Barry Hutchison - Doc Mortis

Next to him, in the middle of the picture, was a much more familiar figure. He was leaning back in his chair, his arms folded across his broad chest. He was scowling at the camera – scowling at me – and I felt the hairs on the back of my neck bristle as I stared back into his dark, soulless eyes.

The collar of his overcoat was up round his ears, and the wide brim of his hat curved downwards, almost to meet it. Mr Mumbles looked just like he had when he’d come after me, but for two details.

His lips were unstitched, that was the first thing. My eyes had instinctively gone there, checking for the dirty lengths of thread that had kept his mouth sewn shut for most of our encounter. The scars were there – two rows of dark dots above and below his lips – but the stitching itself was gone.

The second unusual thing about Mr Mumbles’s appearance was his nose. It was as large and as hooked as ever, but in this picture a long, pointed icicle hung from the end, reaching all the way down past his chin. It was this that the boy on the right seemed to be finding so hilarious.

Seeing Mr Mumbles there came as a surprise, but it was the last figure that really shocked me.

He sat off to the left of the image, half out of shot. He was looking across at the boy and smiling – not laughing like the boy was – but smiling, definitely smiling.

His clothes were dark and coated with dust and grime. Across his chest were two small metal trays, attached by straps to more metal on his shoulders, like a crude, homemade suit of armour. From the dents and scratches in the metal, the armour had seen its share of battles.

His face was thin and drawn. A scar ran down the length of it, from above his right temple to below his mouth. The scar wasn’t fresh – a year or two old at least, I guessed. But... how was that possible?

I pulled the picture closer and studied it in the flickering light, searching for anything that would show it to be a fake. It had to be some kind of trick. It had to be, but I could see nothing to suggest anyone had tampered with the image.

I looked again at the third figure. His face was the one I knew best of all, the one I’d recognise anywhere.

Because it was mine.

The third person in the picture was me.

Except it wasn’t. This version of me looked older, taller, with a lean, muscular frame. So, not me, but someone who looked almost exactly like me. And who was having his photo taken with Mr Mumbles.

Did I have an evil twin? Was that it? I’d only recently found out that my dad was imaginary, so discovering I had a brother I knew nothing about wouldn’t really be that strange by comparison.

But... he looked so like me. And the photo was so old. And where were Mr Mumbles’s stitches? And who was the kid on the right?

The picture threw up several questions, but it provided nothing in the way of answers, and answers were what I needed now. I quickly shoved it back inside the wallet with the other three photographs, and looked through the other sections.

Empty. Aside from the pictures, there was nothing else in there. I closed the wallet with a snap . What a waste of time. I was even more confused now than I had been a few moments ago. I was getting nowhere.

I was about to slip the wallet into my pocket, when a tiny triangle of white caught my eye. It poked out from the seam at the wallet’s edge, like a little shark’s fin cutting through the stitching. I studied it more closely. The stitching along one side of the wallet was loose, as if it had been unpicked and then hurriedly sewn back up. My heart skipped a beat. The wallet had a hidden compartment!

It took a few tries to catch hold of the triangle between the tips of my fingers. It was plastic, a little thinner than a bank card. On the other side – the side facing away from me – I could feel a little bundle of paper, just two or three sheets, maybe. They seemed to be attached to the plastic, because when I moved it, they moved too.

I gave the triangle a tug. The stitching held it in place, and my grip slipped off the smooth plastic.

Kicking through the rubbish on the floor I searched for something to help me get the thing out. Bandages. A clipboard. Some rotten grapes. I found nothing useful until my toe pushed aside an old, torn magazine and revealed a surgical scalpel hiding below.

I slipped the tip of the scalpel inside the seam of the wallet, and split the stitches open.

I let the scalpel drop to the floor and hurriedly wiped my hand on my jeans. The plastic card slipped out easily. I shoved the wallet in my pocket and carefully unfolded the paper that was attached to the piece of plastic. It was a map. A map of the hospital. The kind they might give to visitors or patients to help them find which part of the building they needed to go to.

It wasn’t big – about the size of an A4 sheet of paper when fully unfolded – and there wasn’t a huge amount of detail on it, but I didn’t care. It told me everything I needed to know, because there, in one of the smaller hospital buildings off to the left of the main one, was a circle of red ink. It had been scrawled heavily round a rectangular room in the middle of the building. The writing was small and hard to make out in the erratic light, but if I held the map close I could just make out the text printed in the middle of the room.

For the first time in days, I laughed. Actually, properly laughed out loud. Had Joseph been with me I’d have kissed him. He had left me a message, telling me the cure was there in that room circled in red.

In that room marked “Ward 13”.

It took me a little longer to find where I was at the moment. I’d assumed the door we’d come through was a main entrance, but I was wrong. It wasn’t even marked on the map as a way in at all, so I guessed it must be for staff or emergencies only.

I was so happy at finding the map I wasn’t even discouraged by the fact that I was just about as far away from Ward 13 as it was possible to be in the main building. If I stayed inside the hospital I had a maze of corridors and wards to get through until I got to where I needed to go. If I went outside, I’d be eaten alive. It was no contest, really.

Memorising the first few twists and turns of the route, I refolded the map, shoved it way down deep in my back pocket, and set off along the shadowy corridor in search of Ward 13.

Chapter FiveTHE SEARCH BEGINS Chapter Five - THE SEARCH BEGINS Chapter Six - THE THING IN THE TUBE Chapter Seven - FACES IN THE FOG Chapter Eight - THE DOCTOR IS IN Chapter Nine - THE PORTER Chapter Ten - THE SECRET HIDEOUT Chapter Eleven - A TASTE OF HIS OWN MEDICINE Chapter Twelve - FRIENDS REUNITED Chapter Thirteen - A COMMON ENEMY Chapter Fourteen - THE GALLERY Chapter Fifteen - FROZEN WITH FEAR Chapter Sixteen - CREATURE CLASH Chapter Seventeen - TEN ELEPHANTS Chapter Eighteen - CLOWNING AROUND Chapter Nineteen - MISTAKES OF THE PAST Chapter Twenty - FOSTERING RELATIONS Chapter Twenty-one - CONFESSIONS Also available in the INVISIBLE FIENDS series Copyright About the Publisher Конец ознакомительного фрагмента. Текст предоставлен ООО «ЛитРес». Прочитайте эту книгу целиком, купив полную легальную версию на ЛитРес. Безопасно оплатить книгу можно банковской картой Visa, MasterCard, Maestro, со счета мобильного телефона, с платежного терминала, в салоне МТС или Связной, через PayPal, WebMoney, Яндекс.Деньги, QIWI Кошелек, бонусными картами или другим удобным Вам способом.

Every one of the doors along the corridor led into offices of various sizes. Some were little more than large cupboards with just a single desk and chair in them. Others were big, sprawling things with bookcases, filing cabinets and tables too.