Dennis Lehane - The Terrorists

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The final classic installment in the excellent Martin Beck detective series from the 1960s – the novels that have inspired all Scandinavian crime fiction.Widely recognised as the greatest masterpieces of crime fiction ever written, these are the original detective stories that pioneered the detective genre.Written in the 1960s, they are the work of Maj Sjowall and Per Wahloo – a husband and wife team from Sweden. The ten novels follow the fortunes of the detective Martin Beck, whose enigmatic, taciturn character has inspired countless other policemen in crime fiction. The novels can be read separately, but do follow a chronological order, so the reader can become familiar with the characters and develop a loyalty to the series. Each book will have a new introduction in order to help bring these books to a new audience.

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‘From what I could gather that American boy is okay and really does want to take care of her.’

‘Maybe he just can't,’ said Rhea, shaking her head.

Martin Beck looked silently at her for a while, then said, ‘I'd like to disagree with you, but the fact is I was worried myself when I saw that girl. Another fact is that unfortunately we can't do much to help her. Of course we could help her privately, with money, but I don't think she'd accept that kind of help and anyway I don't have any money to give away.’

Rhea scratched the back of her neck for a while. ‘You're right,’ she said. ‘I think she's the type who wouldn't accept charity. She'll never even go willingly to the welfare office. Perhaps she'll try to get herself a job, but she'll never find one.’ She yawned. ‘I haven't the energy to think any more,’ she said. ‘But one thing seems clear. Rebecka Lind will never become a noted citizen in the land.’

She was wrong there, and soon afterwards fell asleep.

Martin Beck went out to the kitchen, did the dishes and put things away. He was still there when Rhea woke up and he heard her switch on the TV. She had decided not to have a set of her own, presumably for the sake of the children, but she occasionally liked to watch his. He heard her call something, put down what he was doing and went into the room.

‘There's a special news bulletin,’ she said.

He had missed the actual beginning, but there was no doubt about the subject matter. The newscaster's voice sounded dignified and serious.

‘… the assassination occurred before the arrival at the palace. An explosive charge of very great force was detonated beneath the street just as the motorcade was passing. The President and the others in the bulletproof car were killed immediately and their bodies badly mutilated. The car itself was thrown over a nearby building. A number of other people were killed by the explosion, among them several security men and civilians in the area. The chief of the city police announced that sixteen people had definitely been killed, but the final number may be considerably higher. He also emphasized that security measures for the state visit had been the most comprehensive ever undertaken in the history of the country. In a broadcast from France immediately after the assassination, it was said that an international terrorist group called ULAG had accepted responsibility for the act.’

The newsreader lifted his telephone receiver and listened for a few seconds, then said, ‘We now have a film transmitted by satellite and made by an American television company covering this state visit that has come to such a tragic end.’

The broadcast was of poor quality, but nevertheless so revolting that it should never have been shown.

At first there were a few pictures of the arrival of the President's plane and the noble gentleman himself, rather foolishly waving at the reception committee. Then he unenthusiastically inspected the honour guard and greeted his hosts with a smile plastered on his face. There followed a few pictures of the motorcade. The security measures seemed singularly reassuring.

Then came the climax of the broadcast. The television company appeared to have had a cameraman very strategically, or perhaps fortunately, placed. If the man had been fifty yards nearer, he would probably no longer be alive. If on the other hand he had been fifty yards further away, he would probably not have had any pictures to show. Everything happened very quickly; first an enormous pillar of smoke, cars, animals and people all thrown high into the air, bodies torn apart, swallowed up in a cloud of smoke that looked almost like the mushroom cloud from an atomic bomb. Then the cameraman panned around the surroundings, which were very beautiful; a fountain playing, a wide palm-lined street. And then came the terrible paroxysms beside a heap of metal that might once have been a car, and something which a short time before had probably been a living human being.

Throughout the film the reporter kept up a ceaseless commentary in that eager, exalted tone that only American news reporters seem to achieve. It was as if he had – with enormous pleasure – just witnessed the end of the world.

‘Oh, God,’ said Rhea, burying her face in the chair cushion. ‘What a damned awful world we live in.’

But for Martin Beck it was going to be slightly more difficult.

The Swedish newsreader reappeared and said, ‘We have just learned that the Swedish police had a special observer at the site of the assassination, Inspector Gunvald Larsson, from the Violent Crimes Squad in Stockholm.’

The screen was filled with a still picture of Gunvald Larsson looking mentally deficient, his name, as usual, misspelled.

‘Unfortunately there is no news at the moment of what has happened to Inspector Larsson. The next newscast will be the regularly scheduled news on the radio.’

‘Dammit,’ said Martin Beck. ‘Dammit to hell.’

‘What's the matter?’ asked Rhea.

‘Gunvald. He's always right there when the shit hits the fan.’

‘I thought you didn't like him.’

‘But I do. Even if I don't say so very often.’

‘You should say what you think,’ said Rhea. ‘Come on, let's go to bed.’

Twenty minutes later he had fallen asleep with his cheek against her shoulder.

Her shoulder soon grew numb, and then her arm. She didn't move, but just lay awake in the dark, liking him.

5

The last commuter train of the night from Stockholm's Central Station stopped at Rotebro and dropped a single passenger.

The man, wearing a dark blue denim suit and black trainers, walked briskly along the platform and down the steps, but as he left the bright lights of the station behind him, he slowed down. He continued unhurriedly through the older villa section of the suburb, past the fences, low walls and well-cut hedges that surrounded the gardens. The air was chilly, but still and full of scents.

It was the darkest part of the night, but it was only two weeks to the summer solstice and the June sky arched deep blue above his head.

The houses on either side of the road lay dark and silent, the only sound that of the man's rubber soles against the pavement.

During the train journey, he had been uneasy and nervous, but now he was feeling calm and relaxed, his thoughts wandering their own ways. A poem by Elmer Diktonius came to his mind, its cadence matching his steps.

Walk carefully along the road

But never count your steps,

For fear will kill them.

From time to time he had tried to compose poetry himself, with indifferent results, but he liked reading poetry and had learned by heart many poems written by his favourite poets.

As he walked he kept his hand firmly clenched around the solid iron bar, over a foot long, that he was carrying thrust up the right sleeve of his denim jacket.

When the man had crossed Holmbodavägen and was approaching a street of terraced houses, his movements grew more cautious and his stance more alert. Up to now he had met no one and he was hoping his luck would hold for the short stretch remaining before he reached his goal. He felt more exposed here, the gardens were behind the houses, and the vegetation in the narrow strip between the fronts of houses and the pavement consisted of flower beds, bushes and hedges that were too low to offer any protection.

The houses along one side of the road were painted yellow, those opposite red. This appeared to be the only difference; their exteriors were otherwise identical, two-storey houses of wood, with mansard roofs. Between the houses were garages or tool-sheds, squeezed in as if to link the houses together as well as to separate them.

The man was on his way to the furthest row of houses, beyond which the buildings ceased and fields and meadows took over. He slipped swiftly and silently up to the garage next to one of the houses on the corner, as his eyes swept the terraces and the road. There was no one to be seen.

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