Susan Wiggs - The Key Ingredient

Harper

An imprint of HarperCollins Publishers Ltd

The News Building

1 London Bridge Street

London SE1 9GF

www.harpercollins.co.uk

First published in Great Britain by Harper 2016

Copyright © Susan Wiggs 2016

Cover design by Cherie Chapman © HarperCollins Publishers Ltd 2016Cover images © iStock (house); Shutterstock.com(all other images).

Susan Wiggs asserts the moral right to be identified as the author of this work.

A catalogue copy of this book is available from the British Library.

This novel is entirely a work of fiction. The names, characters and incidents portrayed in it are the work of the author’s imagination. Any resemblance to actual persons, living or dead, events or localities is entirely coincidental.

All rights reserved under International and Pan-American Copyright Conventions. By payment of the required fees, you have been granted the non-exclusive, non-transferable right to access and read the text of this e-book on screen. No part of this text may be reproduced, transmitted, down-loaded, decompiled, reverse engineered, or stored in or introduced into any information storage and retrieval system, in any form or by any means, whether electronic or mechanical, now known or hereinafter invented, without the express written permission of HarperCollins.

Ebook Edition © July 2016 ISBN: 9780008205546

Version 2016-06-13

Table of Contents

Cover

Title Page SUSAN WIGGS The Key Ingredient

Copyright Harper An imprint of HarperCollins Publishers Ltd The News Building 1 London Bridge Street London SE1 9GF www.harpercollins.co.uk First published in Great Britain by Harper 2016 Copyright © Susan Wiggs 2016 Cover design by Cherie Chapman © HarperCollins Publishers Ltd 2016Cover images © iStock (house); Shutterstock.com (all other images). Susan Wiggs asserts the moral right to be identified as the author of this work. A catalogue copy of this book is available from the British Library. This novel is entirely a work of fiction. The names, characters and incidents portrayed in it are the work of the author’s imagination. Any resemblance to actual persons, living or dead, events or localities is entirely coincidental. All rights reserved under International and Pan-American Copyright Conventions. By payment of the required fees, you have been granted the non-exclusive, non-transferable right to access and read the text of this e-book on screen. No part of this text may be reproduced, transmitted, down-loaded, decompiled, reverse engineered, or stored in or introduced into any information storage and retrieval system, in any form or by any means, whether electronic or mechanical, now known or hereinafter invented, without the express written permission of HarperCollins. Ebook Edition © July 2016 ISBN: 9780008205546 Version 2016-06-13

The Key Ingredient

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About the Author

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Maybe yes, maybe no …

Martin has been flirting with me this whole trip. I pretend to treat it lightly, but come on, Martin Harlow? He’s like a piece of found art, rough around the edges but with a form and function that haunts a girl’s dreams. At the moment, I’m not dreaming, although everyone else in the rental van is. I’m the only one awake besides the driver.

The last leg of the journey is always the hardest. Especially when the journey takes place at the blustery tail end of winter and you’re travelling from the sunny blaze of Los Angeles to the frigid wilds of northern Vermont. After the redeye flight from LA to New York, my production team and I endured a bumpy regional hop to Burlington, followed by a slog in two hired vans to our final destination – Switchback, Vermont.

It’s my hometown, but I haven’t lived here since I graduated high school. What is home? Maybe it’s not a place, but a moment in time. When I was safe. Secure. Cared for. Home . It’s more than a point on a map. It’s a sensation. A feeling of comfort – feet sinking into warm slippers, hands curling around a mug of fragrant coffee, sounds of birdsong, and breezes stirring the leaves in the maple trees. As my mind wraps around the notion of home , everything else falls away. It simply fades like the ambient noise we deal with on set every day when we’re filming a segment for the show.

I grew up knowing that the best maple syrup in the world comes from Vermont. And the best syrup in Vermont comes from Rush Mountain. It’s been my family’s business for generations. And now the production is going to set up, literally, in my own back yard – the family sugar bush on Rush Mountain.

Many times I’ve pictured myself coming back one day in triumph, having chased my dream clear to California and back. I suppose you could say that’s what I’m doing now, because I’m about to begin filming the pilot episode of a TV series I created.

When we pitched the show to the network, I was asked how I came up with the name, The Key Ingredient . The truth is, I had the name long before I had the show. It comes from the wisest woman I’ve ever known – Anastasia Carnaby Rush, my grandmother. Gran used to say each recipe has a key ingredient – one element that defines it, without which the dish simply wouldn’t be the same, like the vinegar in a red velvet cake, the threads of saffron in paella, or the four pods of star anise she used to tuck into the pasta sauce as it simmered on the back burner.

What she really meant had nothing to do with a recipe you make in the kitchen. I’ve always regretted that I didn’t figure that out sooner.

I wish Gran were still around for my homecoming, even though it’s for work and the budget only allows us seventy-two hours for filming. She would have been so happy for me.

When I was growing up, Gran and I watched hours and hours of PBS cooking shows together. This was in the 1990s, before the food channels that are so ubiquitous these days exploded onto the scene. The older shows were pretty basic – a well-equipped kitchen, an island counter, a chopping board, and four burners. Yet even the most pared-down, simple production inspired us if the chef had a great personality. We loved it when the host would talk of his travels and share the stories behind the food, all the while demonstrating kitchen techniques we could learn from. I learned to fold, cream, julienne and sauté by watching Martin Yan, Chef Tell and Molto Mario, while Gran wrote down the recipes so we could recreate them at home.

Even back then, it wasn’t just the cooking techniques that drew me in. I was fascinated by the whole idea of a kitchen rigged with cameras so a talented chef or home cook could share their art. I dreamed of being in the spotlight myself, showing the world how to make egg pasta or maple-glazed carrots or rosemary lemonade. Our family photo albums are stuffed with snapshots of me giving pretend demos to a rapt audience of dolls, dogs or grandparents. While other kids were building with Lego, I was practicing my knife skills.

At the age of nine I got a digital video camcorder for Christmas. When I learned what that big, cumbersome camera could do, it was as if I’d seen the face of God. Not only could I dream up my own shows and episodes, I could film them and play them back.

Gran was a really good sport about it all. She let me set the camera on its tripod and play unfortunate selections of background music while I interviewed her.