Sebastian Gregory - The Asylum For Fairy-Tale Creatures

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The Asylum For Fairy-Tale Creatures: краткое содержание, описание и аннотация

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Once upon a nightmare…Long ago, in a land where imagination meets the darkest nightmares, they built the asylum. Surrounded by a forest of thorns, it holds the most twisted minds in the fairy tale kingdom: a terrible collection of evil creatures and forgotten souls. Imprisoned within its walls, they are doomed to spend forever after telling their tales… and serving as a warning to others.Now, you are invited to accompany Blood Red Riding Hood into the depths of this strange place – where you will meet its even stranger inhabitants. But be warned: walls this thick were built to withstand the darkest magic… so once you’re inside, you might just find yourself living horribly ever after… and wishing you were indeed in a land far, far away.Praise for Sebastian Gregory'It reminded me of Tim Burton’s ‘The Corpse Bride’ and ‘The Nightmare before Christmas’ which I really loved - Candy's Bookcase on The Boy in the Cemetery'Within the pages of The Boy in the Cemetery, I found that incredible part of my imagination that I realise I'd lost somewhere in the process of growing up. I was enthralled, entranced, and completely enchanted. I would happily, happily, happily read anything by Sebastian all day long.' - 5 cupcakes from Becca's Books to The Boy in the Cemetery'Every now and then you come across a book that blows you away, this is one of those books.' - 5 stars from Nicky Peacock to The Asylum for Fairy Tale Creatures'This novella is magnificent. It is hauntingly magical.' - The Modest Verge on The Gruesome Adventures of Alice in Undeadland

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To be poor abandoned children in the forest, left to the whims of the nearby witch in her gingerbread house - imagine how frail your mind would become. Imagine the trauma of finding a house inhabited by bears who think they are people. How about being a boy made of wood who can think and talk yet is ridiculed and shunned. Or a girl given to a reclusive beast by her own father. It would be enough to drive a person to madness. And so many of the fairy tale creatures went skipping into the comfort of insanity.

Their demented wails carried through barred windows and into a rainstorm to haunt the turbulent air. A raven followed the cries to a break in the highest tower roof. The rain dripped from cracks in the slates. On the rafters the raven shook off the rain and cawed to itself, tipping its head this way and that with dark curiosity, before swooping downwards through the rafters and away amongst stone corridors. Flying between the shadows of the gas lamps, the raven passed the padded cells of the asylum’s inhabitants. All and more locked behind deep oak doors for evermore. The raven explored further, gliding along until it came to a spiral staircase. It landed on the stone steps a moment, hopping and pecking before flying off again, downwards. To another corridor and, if it were not a fool bird, the raven would have noticed something different. There was only one door at the end of a dark hallway of stone, bolts and chains and huge padlocks holding it firmly sealed. The raven did not concern itself with this and settled on the bars of the door; it cawed and pecked at the metal with a rat-tat-tat. For a moment something reflected in its onyx eye; from the gap in the bars a bony finger, unexpected and quick, simply brushed the poor creature with all the force of a breath on a nape. The raven cried its last and disappeared, falling within. There was a momentary sound of bones falling on stone, a kind of rattle before everything was silent again, save for the distant sound of the storm, and the ravings of the insane fairy tale creatures.

Blood Red Riding Hood

The woods held no fear for the girl. She followed her grandma’s advice and her boots held to the path hidden amongst the moss and shed leaves. Thick and ancient trees, old and wise, smiled with knotted faces that only the girl could see. Beams of bright yellow split through the dense overhead canopy and created a dark green rainbow. Her way was clearly lit through The Dark-Dark Forest. And the girl loved this place; it was so mysterious, so gloomy but so full of life. Birds perched heavy on the branches and screamed into the air; insects danced strange fandangos to the sound. Creatures of all shapes and colours trembled in the undergrowth. They crawled from rotting bark, playing amongst carpets of compost. “The dank is good for the lungs,” Grandma told her. “Breathe it in, girl.” The scent of wet greenery filled her senses, making her nostrils sting and eyes water. It was sweet sweat of the forest. She felt so at home here, the other children of the village thought her strange and sneered when they saw her go by. She did not mind; she only needed the forest and her grandma.

Ever since her father had succumbed to a wasting infection the previous year, her mother’s wits were lost to everlasting grief; the girl had found refuge in solitude. Her own thoughts and company were more than enough for her, those and the frequent trips to the house in the woods to visit Grandma. The girl losing her father and her grandma a son gave strength to the other. So it became traditional that the girl would bring a basket full of treats once every seven days. Mainly berries and fruits picked from the forest, sometimes scones freshly baked. In return the grandma taught the girl things, secret things she could not and would not share with anyone, especially her fretful and evermore absent-minded mother. For instance, she would never tell her mother how she had been shown to extract poison from black pond toads. She could never tell how, by chewing certain types of red moss, she could see the fairies and fey that inhabited the world in secret. Her grandma taught such things as a distraction from losing a parent; she comforted her granddaughter as the girl’s mother was less and less herself.

The girl had become the adult at the age of thirteen. She kept her mother safe and warm by selling fruits and vegetables at market, chopping kindle, and sewing—anything to get by. When the girl had rare free time, she spent it by her father’s graveside. Sitting in the weeds next to the wooden cross, she would tell him of the day’s events. How winter was coming and there was a harvest that needed to be stored or how the rain was turning the world to mud. Sometimes the crueller children would hide in the wooden garden and laugh and throw coal at the girl talking to the dead.

“It is nowt but jealousy,” Grandma commented as the girl cried in a rocking chair.

Grandma was rummaging in her old oak chest.

“Of what?” questioned the girl with a sigh between sobs.

“Of this.” Grandma grinned through the biggest set of gums ever seen. All the better to smile with.

With a swish Grandma produced a beautiful garment of golden brown fox fur. The girl took it, instantly feeling better and stroking the fur against her cheek.

“It’s a riding cloak,” Grandma explained. “I swapped with a right posh bugger gentleman.”

“For what?” the girl asked, distracted by the gift.. She stood and tied the cloak around her; it had a hood, which she pulled over her hair.

“For secret things, never you mind.”

“It has a hood! It has a hood!” The girl was jumping and squealing.

“The better to keep you warm.” The grandma laughed. She might have been old and her bones more bent than not, but the girl and grandma danced together and everything was good.

On this day the girl arrived at Grandma’s house. A small cottage made of coloured river stone, with a thatched roof that had been turned into root from the trees, which according to Grandma kept the house from prying nobodies. Two windows that flanked the green door reminded the girl of a surprised face. There was no fence for there was no garden, just the woods, which were becoming full of twilight as the sun had hid itself. The girl as always went to knock, but the door creaked open. It seemed to be the only sound in the world for the forest suddenly became hushed as if in anticipation. The girl stepped in. It was dark inside and from the pantry was the sound of a pot on the boil; the smell of rabbit broth filled the air, she recognised the smell of the tender meat bubbling away.. Although it was dark, the girl knew the house well: the brickwork with tree roots creeping in and gripping tight. The creaking wooden floors where furniture made from forest twigs sat. As she stepped further in, a millipede scurried over her boot and into a crack in the floor.

“Grandma?” the girl called meekly as she set the basket down and dropped her hood.

“I’m here, dear. I could hear you from all the way in the trees.”

The voice was guttural as if from a throat that needed clearing yet at the same time full of whimsy. This would explain why the house was left cold and dark. Grandma must be ill and resting. The girl made her way through to the back room where Grandma’s bed was located.

To ease her nerves she joked, “My, my, Grandma, what big ears you have.”

“All the better to hear you with, my dear,” came the reply.

Her nerves rattled and the hairs on the back of her neck swayed like dried grass in a breeze. Slowly—oh, so slowly—through shadow the girl peered around the door frame. There amongst knitted quilts and cushions lay Grandma. Her shape shifted as the girl stepped to the end of the bed. There was a crunch; the girl looked down to see a broken ornament under her boot. She went to question the discovery but her attention was grasped by a trick of the shadow. The face staring back at the girl was wrong. The pieces were there, the grey bun of hair, the loose skin and wrinkles, yet somehow the outside of Grandma was slipping. Through the drooping eye sockets deep yellow orbs gripped the girl.

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