James Axler - Hell's Maw

In the microsecond it took Grant to register all of this, the second dark-skinned man worked the door to a building on the alleyway, and suddenly the three figures disappeared inside.

Grant gave chase again, reaching the door a fraction of a second after it had closed. It was a fire door, he realized then, completely smooth with no provision given to opening it from this side. Which raised the question of just how the hell these people had managed to open it.

But that was only one of the many questions racing through Grant’s mind at that instant. Grant hammered against the door for a few seconds, but no one responded. He looked around him, taking in the narrow alleyway as if for the first time. Three- and four-story buildings stood to either side of him, dark windows peering out onto the narrow passage, a sliver of indigo sky visible between them like an upturned river. Grant wondered where the doorway led, but there was no obvious entrance farther along the wall.

As he peered up and down the alleyway, Grant spotted something lying at the edge of the door. It was a feather, presumably from the woman’s train. Leaning down, Grant picked it from the sill of the door, lifting it closer to study it. As he did so he felt its sharp edge cut him across his thumb, just like a paper cut, and he winced. The feather was eight inches long and almost two inches wide, goose white with a pale stem. But there was red at the edges of the feather, and as Grant held it, the red spread before his eyes. In a matter of seconds, the feather had turned from purest white to a dark, bloodred.

Grant studied the feather a moment longer before slipping it into the pocket of his jacket. He had lost the strange group by now, and he was woefully aware that he had left Shizuka alone in the hotel ballroom with the hanging bodies and the eerily playing band.

“Dammit,” he cursed, turning back the way he had come. As he retraced his steps, Grant plucked up both of the metal discs that had been launched at him by the men. They were four inches across with sharp, jagged edges, a little like buzz saws. Studying them as he retraced his steps, Grant couldn’t help but wonder what on Earth he and Shizuka had managed to walk into.

* * *

WHILE GRANT WAS chasing after the mysterious figures, back at the hotel, Shizuka rapidly enlisted several members of staff to assist in untying or cutting down the dancers who were hanging from the ceiling.

“Alert the authorities,” Shizuka told a porter as he dragged a chair over from the wall to help her untie the first victim.

The porter looked mystified, and Shizuka repeated her request. “Authorities. Police.”

“Policía,” the porter repeated, nodding in understanding. He hurried off, and a few seconds later Shizuka could hear him having a hurried discussion with the hotel receptionist before he returned with more help.

It took four of them almost two minutes to get everyone down from the ceiling, and Shizuka spent the whole of that time asking aloud for anyone to speak up if they could hear her while the receptionist translated the question in Spanish. Three of the hanging figures gurgled strained responses through the pressure of the nooses, and Shizuka ensured that they were the first she assisted down from their grisly positions.

The five-piece band remained dazed by what they saw here, Shizuka noticed, as if they had only just awoken—except in this case, the nightmare was all too real.

Despite her lack of Spanish skills, Shizuka managed to take charge and organize everyone, and it was not long before all of the previously hanging figures had been brought back down to the floor. A doctor who was staying at the hotel was found and called upon to check over the grisly scene. He was a portly man in his late forties who had been enjoying an after-dinner drink in the hotel bar, and he was efficient and calm as he looked over the ballroom’s occupants. Over two-thirds of the figures were already dead; just seven had survived, and of those only two could speak.

The receptionist, a bottle blonde with dark roots showing, pretty and scarcely out of her teens by Shizuka’s reckoning, spoke flawless English with only a trace of an accent, so while the doctor worked, Shizuka cornered her and asked her what had happened.

“I didn’t know anything was wrong until Paolo called me,” she admitted, referring to the young porter who had been the first to answer Shizuka’s call.

“Didn’t you hear anything?” Shizuka probed.

“No. Nothing,” the girl replied, wide-eyed in astonishment. “I can’t believe…” She stopped and crossed herself, unable to finish her sentence.

Shizuka looked back at the ballroom, eyeing the ceiling where the nooses had been attached to the open beams that ran crossways through the room. It was a curious affair, to say the least. As she pondered, Shizuka’s eyes settled on the band, who were still waiting at one side of the room. They were talking among themselves and seemed distraught, faces ashen with the shock of what had occurred here. And yet, Shizuka recalled, they had been playing normally when she and Grant had happened upon the horrific scene, as if they were a part of it somehow.

Shizuka placed a hand on the receptionist’s side and guided her across the room. “Come, I may need you to help me speak with them,” she explained.

Bewildered by the almost-surreal scene around her, the receptionist plodded alongside Shizuka on her flat-soled pumps.

“Do any of you speak English?” Shizuka asked, addressing the band.

One of the guitarists nodded, as did the singer, while two of the others made “so-so” gestures with a shrug.

“You must have been here when all this was occurring,” Shizuka said. “What did you see?”

“See?” the singer repeated. “It’s…confused. We play as people arrive. They laugh, some dance. Then…”

“Then?” Shizuka urged.

“It’s… atropelladamente ,” the singer said.

Shizuka looked from the singer to the other band members, some of whom were nodding. “I don’t understand,” she said.

The singer began rattling off something in fast-paced Spanish, her garbled words exhibiting the rat-a-tat rhythm of an old machine gun’s fire. “Un tobogán en espiral de altura sinuoso alrededor de una torre en una feria,” she said. “ Una feria… fairground.”

Shizuka looked to the receptionist for help. “Fairground?” she prompted.

“Mónica says it was like seeing a twisting slide,” the receptionist translated thoughtfully. “Like the slide at the funfair.”

“The helter-skelter.” Shizuka realized after a moment.

“Si!” the singer agreed with a snap of her fingers. “But here, in my head. Inside.”

The woman’s bandmates seemed to agree, one of them translating for the drummer, whose grasp of English was very limited. Several of the men tapped their foreheads as if to show her. It was the point where many religions placed the third eye, Shizuka noticed.

At that moment, the authorities arrived, and the atmosphere in the room changed subtly. Shizuka felt it straightaway, the way that everyone suddenly became a suspect.

Two officers strode through the room, eyeing the sprawl of corpses and wounded scattered across the lavish surroundings. They were a man and a woman, both dressed smart-casual in charcoal-gray suits. The man was in his thirties, six feet tall with striking features and wavy dark hair slicked back from his forehead, a trace of stubble darkening his chin. He wore his jacket open, the pressed white collar of his shirt tightly clasped to his neck, a striped tie swaying before his broad chest. The woman was of a similar age, several inches shorter than the man, and her suit was looser, its baggy lines masking her taut, athletic figure. She wore a white T-shirt beneath the blazer, the bulge of a blaster almost hidden where it was holstered beneath her left arm. She had dark hair cascading past her shoulders in gentle waves and she wore a concerned expression that sat well on the sharp planes of her face, enhancing her flawless olive complexion.