Freeman Crofts - Inspector French and the Starvel Hollow Tragedy

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From the Collins Crime Club archive, the third Inspector French novel by Freeman Wills Crofts, once dubbed ‘The King of Detective Story Writers’.THREE CORPSES FOR INSPECTOR FRENCHA chance invitation from friends saves Ruth Averill’s life on the night her uncle’s old house in Starvel Hollow is consumed by fire, killing him and incinerating the fortune he kept in cash. Dismissed at the inquest as a tragic accident, the case is closed – until Scotland Yard is alerted to the circulation of bank-notes supposedly destroyed in the inferno. Inspector Joseph French suspects that dark deeds were done in the Hollow that night and begins to uncover a brutal crime involving arson, murder and body snatching . . .

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FREEMAN WILLS CROFTS

Inspector French and the Starvel Hollow Tragedy

Inspector French and the Starvel Hollow Tragedy - изображение 1

Copyright

Published by COLLINS CRIME CLUB

An imprint of HarperCollins Publishers Ltd

1 London Bridge Street

London SE1 9GF

www.harpercollins.co.uk

First published in Great Britain by Wm Collins Sons & Co. Ltd 1927

Copyright © Estate of Freeman Wills Crofts 1927

Cover design by Mike Topping © HarperCollins Publishers Ltd 2017

A catalogue copy of this book is available from the British Library.

This novel is entirely a work of fiction. The names, characters and incidents portrayed in it are the work of the author’s imagination. Any resemblance to actual persons, living or dead, events or localities is entirely coincidental.

All rights reserved under International and Pan-American Copyright Conventions. By payment of the required fees, you have been granted the non-exclusive, non-transferable right to access and read the text of this e-book on screen. No part of this text may be reproduced, transmitted, down-loaded, decompiled, reverse engineered, or stored in or introduced into any information storage and retrieval system, in any form or by any means, whether electronic or mechanical, now known or hereinafter invented, without the express written permission of HarperCollins.

Source ISBN: 9780008190644

Ebook Edition © January 2017 ISBN: 9780008190651

Version 2016-12-08

Dedication

TO

MY WIFE

WHO SUGGESTED THE IDEA FROM WHICH

THIS STORY GREW

Table of Contents

Cover

Title Page

Copyright

Dedication

Chapter 1: The Tragedy

Chapter 2: The Inquest

Chapter 3: Mr Tarkington Develops a Theory

Chapter 4: Inspector French Goes North

Chapter 5: French Picks Up a Clue

Chapter 6: Talloires, Lac D’Annecy

Chapter 7: Posthumous Evidence

Chapter 8: Dr Philpot’s Story

Chapter 9: The Value of Analysis

Chapter 10: Whymper Speaks at Last

Chapter 11: A Startling Theory

Chapter 12: A Somewhat Gruesome Chapter

Chapter 13: The Piece of Yellow Clay

Chapter 14: The Secret of the Moor

Chapter 15: French Baits his Trap

Chapter 16: A Double Recall

Chapter 17: Concerning Wedding Rings

Chapter 18: Cumulative Evidence

Chapter 19: The Last Lap

Chapter 20: Conclusion

About the Author

Also in this Series

About the Publisher

1

The Tragedy

Ruth Averill moved slowly across the drawing room at Starvel, and stood dejectedly at the window, looking out at the Scotch firs swaying in the wind and the sheets of rain driving across the untidy lawn before the house.

The view was even more depressing than usual on this gloomy autumn afternoon. Beyond the grass-grown drive and the broken-down paling of posts and wire which bounded the grounds, lay the open moor, wild and lonely and forbidding. A tumble of dun-coloured sedgy grass with darker smudges where rock outcropped, it stretched up, bleak and dreary, to the lip of the hollow in which the dilapidated old house had been built.

To the girl standing in the window with a brooding look of melancholy on her pretty features the outlook seemed symbolical of her life, for Ruth Averill was not one of those whose lives could be said to have fallen in pleasant places.

But, in spite of her unhappy expression, she was good to look at as she stood watching the storm. Though rather under medium height she had a charming figure and something of a presence. She was dark, as though in her veins might flow some admixture of Spanish or Italian blood. Her features were small and delicate, but her firmly rounded chin gave promise of character. She scarcely looked her twenty years of age.

But though she had the fresh vitality of youth, there was something old-fashioned in her appearance not out of accord with her surroundings. She wore her long dark hair piled up in great masses over her broad forehead. Her dress was of the plainest, and in the fashion of three years earlier. Though scrupulously neat, it was worn threadbare. Her shoes were cracked and her stockings showed careful darns.

For Ruth Averill was an orphan, dependent on the bounty of her uncle, Simon Averill, for every penny. And Simon Averill was a miser.

Ruth was born in Southern France, and she had dim recollections of a land of sun and warmth, of jolly people and bright colours. But since she had come to this gloomy old house in the wilds of the Yorkshire moors the joy had gone out of her life. Her companions during childhood had been the two not very prepossessing servants and the still less attractive gardener and outdoor man. With her uncle Simon she had nothing in common. Even at the time of her arrival he was elderly and morose, and every day he seemed to grow more self-centred and less approachable.

After some years a break had come in her life; she had been sent to a boarding school. But she had not been happy there, so that when she was ‘finished’ she was almost glad to return to the dullness and loneliness of Starvel.

There she had found changes. Her Uncle Simon was now an invalid, querulous and solitary, and living only for the accumulation of money. His passion took the form of collecting actual coins and notes and hoarding them in his safe. He made no attempt to cultivate the friendship of his niece, and had it not been that he required her to read to him once a day, she would have seen him but seldom.

At this time also the two old women servants and the gardener had gone, and their places had been taken by a comparatively young married couple called Roper. Though more efficient than their predecessors, Ruth did not take to either of the newcomers, with the result that the fourteen months which had passed since her return from school were lonelier than ever.

Had it not been that Ruth had developed an interest in flowers and gardening, she would have found herself hard put to it to fill her life. Gardening and her friendship with a semi-invalid entomologist who lived close by, together with occasional excursions to the neighbouring market town of Thirsby, were the only distractions she could count on.

But recently another factor had come into her life. She had met on a number of occasions a young man named Pierce Whymper, the junior assistant of an ecclesiastical architect in Leeds. Whymper was acting as clerk of works during some renovations to the parish church at Thirsby, and when Ruth had gone with one or two of the local ladies to inspect the work he had been particularly attentive. He had begged her to come again to see how the job progressed, and she had done so on more than one occasion. Then one day she had met him walking near Starvel, and she had invited him to come in and have tea. This visit had been followed by others and they had made excursions together on the moor. Though no word of love had been spoken during any of these interviews, she knew that he was attracted to her, and though she would hardly admit it to herself, she knew also that she would marry him if he should ask her.

Such was the general condition of affairs in the old house of Starvel on this gloomy September afternoon, an afternoon which was to be remembered by Ruth as the end of her old life and the prelude to a new existence in a different world.

As she was standing, staring mournfully out of the window, the attendant, Roper, entered the room. She did not know then, though she realised it afterwards, that the message he was bringing her was to be the herald of a series of terrible and tragic happenings, so dark and sinister and awful that had she foreseen them she might well have cried out in horror and dismay. But she did not foresee them, and she turned with her instinctive courtesy to hear what the man had to say.

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