to the door, wiping her hands on a towel and frowning.

“But Sapphy’s not well,” she says. “Don’t you want to stay at home with me, Saph?”

“I’m fine, Mum! I’m OK now, really,” I say as brightly as I can. Mum looks puzzled, and a bit disappointed.

“Come here, love. Let me have a look at you.”

Conor drifts away across the garden. I know he’ll wait for me. Mum puts her hands on my shoulders. She smells of the rose perfume she only wears on special days. Why is today a special day? Maybe she’s going to meet Roger , I think. I frown at Mum, and try to pull away from her.

“What’s the matter? Sapphire, look at me,” says Mum, gripping me tight as if she thinks I’m going to run away.

Slowly, I lift my head. Mum’s eyes, close up, search my face. For once, we’re really looking at each other. We’re always rushing around these days. Mum’s off to work, Conor and I are off to school or else we’re going out somewhere, or there are loads of jobs to do. Mum worries about our clothes and our schoolwork and the house and money and everything. Sometimes it feels as if she hardly sees us. All she sees are her worries about us.

I know it’s not Mum’s fault. She’s only one person, trying to do everything that two people used to do. She’s got to earn the money and look after us and keep the house. Even though we help as much as we can, she’s always rushing.

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