Alex Archer - Grendel's Curse

“For too long now we’ve allowed ourselves to be invaded by foreigners...foreigners who have been permitted to stay here, to draw from our state and live in comfort without giving anything back. We allowed them to bring with them their own customs, and have tacitly accepted their beliefs. And if we speak up, anything we say is seen as racist, oppressive, against their freedom. I’m all for freedom, and believe me, my friends, I am no racist. I do not differentiate one man from another by the color of his skin or the God he worships. But the plain unassailable fact is these people do not belong here. We’re a small country. A few years ago we were under ten million, now there are over twelve million people here. We don’t have oil like the Norwegians or the British. We cannot support every asylum seeker who comes here. We’ve been the guilty conscience of the world for too long. Like it or not we have to start thinking about ourselves for once.”

Another round of applause rang out.

Thorssen was preaching to the converted and they were lapping up his sermon.

The huge screen behind him changed to show an aerial view of Skalunda Barrow.

“I am sure some of you recognize this place.” There was a murmur through the hall. Things were about to get interesting. “And even if you don’t, you’ll know the name. This is the Skalunda Barrow, believed to be the final resting place of our greatest hero, the old war wolf himself, Beowulf.” The screen shifted to show twin swords in place of the burial mound: Hrunting, given to Beowulf by Unferth for the fight with Grendel, and Nægling, the magical blade he claimed from Grendel’s cave, having defeated Grendel and Grendel’s mother. “He is a true symbol of our heritage. A warrior. A dragon slayer. He killed the enemies who threatened our land...just as the foreigners threaten it now.” Annja couldn’t quite believe what she’d just heard. Surely it had to be a language thing? A misinterpretation? But the level of sophistication in the rest of Thorssen’s language suggested not. “Now is the time for a new Beowulf to arise! Now is the time for someone to drive the dragons from our land!”

Some of Thorssen’s acolytes seemed to be on the verge of losing themselves in rapture. They were rocking back and forth on their heels, murmuring, “Yes. Yes. Yes.” Only the front few rows seemed to be immune to the craziness. Karl Thorssen was none-to-subtly calling for the people to rise up against immigrants and drive them out of the country.

“Surely this has to be against the law? This is nothing short of inciting racial hated,” Annja said, shaking her head. Her companion didn’t hear her. He was engrossed by the reaction of the crowd, and pointing his cameraman to where he should direct his focus.

Thorssen had adopted the pose again, clearly enjoying the adoration.

She noticed one of the securing men sprang into action, making his way down the side of the stage into the crowd. He’d obviously seen something he didn’t like. Maybe one of the great unwashed wasn’t towing the company line? She scanned the crowd looking for signs of dissent, but everyone seemed to be equally enthralled, waiting for the mothership to beam them up to a racially pure nirvana in the stars.

He pushed his way through the faithful, moving his way toward the back doors.

Curiosity might have killed the cat, but it still hadn’t managed to kill Annja Creed, though not for want of trying. She gave Micke a nod indicating where she was going, but his attention was already elsewhere. He was wrapped up in his own work, making sure the whole thing was captured on camera for his documentary. There was no denying that it would be good television.

Without another word Annja worked her way through the crowd, until she reached the door, and followed the guard out.

The tattooed man didn’t even notice that she was following him.

Once the doors closed behind her Annja should have been isolated from the noise of the auditorium, but she wasn’t. It was replicated by a large flat-screen television and sophisticated sound system broadcasting what was going on inside the theater.

Halfway down the red carpet, the bodyguard caught up with the man he’d spotted in the crowd. Annja was too far away to hear the exchange, but it was obvious from their body language that it was hostile in the extreme. His fingers dug into the guy’s arm as he twisted him around. He said something—the vehemence behind his words translated even if the words didn’t. The man didn’t back down. Far from it, he pushed himself up into the guard’s face and snarled back, feral, spitting full in the middle of his face and cursing him. Annja saw the scar on his cheek. The guard shoved him away and he went stumbling back two steps, reaching out for a handrail to catch his balance before he fell.

The guard grabbed him again.

“Everything all right here?” Annja asked, walking up behind them.

“Keep out of this,” the bodyguard growled. Charming soul. “This has got nothing to do with you.”

Annja wasn’t big on talking with bullyboys, but wasn’t about to leave the man to his not-so-tender mercies. “Look, this doesn’t have to be nasty.”

The man took her intervention as his cue and pulled free of the guard’s grasp, running for the door. The guard didn’t stop him. He was looking at the screen over Annja’s shoulder as the backdrop behind Thorssen changed. The image of the two blades had been replaced by one of a painted Beowulf standing over what was obviously supposed to be Grendel’s mother, the hero holding his sword aloft in victory. It wasn’t subtle. But nothing about Karl Thorssen was.

The camera shifted focus, settling on Thorssen. The politician raised his arm, echoing the image on the screen. It was a carefully choreographed move. He was fully in control, playing the crowd until a sudden explosion of noise erupted—through the doors, from the sound system, from the walls around her. The entire framework of the theater trembled, and then the stones themselves seemed to cry out as the building twisted and buckled.

The cheers mutated into screams.

Suddenly people charged through the doors, desperate to get out of the auditorium. Smoke and rubble filled the air. Nowhere was safe. Not in there. Not out here in the vestibule. She looked for the scar-faced man—the bomber? Was that what had happened here?—but he was gone, swept up with the tide of people and carried away with the stampede as they surged toward the street. Smoke. Sprinklers. Sirens. Chaos. Annja pressed herself against the wall to let the flood of people past; she couldn’t swim against it. Panic drove people from the theater, but not everyone was so lucky. She could see the screen behind the stage with the image of Beowulf battered and bloody in his chain-mail armor, sword aloft, but beneath it, where Grendel’s mother had been, there was only rubble and bodies.

“Micke!” she cried. There was no way he could have heard her but that didn’t stop her calling out his name. She scanned the faces desperately, looking for her friend, not wanting to look toward the bodies for fear of seeing him there.

And then she saw him giving instruction to his cameraman. He was pointing at the stage where Karl Thorssen lay. That was the money shot. In all this devastation, the man who would be one of those angry Norse gods of old lay battered and bleeding as two plainclothed SAPO operatives climbed onto the stage, trying to find a path through the rubble to get to the politician. It was an iconic moment. It would be shown on every television set in the world. It would be talked about for weeks. Thorssen rose from the ashes shakily, bruised and bloodied, like the heroic figure on the screen behind him. He breathed in deeply, savoring life amid all of this destruction, and turned to look directly at the camera.