Laura Gilman - Staying Dead

The room was remarkable for being completely unremarkable. The walls were painted a soft matte white, the floor made from wide planks of fine-grained wood. The lighting came from discreet spots that directed attention rather than illuminated.

There was one door. No windows. The overall impression was of endless space somehow made cozy. An architect had labored over the lines and arches of this space, a designer had meditated on the perfect shade of white for the walls and ceiling, a feng shui specialist had dictated the ordering of the floor’s wooden planks, the exact placement of the three objects which resided therein in relation to the door.

It was for those three objects that the room existed.

In one corner, reaching from floor to ceiling, was a simple green marble pillar, three feet around and seven feet high. Etched onto its surface were crude symbols that hadn’t seen the light of day for over three thousand years.

In the opposite corner, an ebony wood pedestal was lit from above, highlighting a chunk of clear, unfaceted crystal that looked as though it had just been pulled from the ground, hosed down, and dropped onto that base.

And in the farthest corner, two men maneuvered a low wooden tray set on wheels into position. It was a mover’s trolley, its bed covered with a quilted pad similar to the kind used for fine furniture and grand pianos. Another pad wrapped up over a four-foot by six-foot square, and was sealed with heavy gray tape. The hard rubber wheels moved soundlessly on the floor, despite the weight they bore.

The two men were burly, but not brutish looking. One was perhaps forty, with graying hair cut short. The other was ten years younger, and completely bald. They wore simple white coveralls that had only one pocket in the left sleeve, too small to carry anything larger than a cigarette lighter. There were no names sewn over the chest: no logos, cute or otherwise on their backs.

They finished adjusting the trolley, and the younger man knelt by its side, producing a slender but sharp-looking pocket knife from his sleeve pocket, carefully cutting through the tape, peeling it away from the pad and unfolding the pad from its enclosed prize. About the length of a small bench, the marble’s silvery-gray surface was marked and pitted, making the once-glossy surface look dull and battered. A smaller rectangle on the top surface looked as though it had been carved out and then filled in with concrete.

“All this, for that?”

The older man sounded disgusted. No one else was in the room, but his partner cast a worried look over his shoulder, as though expecting someone to appear there and overhear the criticism.

“If the owner says it’s art, it’s art,” he told his older companion firmly. “Let’s just get it settled, and get out of here.” Personally, the object gave him the creeps. Hell, the entire place gave him the creeps. But he was a professional, damn it. He was going to act like one.

A low matte black platform, installed when the room itself was built and unused until now, waited to receive its burden. The two men took wide canvas slings that had been hung on the trolley’s handle, and fitted them around two corners of the marble block. The younger man’s hand brushed the surface of the stone where the cement plug was, and he shuddered involuntarily, stopping to look down at his hand as though expecting to see a spider, or something else less pleasant on top of it.

“Will you stop that?” the other man snapped. “Concentrate on the job. I don’t need you getting sloppy and dumping it all on me.”

Stung, his co-worker glared at him, shook his hand out unobtrusively, as though to get feeling back into a sleeping limb, and counted to three under his breath, just barely loud enough to hear. On three, they heaved, and with a seemingly effortless movement and a pair of grunts that destroyed that illusion, the stone settled into its new home.

“That’s strange. Wonder if it’s been hollowed out? I thought marble that size would be heavier.”

“Don’t complain, man, don’t complain! And for God’s sake, don’t ask,” the younger man begged, his eye closed against the sweat that was rolling off his forehead. “We on the mark?”

The stone was square on its base, with a full three feet between it and the walls on two sides; room enough for a person to walk around it, should they so desire.

“Yep,” the other workman replied. “Perfect, as always.” It was as close to a compliment as they would get from anyone. They were hired via the company’s Web site, informed of the details by e-mail, paid by wire transfer, and never knew what any of it was all about. And they liked it that way. Some folk you just didn’t want to know any more about than you had to.

Their work completed, the two rolled up the quilted pad and tossed it onto the trolley, pushing it out ahead of them as they left. They didn’t look again at the object they had delivered, nor did they pause to consider the other two objects already in place.

No one waited at the door to show them out; they had been given their instructions before arrival, when they were assigned the job. They would walk down the bland, security-camera-lined hallway they had entered through, down a flight of stairs, and follow a row of lights through a basement maze that would deposit them through a four-inch-thick metal door in a ten-foot-high wall that ran along an unpaved country road. A livery car with darkly-tinted windows waited there to take them back to the city, where they would be dropped off without once having seen another person.

Their employer wanted his privacy. They were paid well enough not to wonder why. And the legalities of what they had done never entered their minds at all.

When the last echoes of the workmen’s feet had faded into silence once again, silence reclaimed the building. In another wing, a door opened, and footsteps sounded, walking calmly, with no apparent haste or urgency, the owner of all within those walls. Occasionally the walker would pause to admire a painting, or caress a sculpture, but for the most part the priceless objects were accorded no more attention than the carpet underfoot, or the ceilings above.

Eventually, the door into the white room was pushed open, and the owner of the house entered, walking with those same unhurried strides to the corner holding the newly-installed fixture. He paused in front of it, cataloguing every detail and comparing it to his expectations.

“You’re not much to look at, are you?”

The slab of stone didn’t respond to the voice.

“But they do say, you can’t judge something by its looks. It’s not what’s on the outside that counts, after all, but the inside. Isn’t that right?”

The figure knelt by the cornerstone, trailing one well-manicured finger along its rough surface, shivering pleasurably at the sensation. “But no matter. No matter. I know what you are, what you were. And all that really counts is that you’re mine, now.”

“Hey. Babe. Let me in!”

The very first time Wren had met P.B., she had giggled. The second time, she had screamed. By now, when he showed up on her fire escape, she merely flipped the safety latch on the kitchen window, and let the demon come in.

“Thanks. Man, this neighborhood of yours is totally not safe anymore. Some loon started chasing me down the street, yelling something about a cleansing to come. You got much business with Holy Rollers, Valere?”

She shrugged. “You must just bring it out in ’em, pal. You got something for me?”

P.B. shook out his fur, a faint mist coming off him. “Damn, I hate rain. Makes my skin itch.” He took a battered-looking manila envelope out from the messenger’s bag strapped across his barrel-shaped chest and tossed it on the table, then scooped up a slice of the remaining pizza. The slice was halfway gone by the time Wren had opened the envelope. She sighed, and shoved the rest of the grease-lined box closer toward him. “Here. Eat. You’re looking frail.”