Alex Archer - Gabriel's Horn

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The stranger could be insane. Or he just might be our salvation.Archaeologist Annja Creed is more than curious when a decrepit, ancient-looking man visits her, claiming the end of the world is near. The stranger spins wild tales and speaks as if he actually knew King Arthur. But, strangest of all, he insists that Annja is the only one who can stop the horrible event that is about to happen.When Annja's mentor and friend Roux goes missing, she quickly realizes there may be something to the stranger's stories. Making her way through the dark and violent underbelly of Istanbul, Annja must find her missing friend and the Holy Grail before the relic gets into the wrong hands. She may not fully believe the fate of the world is on the line, but she doesn't really want to die finding out.

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“That wasn’t supposed to happen,” she said.

Skromach shrugged. “Perhaps it was an overzealous special-effects person.”

“No,” Annja said, feeling the need to defend Barney and his crew. “That blast was deliberately set.”

“For the movie, yes?”

“No.” Annja shook her head. The ambulance attendant, a no-nonsense woman, grabbed her chin and held her steady. “The special-effects crew is good. They wouldn’t make that kind of mistake.”

Skromach flipped back through his notes. Annja had seen him questioning movie people while she’d talked to Barney and Roy. Both of them were banged up but they were going to be fine.

“I see here that you’re not a special-effects person,” the police detective said.

“No,” Annja said, realizing her hearing was beginning to clear.

Skromach nodded. “You’re here as an archaeologist attached to the film?”

“Yes. But I’m only loosely attached. I’m taking care of the props.”

“I see. Tell me about the props.”

“They’re Egyptian. Statues of Bast and Anubis.”

“Were they pharaohs?”

“No. Gods. A god and goddess, to be exact. Bast is an ancient goddess worshiped since the Second Dynasty. About five thousand years, give or take. Anubis was the god of the underworld. Usually he’s shown having the head of a jackal.”

That seemed to catch Skromach’s interest. “These statues are valuable?”

“Only to a collector. They aren’t actually thousands of years old, but they are a few hundred.”

“A few hundred years seems like a valuable thing. I collect stamps myself, and some of those are worth an incredible amount of money after only a short time.”

“That’s generally because they’re issued with flaws. This—” Annja tried to find the words she wanted but failed “—wouldn’t be like that.”

“I see.” Skromach didn’t sound convinced.

“Someone hosed the gag,” Annja said.

Skromach blinked. “Hosed the gag?”

“Sorry. The explosions were no accident,” Annja said confidently.

“You’re no authority,” the detective replied.

Annja sighed. The conversation seemed determined to go in circles. “Check with Barney Yellowtail. He’ll tell you the same thing.”

“I expect that he would. Especially in light of the fact that he was responsible for the gag, as you put it.”

Don’t get angry, Annja told herself. He’s just trying to do his job.

“If these statues are not so much valuable, why, then, are you shepherding them?” he asked.

“I’m shepherding all of the Egyptian artifacts in this movie,” Annja replied. “Those two props are the more important ones. The director wants everything realistic.”

Skromach scratched his long nose. “You were hired for your expertise?” he asked.

“Yes.”

The detective smiled. “Perhaps also because of your own notoriety. You have a certain…reputation.”

“I suppose.”

“Come, come, Miss Creed. Chasing History’s Monsters is very popular, they tell me. My wife is a fan.” Skromach looked utterly disarming.

Annja knew to be on her guard. It’s the quiet ones that always get you, she cautioned herself.

Skromach looked at his notes again. “Why did you chase the men?”

“Like I said, I didn’t want them to get away.”

“Such a thing is dangerous.”

“Today has been dangerous,” Annja countered.

“You could have been shot.”

“I wasn’t.”

“You said there were three of them?”

“Yes.”

“Men you had seen before?”

“I didn’t say that,” Annja told him. Finally finished with her chore, the ambulance attendant stepped away.

“Had you seen them before?” Skromach asked.

“No.”

“Would you recognize them if you saw them again?”

“Yes.”

“Perhaps, when you’re able—say in a few minutes or so—you could come down to the police station and look at some photographs.”

Inwardly, Annja groaned. She wasn’t looking forward to her date with Garin and didn’t want to be stressed before she joined him.

“I’ve got plans for this evening,” Annja replied.

Skromach checked his watch. “We’re still hours from evening, Miss Creed. And I’d rather you came down voluntarily than me going to the trouble of making my invitation official.”

“Why me?”

Skromach smiled. “Because you were the only one who chased those men.”

“I gave you the license plate of the car they were in.”

“Unfortunately, that car was stolen this morning. The owner is very distressed.”

“Does the owner have any tattoos?” Annja asked.

Brows knitted, Skromach studied her. “Why do you ask?”

“One of the men had a sword tattooed on his neck.” Annja touched her own neck in the place where the man’s tattoo had been.

“Ah.” Skromach wrote in his notebook. “You didn’t mention this before.”

“I just remembered,” Annja said. “What about the car’s owner?”

Skromach thought for a moment, then flipped back through his notebook. “I see no tattoos, sword or otherwise, mentioned.” He looked up at her. “Perhaps I’ll go see him. Just in case. In the meantime, I’d like to offer you a ride down to the police station.”

Skromach was very good with surprises. He waited until he had Annja seated beside him in the back of the police car before he sprung his.

“So tell me, Miss Creed,” he said. “What did you do with the sword?”

The car got under way. Annja fumbled for the seat belt to cover her reaction. Her heart beat fast and her hands suddenly felt clammy. She tried to relax. No one could find the sword. Only she could call it forth, she reminded herself. When she had the seat belt fastened, she asked, “What sword?”

“Policemen working this case canvassed the street where you chased the men,” the detective replied. “Witnesses said you threw a sword at one of the men and pierced him.”

Annja held up her hands. “No sword.”

Skromach scratched his jaw with a thumbnail. “They seemed most adamant, these witnesses. And there was a lot of blood at the scene.”

“One of the men fell.”

“The one with the sword tattoo?” Skromach touched his neck.

“I think so,” Annja said.

“I see.”

“Maybe the fall hurt the man and caused an injury.”

“The witnesses said the man had to be carried off.”

Annja waited. She wasn’t very good at lying, but lying was better than trying to explain a supernatural sword.

“If you or your men can find a sword up there, then I must have had one,” she replied. “Things got confusing very quickly.”

“They usually do.” Skromach shrugged. “We also had reports citing the number of men from two to eleven. Although how all those men fit into one car is beyond me. Eyewitnesses, as every policeman knows, are unreliable at best.” He leaned back against the seat. “Besides, even if you did have a sword, you would only be guilty of self-defense.”

“Yes.”

“If those men were the ones who hosed the gag, as I believe you said.”

“That’s right,” Annja replied. “That’s what I said.”

“Hopefully, we can find them.”

Annja hoped so, too. Because if they didn’t, she had the distinct impression the men might come looking for her again.

4

“Annja, you’ve got to listen to me. You’re in Prague. That’s almost Romania. They’ve got vampires in Romania. Therefore there are vampires in Prague.”

Seated at the small metal desk she’d been shown to in the police station, Annja stared glumly at the page of photographs of known criminals operating in Prague. Actually she’d looked at so many pictures of criminals now that she believed Skromach had borrowed books from other countries.

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