Karen Harper - Fall From Pride

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Against the peaceful night sky, a barn burns…Sarah Kauffman sought permission from her church elders to paint murals on a few of the Amish community's barns. Each was designed like an old-fashioned quilt square, representing a piece of the Amish traditions Sarah loved. The works of art were intended to draw more tourists to the Home Valley in the struggling economy. But instead, they invited a menace.One by one, each barn is set ablaze and destroyed… The arson fires spread fear through the community—amongst Amish and Englischers alike. Now Sarah wonders if she's being punished for her pridefulness…or whether there's a more malevolent will at work. As an outsider, arson investigator Nate MacKenzie struggles to investigate the crime scenes while adhering to Amish ways.With Sarah as his guide, he warms to the Plain People and their simple ways. As the fires rage, beliefs are challenged, a way of life is questioned and family secrets are exposed. In the aftermath of the destruction the people of the Home Valley must join together to raise their barns and their hopes for the future.

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Again, she heard the sound of gravel against the window. As she stood and looked, the glass was like a big black mirror since they hadn’t pulled the curtains closed. Sarah turned down the kerosene lamp and peered out, seeing at first only her own reflection. The Martyrs Mirror, she thought…now why had they put the word mirror in the title? She’d never thought about that. Were the Amish all martyrs to something or other? Did it mean to look deeply into your own life, to see yourself as you really were or to decide what you were willing to die for?

And then Hannah’s face appeared, not the old Amish Hannah but the new one her parents were so riled about. Hannah and her friends in Cleveland had gone goth. Whereas Hannah was a natural blonde with eyebrows and lashes so pale they hardly showed, she now had red, spiky hair and eyeliner dark as sin. Sarah was used to seeing her friend in the soft pastel dresses unwed women wore, not in black, partly ripped and fringed tight pants and wearing silver chains and pins and piercings. Even now, Hannah looked like some kind of worldly Halloween freak. And she was gesturing for Sarah to come outside.

Sarah held up one finger and, her hands shaking, scribbled a note for Martha. “I had to leave for a little bit. Stay with G., please—S.”

She grabbed the windbreaker she wished she’d worn last night and tiptoed out. Hannah here! She wasn’t shunned so she could come back anytime, but she didn’t. After she’d had the argument with her father almost three years ago, she’d left for Cleveland. Their daughter’s loss was the cross the bishop and his wife bore, and Sarah’s and Ella’s loss, too. When Hannah’s plan to record and sell her own songs didn’t work out, her friends and family prayed she would come home. Instead, her worldly boyfriend got her a job in a recording studio mixing something or other, answering the phone and greeting people at the front desk, looking just like this.

Sarah and Hannah hugged hard. Hannah smelled of an exotic scent Sarah could not name. Something smoky. She’d had incense burning in her little apartment the one time Sarah and Ella had visited her in Cleveland. Or had she been over to her family’s burned barn?

“Jacob phoned me,” Hannah told Sarah as they stepped awkwardly apart. “I couldn’t believe the barn was gone. It’s supposed to be in the Cleveland paper tomorrow, but I had to see it first, before all the gawkers in the world come flocking in.”

“You didn’t have to come at night. Everyone would have been glad to see you.”

“Give me a break. About like they’d be glad to have Satan himself drop by. But I knew I could come to you, that you’d go with me. I just can’t go see it alone, any more than I could face my father. I parked back down the road by the graveyard and walked here. He—Jacob—said you were the one who spotted the fire and he called it in, but that you weren’t back together yet.”

“Yet? Never. He crashed our party for Gabe’s friends. That’s why he was here.”

“Jacob also said there’s a superhero here to save the day, solve the crime—if it’s a crime.”

“Word travels fast, because Jacob was asked to leave before the state arson investigator showed up.”

“Will you go with me, Sarah? I can’t go to Ella. I don’t need her telling me I’ve got to mend my ways and come back. She never did quite get the ‘judge not lest ye be judged’ bit, did she?”

“I guess accepting that comes with suffering, and she’s been all wrapped up in traveling the road of her perfect Amish life.”

Sarah instantly regretted she’d said that with such a sharp tone. But sometimes she resented Ella’s sticking to the straight and narrow, when she herself would like to go her own way at times. How she yearned to paint entire landscapes instead of the geometric quilt squares that called for no more creative decision than what color of hardware store paint to use.

“In other words,” Hannah said with a bitter laugh, “she still hasn’t found out ‘it’s not all cakes and pies.’”

“I’ve been thinking lately that it’s not all quilts and pies.”

“You never did like to stitch quilts. And you think I’m a freak? But your painting—that’s you. Jacob told me about the quilt square you did on our—my family’s—barn.”

“A real font of information, isn’t he?” Sarah said, surprised again her voice was so sharp. Maybe Hannah’s rebellious nature was rubbing off on her. And was Nate right to be suspicious of Jacob? Nate had said that some firefighters loved the attention from a blaze, but did Jacob, too? Nate had also said that some arsonists returned to the scene of their crime, not only to watch the fire, but even later to relive the excitement. Maybe that’s why Jacob stopped at the very next farm. Or did he think his phoning in the fire would build bridges back to his people—and her?

The two young women started down the Oakridge Road that linked their farms. Sarah was glad Hannah didn’t insist on a run through the fields, like she’d done last night. They didn’t worry that there would be buggies or cars on the rural road now, because traffic was rare even in the daytime, unless a buggy clip-clopped past or tourists pleasure-driving some back byways happened by.

As they sneaked around Hannah’s childhood home, not going up the lane but skirting along the fence, Hannah cursed. “Damn! There’s a hole in the sky where it should be! Nothing but blackness and stars! It’s so—I can’t believe it, all of that destroyed to almost nothing!”

Her family’s team of horses plodded over to the fence as if to commiserate about the loss of their stalls, feed troughs and harnessing gear, the wagons and equipment they used to pull. Hannah put her hand out to one’s muzzle, and he snuffled against her palm as if he were crying.

“At least you guys still know me,” Hannah whispered.

“Why don’t you write your family a note!” Sarah suggested. “They’d love to hear from you, know that you cared enough to come see it.”

“It won’t help them to know I was here and saw this,” she insisted. Even in the darkness, with only the wan quarter moon rising, Sarah could see her friend’s tears track down her cheeks. “The heart of the farm, so many good times here… I’m so sorry, so sorry about what I’ve done,” Hannah cried, and began to sob so hard that some of her mascara ran down her face in dirty lines and smeared against Sarah’s cheek as she hugged her again.

“Good evening, ladies.” The deep male voice came from behind them. “Sarah, I thought you were going to stay all night with your grandmother, and what is this person confessing she’s sorry she’s done?”

4

“WHAT ARE YOU DOING HERE IN THE DARK?” Sarah demanded.

The other girl glared at Nate and tugged her arm free. He was so shocked by her appearance that he let her go. He read in her defiant stare that she wouldn’t run, but he kept a light hold of Sarah’s arm. It was the first time he’d touched her. She radiated warmth from what must have been a walk down the road from her farm.

“I’m going to ask the questions, Sarah,” he said more harshly than he’d intended. “I’m Nate MacKenzie, state arson investigator,” he told the other young woman, riveting his gaze on her. “I want to know who you are and what you are doing here in the dark.”

Since he’d been in a sleeping bag near the back of the barn, Nate knew they hadn’t come across the fields. He’d seen the Eshes turn off their house lamps over an hour ago, so he’d been startled to hear women’s voices. Earlier, the bishop had sat outside with him for a while, over milk and cookies, no less. Nate had explained to him that he had obtained a search warrant to examine the ruins of the barn, but the bishop had said he had his permission and didn’t need anything from the government to say so.

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