Colin Dexter - The Fire Engine That Disappeared

My second preconception proved fully corroborated. The influence of the venerable McBain abounds, and this novel is a ‘police procedural’ from the top drawer. What a curious team of detectives we meet, each invested with a sharp individuality, each contributing, well, at least something to the novel’s dramatic dénouement; and, above all, every one of them is interesting as a human being, with their varied responsibilities, and their equally varied wives. Melander, for example, not only possesses a phenomenal memory, he is also a pipe-smoking, unflappable fellow, who has obviously followed a life-long philosophy of never turning round when being shouted at from behind. Martin Beck, who gives his name to the series, plays a comparatively minor role, rather like a cricket-captain who, as the sports pages would report, is having a quiet game. But for me, the most fascinating member of the team is Kollberg, a fat, sedentary figure, to whom I took an instant dislike. He takes much of the limelight, and proves to be a man of strong views and somewhat irrational prejudices, thoroughly detesting one of his colleagues, and steadily digging his own grave with a knife and fork. Yet I finished the book admiring him; and it is the mark of exceptional writing for any author(s) not only to characterize a particular protagonist but to re-characterize him. A good deal of interest, too, settles around a trio of comparatively junior members of the team, who exhibit amusing degrees of inexperience and incompetence during this complex and baffling story. Indeed, one of them is sent on an assignment ‘that might possibly strengthen his leg muscles but was otherwise quite useless’. Yet each of the three plays his part in the unfolding of the story.

What of my third preconception? Sex plays only a very small part in the novel; and what sex we do find is handled with an almost serene simplicity. The one brief (extraordinarily brief!) incident that I remember with great pleasure occurs when a police contact in Denmark is interviewing, and rather brusquely interviewing, a sculptor in her Copenhagen studio:

‘Do you want to sleep with me?’ she said suddenly.

‘Yes,’ said Månsson. ‘Why not?’

‘Good. It’ll be easier to talk afterward.’

Let me, at last, come to the story—although not too much about the story. The blurbs of some books occasionally, albeit inadvertently, give too many hints about the twists and turns of a plot, sometimes even about the guilty party. Such lapses are irritating, and in the US particularly may provide mines of unwanted and unnecessary information. Why not allow readers to discover for themselves exactly what is going to happen? So let me be brief. We know about the fire already, and it is no secret from the first few pages that we are going to be teased about the respective merits of accident, arson, and wilful murder. Expertly, the theories are juggled in front of our eyes as clues emerge to point the way to shady and deadly dealings in car theft and drugs, with the action shifting eventually from Stockholm down to Malmö in the south and the short crossing to Denmark. It is pleasing, at least for me, to reveal that as the plot develops the reader is not encumbered, as in many crime novels these days, with so much technical forensic detail, often to me unintelligible, that one needs the company of Gray’s Anatomy . Although the autopsies and post-mortems carried out here are of crucial importance, their results are reported with succinct clarity, and no degree in pathology is required to follow them.

For me, the best criterion of a good read is to wish that it had gone on a bit longer. I felt that here. If I am truthful, I cannot pretend that my life has been unduly influenced by the right-wing Sunday Telegraph —just as the lives of Maj Sjöwall and Per Wahlöö would not have been, either. But now I can only feel grateful to the crime critic of that newspaper, upon whose recommendation I have started to read the Martin Beck Series.

Colin Dexter

The man lying dead on the tidily made bed had first taken off his jacket and tie and hung them over the chair by the door. He had then unlaced his shoes, placed them under the chair and stuck his feet into a pair of black leather slippers. He had smoked three filter-tipped cigarettes and stubbed them out in the ashtray on the bedside table. Then he had lain down on his back on the bed and shot himself through the mouth.

That did not look quite so tidy.

His nearest neighbour was a prematurely retired army captain who had been injured in the hip during an elk hunt the previous year. He had suffered from insomnia after the accident and often sat up at night playing solitaire. He was just getting the deck of cards out when he heard the shot on the other side of the wall and he at once called the police.

It was twenty to four on the morning of the seventh of March when two radio police broke the lock on the door and made their way into the flat, inside which the man on the bed had been dead for thirty-two minutes. It did not take them long to establish the fact that the man almost certainly had committed suicide. Before returning to their car to report the death over the radio, they looked around the flat, which in fact they should not have done. Apart from the bedroom, it consisted of a living room, kitchen, hall, bathroom and wardrobe. They could find no message or farewell letter. The only written matter visible was two words on the pad by the telephone in the living room. The two words formed a name. A name which both policemen knew well.

Martin Beck.

It was Ottilia’s name day.

Soon after eleven in the morning, Martin Beck left the South police station and went and stood in the line at the off-licence in Karusellplan. He bought a bottle of Nutty Solera. On the way to the metro, he also bought a dozen red tulips and a can of English cheese biscuits. One of the six names his mother had been given at baptism was Ottilia and he was going to congratulate her on her name day.

The old people’s home was large and very old. Much too old and inconvenient according to those who had to work there. Martin Beck’s mother had moved there a year ago, not because she had been unable to manage on her own, for she was still lively and relatively fit at seventy-eight, but because she had not wanted to be a burden on her only child. So in good time she had secured herself a place in the home and when a desirable room had become vacant, that is, when the previous occupant had died, she had got rid of most of her belongings and moved there. Since his father’s death nineteen years earlier, Martin Beck had been her only support and now and again he was afflicted with pangs of conscience over not looking after her himself. Deep down, inwardly, he was grateful that she had taken things into her own hands without even asking his advice.

He walked past one of the dreary small sitting rooms in which he had never seen anyone sitting, continued along the gloomy corridor and knocked on his mother’s door. She looked up in surprise as he came in; she was a little deaf and had not heard his discreet tap. Her face lighting up, she put aside her book and began to get up. Martin Beck moved swiftly over to her, kissed her cheek and with gentle force pressed her down into the chair again.

‘Don’t start dashing about for my sake,’ he said.

He laid the flowers on her lap and placed the bottle and can of biscuits on the table.

‘Congratulations, Mother dear.’

She unwound the paper from the flowers and said:

‘Oh, what lovely flowers. And biscuits! And wine, or what is it? Oh, sherry. Good gracious!’

She got up and, despite Martin Beck’s protests, went over to a cupboard and took out a silver vase, which she filled with water from the handbasin.