Ernest Bramah - The Bravo of London - And ‘The Bunch of Violets’

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The classic crime novel featuring blind detective Max Carrados, whose popularity rivalled that of Sherlock Holmes, complete with a new introduction and an extra short story.In his dark little curio shop Julian Joolby is weaving an extravagant scheme to smash the financial machinery of the world by flooding the Oriental market with forged banknotes. But this monster of wickedness has not reckoned on Max Carrados, the suave and resourceful investigator whose visual impairment gives him heightened powers of perception that ordinary detectives overlook.Max Carrados was a blind detective whose stories by Ernest Bramah appeared from 1914 alongside Sherlock Holmes in the Strand Magazine, in which they often had top billing. Described by George Orwell as among ‘the only detective stories since Poe that are worth re-reading’, the 25 stories were collected in three hugely popular volumes, culminating in a full-length novel, The Bravo of London (1934), in which Carrados engages in a battle of wits against a fiendish plot that threatens to overthrow civilisation itself.This Detective Club classic is introduced by Tony Medawar, who investigates the impact on the genre of Bramah’s blind detective and the relative obscurity of this, the only Max Carrados novel. This edition also includes the sole uncollected short story ‘The Bunch of Violets’.As well as on the page, the Max Carrados stories have been a firm favourite on television and film, played over the years by (among others) Robert Stephens, Simon Callow and Pip Torrens, and read on audio by Arthur Darvill and Stephen Fry.

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Left to himself Mr Chilly Fank nodded his head sagely several times to convey his virtuous disgust at this pitiable exhibition.

‘Tchk! tchk!’ he murmured half aloud. ‘Exploitation of cheap Asiatic labour! No wonder we have a surplus industrial population and the nachural result that blokes like me—’ but at this point the house door opened again, Won Chou having returned with unforeseen expedition, so that Mr Fank had to turn away rather hastily from the locked show-case which he had been investigating with a critical touch and affect an absorbing interest in something taking place in the street beyond until he suddenly became aware of the other’s presence.

‘Back again, What-ho? Well, you saffron jeopardy, don’t stand like a blinkin’ Eros. Wag yer ruddy tongue abart it.’

‘My been see,’ conceded Won Chou impartially. ‘Him belongy say: him you go come.’

‘My strikes! if this isn’t the nattiest little vade-mecum that ever was!’ apostrophised Mr Fank to the ceiling bitterly. ‘Look here, Confucius, forget yer chops an yer’ pigeon and spit it aht straightforward. The boss—Joolby—is he in or not and did he say me go or him come? Blarst yer, which—er—savvy?’

At this, however, it being apparently rather a subtler idiom than the hearer’s limited grasp of an alien vernacular could cope with, Won Chou merely relapsed into an attitude of studious melancholy, extremely trying to Mr Fank’s conception of the yellow man’s status. He was on the point of commenting on Won Chou’s shortcomings with his customary delicacy of feeling when the sound of hobbling sticks approaching settled the point without any further trouble.

As Mr Joolby was—ethnologically at all events—white, a person of obvious means, and in various subterranean ways reputedly powerful, Mr Fank at once assumed what he considered to be a more suitable manner and it was with an ingratiating deference that he turned to meet the dealer.

‘’Evening, governor,’ he remarked briskly, at the same time beginning to disclose the contents of an irregular newspaper parcel—fish and chips, it could have been safely assumed if he had been seen carrying it—that he had brought with him. ‘Remember me, of course, don’t you?’

‘Never seen you before,’ replied Mr Joolby, with an equally definite lack of cordiality. ‘What is it you want with me?’

To the ordinary business caller this reception might have been unpromising but Mr Fank was not in a position to be put off by it. He understood it indeed as part of the customary routine.

‘Fank—“Chilly” Fank,’ he prompted. ‘Now you get me surely?’

‘Never heard the name in my life,’ declared Joolby with no increase of friendliness.

‘Oh, right you are, governor, if you say so,’ accepted Fank, but with the spitefulness of the stinging insect he could not refrain from adding: ‘I don’t suppose I should have been able to imagine you if I hadn’t seen it. Doing anything in this way now?’

‘This,’ freed of its unsavoury covering, was revealed as an uncommonly fine piece of Dresden china. It would have required no particular connoisseurship to recognise that so perfect and delicate a thing might be of almost any value. Joolby, who combined the inspired flair of the natural expert with sundry other anomalous qualities in his distorted composition, did not need to give more than one glance—although that look was professionally frigid.

‘Where did it come from?’ he asked merely.

‘Been in our family for centuries, governor,’ replied Fank glibly, at the same time working in a foxy wink of mutual appreciation; ‘the elder branch of the Fanks, you understand, the Li-ces-ter-shire de Fankses. Oh, all right, sir, if you feel that way’—for Mr Joolby had abruptly dissolved this proposed partnership in humour by pushing the figure aside and putting a hand to his crutches—‘it’s from a house in Grosvenor Crescent.’

‘Tuesday night’s job?’

‘Yes,’ was the reluctant admission.

‘No good to me,’ said the dealer with sharp decision.

‘It’s the real thing, governor,’ pleaded Mr Fank with fawning persuasiveness, ‘or I wouldn’t ask you to make an offer. The late owner thought very highly of it. Had a cabinet all to itself in the drorin’-room there—so I’m told, for of course I had nothing to do with the job personally. Now—’

‘You needn’t tell me whether it’s the real thing or not,’ said Mr Joolby. ‘That’s my look out.’

‘Well then, why not back yer knowledge, sir? It’s bound to pay yer in the end. Say a … well, what, about a couple of … It’s with you, governor.’

‘It’s no good, I tell you,’ reiterated Mr Joolby with seeming indifference. ‘It’s mucher too valuable to be worth anything—unless it can be shown on the counter. Piece like this is known to every big dealer and every likely collector in the land. Offer it to any Tom, Dick or Harry and in ten minutes I might have Scotland Yard nosing about my place like ferrets.’

‘And that would never do, would it, Mr Joolby?’ leered Fank pointedly. ‘Gawd knows what they wouldn’t find here.’

‘They would find nothings wrong because I don’t buy stuff like this that the first numskull brings me. What do you expect me to do with it, fellow? I can’t melt it, or reset it, or cut it up, can I? You might as well bring me the Albert Memorial … Here, take the thing away and drop it in the river.’

‘Oh blimey, governor, it isn’t as bad as all that. What abart America? You did pretty well with those cameos wot come out of that Park Lane flat, I hear.’

‘Eh, what’s that? You say, rascal—’

‘No offence, governor. All I means is you can keep it for a twelvemonth and then get it quietly off to someone at a distance. Plenty of quite respectable collectors out there will be willing to buy it after it’s been pinched for a year.’

‘Well—you can leave it and I’ll see,’ conceded Mr Joolby, to whom Fank’s random shot had evidently suggested a possible opening. ‘At your own risk, mind you. I may be able to sell it for a trifle some day or I may have all my troubles for nothing.’ But just as Chilly Fank was regarding this as satisfactorily settled and wondering how he could best beat up to the next move, the unaccountable dealer seemed to think better—or worse—of it for he pushed the figure from him with every appearance of a final decision. ‘No; I tell you it isn’t worth it. Here, wrap it up again and don’t waste my time. I’d mucher rather not.’

‘That’ll be all right, governor,’ hastily got in Fank, though similar experiences in the past prompted him not to be entirely impressed by a receiver’s methods. ‘I’ll leave it with you anyhow; I know you’ll do the straight thing when it’s planted. And, could you—you don’t mind a bit on account to go on with, do you? I’m not exactly what you’d call up and in just at the moment.’

‘A bit on account, hear him. Come, I like that when I’m having all the troubles and may be out of my pocket in the end. Be off with you, greedy fellow.’

‘Oh rot yer!’ exclaimed Fank, with a sudden flare of passion that at least carried with it the dignity of a genuine emotion; ‘I’ve had just abart enough of you and your blinkin’ game, Toady Joolby. Here, I’d sooner smash the bloody thing, straight, than be such a ruddy mug as to swallow any of your blahsted promises,’ and there being no doubt that Mr Fank for once in a way meant approximately what he said, Joolby had no alternative, since he had every intention of keeping the piece, but to retire as gracefully as possible from his inflexible position.

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