Michael Connelly - The Locked Room

All the while the book carries the vivid imagery of Stockholm and its underbelly of crime that Beck traverses. I read this book long before I ever visited Stockholm but the sense of the city, its smells, its sounds, its hidden dangers and beauties are vibrantly alive. The city is as much a character in the book as any person who appears in its pages.

What's more, the book carries a dark irony: the idea of justice in which we are all guilty of something, and if we are not punished for the crimes we have committed then we are punished for those we have not. It is a daring proposition and one I have seen in a number of other books. But I have not seen it played out so well as in these pages.

As with the entire series of ten books, Martin Beck is the pole that holds the tent up in The Locked Room. His presence looms over every page whether he is actually on it or not. To me Beck is the original grinder, an empathist who takes it all in and grinds it constantly in his head. He grinds the case down to powder and only then does he see the solution. He operates with a certain melancholy that is just right. He is alone but not lonely. He is the thinking man's detective. The writer Joseph Wambaugh once said that the best crime stories are not about how a cop works on a case, but how a case works on a cop. Martin Beck is a most fitting example of the accuracy of this. And The Locked Room is a most fitting case for him to work and be worked upon.

Michael Connelly

The bells of St Maria struck two as she came out from the metro station on Wollmar Yxkullsgatan. Before hurrying on towards the Maria Square she halted and lit a cigarette.

The din of the church bells reverberated through the air, reminding her of the dreary Sundays of her childhood. She'd been born and grown up only a few blocks from the Church of St Maria, where she'd also been christened and confirmed – the latter almost twelve years ago. All she could remember about her confirmation classes was having asked the vicar what Strindberg had meant when he'd written of the ‘melancholy descant’ of the St Maria bells. But she couldn't recall his answer.

The sun was beating down on her back. After crossing St Paulsgatan she eased her pace, not wishing to break into a sweat. All of a sudden she realized how nervous she was and regretted not having taken a tranquillizer before leaving home.

Reaching the fountain in the middle of the square, she dipped her handkerchief in the cool water and, walking away, sat down on a bench in the shade of the trees. She took off her glasses and rubbed her face with the wet handkerchief, polished her glasses with the hem of her light-blue shirt, and put them on again. The large lenses reflected the light, concealing the upper half of her face. She took off her wide-rimmed blue denim hat, lifted up her straight blonde hair, so long it brushed against her shoulders, and wiped the nape of her neck. Then, putting on her hat, she pulled it down over her brow and sat quite still, her handkerchief crumpled up into a ball between her hands.

After a while she spread the handkerchief out beside her on the bench and wiped the palms of her hands on her jeans. She looked at her watch: half past two. A few minutes to calm down before she had to go.

When the clock struck 2.45 she opened the flap of the dark-green canvas shoulder bag that lay in her lap, picked up her handkerchief, which by now was completely dry, and without folding it slipped it into the bag. Then she got up, slung the leather strap of the bag over her right shoulder, and started walking.

Approaching Hornsgatan she grew less tense; everything, she persuaded herself, would work out fine.

It was Friday, the last day of June, and for many people the summer holidays had just begun. On Hornsgatan, both on the street itself and on the pavements, the traffic was lively. Emerging from the square, she turned off to the left and went into the shadow of the houses.

She hoped today had been a wise choice. She'd weighed the pros and cons and realized she might have to put off her project until next week. No harm in that, though she wasn't too keen on exposing herself to such mental stress.

She got there earlier than she'd planned and halted on the shady side of the street, observing the big window opposite her. Its shiny glass reflected the sunshine, and the heavy traffic partially blocked her view. But one thing she noticed. The curtains were drawn.

Pretending to be window shopping, she walked slowly up and down the pavement, and although there was a large clock hanging outside a watchmaker's shop nearby she kept looking at her watch. And all the while she kept an eye on the door on the other side of the street.

At 2.55 she walked over to the pedestrian crossing at the crossroads. Four minutes later she was standing outside the door of the bank.

Before pushing it open, she lifted the flap of her bag. Walking in, she let her gaze sweep over the office, a branch of one of Sweden's major banks. It was long and narrow; the front wall consisted of the door and the only window. To her right a counter ran all the way from the window to the short wall at the other end, and on her left four desks were fixed to the long wall. Beyond them were a low, round table and two stools upholstered in red-chequered material. Furthest away were some stairs, rather steep, disappearing below to what presumably was the bank's safe-deposit vault.

Only one customer had come in before her – a man. He was standing at the counter, stuffing banknotes and documents into his briefcase. Behind the counter two female cashiers were sitting. Further away a male cashier stood leafing through a card index.

Going up to one of the desks, she fished out a pen from the outer pocket of her bag, meanwhile watching out of the corner of her eye as the customer with the briefcase went out through the street door. Taking a deposit slip out of the holder, she began doodling on it. After a little while she saw the male cashier go over to the door and lock it. Then he bent down and flicked the hook holding open the inner door. As it swung closed with a hissing sound, he resumed his place behind the counter.

She took her handkerchief out of her bag. Holding it in her left hand and the deposit slip in her right, as she approached the counter, she pretended to blow her nose.

Then she stuffed the deposit slip into her bag, brought out an empty nylon shopping bag, and laid it on the counter. Clutching her pistol, she pointed it at the female cashier and, holding her handkerchief in front of her mouth, said: ‘This is a hold-up. The gun's loaded and if you make any trouble I'll shoot. Put all the money you've got into this bag.’

The woman behind the counter stared at her and, slowly taking the nylon bag, laid it down in front of her. The other woman stopped combing her hair. Her hands sank slowly. She opened her mouth as if to say something, but couldn't get a sound out. The man, who was still standing behind his desk, gave a violent start.

Instantly she pointed the pistol at him and yelled: ‘Stay where you are! And put your hands where I can see them.’

Impatiently waving the barrel of the pistol at the woman in front of her, who was obviously paralysed with fright, she went on: ‘Hurry up with the money! All of it!’

The cashier began stuffing wads of banknotes into the bag. When she'd finished, she laid it on the counter.

Suddenly the man at the desk said: ‘You'll never get away with this. The police will –’

‘Shut up!’ she screamed.

Then she threw her handkerchief into her open bag and grabbed the nylon shopping bag. It felt nice and heavy. Backing slowly towards the door, she pointed the pistol at each of the bank's employees in turn.

All of a sudden someone came running towards her from the stairway at the far end of the room: a tall, blond man in well-pressed pants and a blue blazer with shiny buttons and a big gold emblem stitched to the breast pocket.