Tilly Bagshawe - One Christmas Morning, One Summer’s Afternoon - 2 short stories

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A delightful collection of two short stories from bestselling author, Tilly Bagshawe. Welcome to Swell Valley…ONE CHRISTMAS MORNING is not the time to get your heart broken… Dumped by the love of her life and in need of some time to recover, screenwriter Laura Tiverton retreats to the idyllic village of Fittlescombe where she used to spend time as a girl. Maybe lending her expertise to the annual nativity play will be just what she needs. But with two gorgeous men on the horizon and a disastrous night at the ball, on the night before Christmas, who will be able to persuade her that the show must go on?As ONE SUMMER’S AFTERNOON rolls around, the annual Fittlescombe vs Brockhurst cricket match is older than the Ashes, and every bit as hotly contested – and is more exclusive than the Buckingham Palace Summer Garden Party and more star-studded than Cartier Polo. The Fittlescombe team have their hopes pinned on local boy Will Nuttley, but 24 year-old Will has his heart set on winning back the love of his life, Emma Harwich. As the champagne goes on ice and the sandwiches are being cut, little do the Swell Valley residents know that Emma is intent on sleeping with the enemy, and it’s throwing Will into a spin…

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Laura went home and cried for a week. Then, unable to stand one more hour in the Battersea flat that had been her and John’s love-nest, she’d picked up the phone, found a six-month rental in Fittlescombe, the idyllic South Downs village where her granny used to live and where Laura had spent so many happy summers as a child, and left. Left London, left John, left her entire mess of a life.

I’ll write a masterpiece. I’ll recuperate. I’ll learn to cook and buy a dog and give up alcohol and go for long runs in the fresh air.

She managed the dog part, and now shared her home and so-called life with a fat, chronically lazy but endearing pug named Peggy. And she had done a bit of writing, in between fixing Briar Cottage’s leaky roof, dodgy electrics and jerry-rigged plumbing, as installed in 1932 and not ‘fiddled with’ since. But her latest play was certainly no masterpiece. Truth be told, after five months it was still little more than notes and a few character sketches. As for the healthy country lifestyle, Laura’s only runs so far had been to and from the larder, with Peggy waddling eagerly in her wake. If God had intended Laura Tiverton to bake, he would not have invented Mr Kipling. And, if he’d intended her to be sober, he wouldn’t have broken her heart.

‘Miss Tiverton. Miss Tiverton !’

Michael O’Brien’s howls brought Laura back to the present with an unpleasant bump.

‘I need the toilet.’

‘All right, Michael, off you go.’

‘I need to do a poo.’

‘All right, Michael. Thank you.’

‘Right now! It’s starting to come out …’

‘Oh, Jesus.’

Thankfully, Eileen Carter, Michael’s class teacher, rushed onto the stage and whisked the star soloist off to the loo before disaster struck.

Harry Hotham, St Hilda’s headmaster for the last fifteen years and the biggest flirt in Fittlescombe, saw his chance, sidling up to Laura and slipping a lecherous arm around her waist.

‘You know what they say, my dear. Never work with animals or children. I’m afraid with a village Nativity play, you’re rather saddled with both, ha ha!’

It was less of a laugh, more of a bray. Despite being drenched in Penhaligon’s aftershave, Harry Hotham still managed to smell of sweat and arousal, the familiar scent of the older Lothario at work. It reminded Laura of John so acutely, she gagged.

‘Yes, well, the children’s rehearsals are over now for the day,’ she said, wriggling free from the headmaster’s vicelike grip. ‘Mary, Joseph and the shepherds should be here at any moment for a read-through.’

‘Indeed, indeed. Well, I won’t keep you,’ said Harry Hotham, staring unashamedly at Laura’s breasts beneath her tight-fitting cashmere sweater. ‘I must buy you dinner some time though, my dear, to thank you properly for stepping in as our director.’

‘There’s really no need, Harry.’

‘No need? Nonsense. There’s every need. We’re expecting great things this year, you know, Laura. Great things.’

I was expecting great things , thought Laura, as St Hilda’s headmaster shuffled out with the remaining children and teachers. A baby. Marriage. But here I am in a draughty old church hall, trying to wrangle defecating six-year-olds while men old enough to be my father invite my tits to dinner.

‘Oh. You’re here.’

Laura spun around, her heart already sinking. Gabriel Baxter, a.k.a. Joseph, a.k.-also-a. the bane of Laura Tiverton’s existence since rehearsals began two weeks ago, looked at her as if she were something unpleasant he’d forgotten to wipe off his shoe.

‘Of course I’m here. I’m the director. Where else would I be?’

Gabe shrugged and grabbed himself a chair. ‘A man can hope.’

Laura remembered Gabe from summers spent in Fittlescombe as a little girl. He was an arrogant, irritating little shit back then, and he clearly hadn’t changed, improbably claiming not to remember Laura at all, despite their frequent childhood run-ins.

‘I can’t be expected to remember every tourist who ever came to the village,’ he remarked dismissively at the Parish Council meeting, when Harry Hotham introduced Laura as this year’s Nativity play director.

Like many Fittlescombe locals, Gabe Baxter resented the fact that his village had become a Mecca for second-homers and wealthy London media types. Two of the prettiest local manor houses had been bought by famous actresses, and a third belonged to a Russian industrialist whose supermodel wife had attracted unwanted paparazzi to Fittlescombe’s peaceful high street.

‘I wasn’t a tourist ,’ Laura retorted crossly. ‘I came here every summer. Granny lived at Mill House for over twenty years.’

‘Oh! “Granny lived at Mill House”, did she? Over twenty ye-ahs?’ Gabe mocked Laura’s upper-class accent perfectly, and she remembered instantly why she’d always loathed him. ‘Well, one must excuse the likes of us poor servants for not remembering everything about Granny’s domestic arrangements.’

What grated most was that Gabriel Baxter was hardly a ‘poor servant’, for all his class-war rhetoric. A working farmer, Gabe owned a valuable property on the outskirts of the village and drove a Land Rover Defender. Whereas Laura rented a cottage on the brink of being condemned, was officially unemployed and drove a Fiat Punto so old and knackered that the passenger door had been welded shut.

‘Please don’t tell me it’s just us. I’ve had a long enough day as it is.’ Reaching up, Gabe rubbed his neck wearily. Even in November, he still sported a farmer’s tan, his face bronzed as much from windburn as from the sun. Blond and broad, with a stocky frame and the powerful shoulders of a shire horse, there was something mischievous about him that people generally, and women especially, found irresistible. That irked Laura too. The fact that Gabe was so popular in the village, so eminently capable of warmth and humour and kindness – just not towards her. Well, he could stick his reverse snobbery up his arse, along with the giant chip on his shoulder. She wasn’t about to let him rile her. Not today.

‘Thankfully, Lisa and the others will be here in a moment,’ she said, smiling through gritted teeth. ‘Perhaps, if my instructions are a bit too tricky for you to follow, they’ll be able to translate. I’ll ask one of the shepherds to draw you a picture.’

Gabe was about to say something when Lisa James, this year’s Mary, walked in. Wearing a cut-off Metallica T-shirt and skintight jeans that enveloped her perfectly round bottom like clingfilm round a pair of peaches, the barmaid from Fittlescombe’s famous Fox Inn looked anything but virginal. Turning away from Laura, Gabe flashed his co-star a hundred-megawatt smile.

‘Hello, darling.’ He winked. ‘Come and sit with your husband while Her Royal Highness over there gets organized. She’ll be putting us through our paces in a minute, won’t you, Miss Tiverton?’

Laura sighed. She felt deeply tired all of a sudden. She’d had enough of petulant children for one day.

* * *

By the time her mechanically challenged Fiat Punto spluttered to a halt outside Briar Cottage, darkness had long since fallen. It was November, and the nights were already bitterly cold. Behind Laura, the winding lanes of the village were slick with rain that by morning would have turned to sheet ice. In front of her, behind Briar Cottage, the South Downs rose like dark, shadowy giants. In the daytime the chalk hills looked benevolent, a bed of lush green pillows protecting the house from harm, cushioning Laura from the slings and arrows of modern life. She felt wonderfully safe here, enveloped not just by the peaceful rural setting of Fittlescombe, but by her own childhood, by happier times. This village, set deep in the Swell Valley, had always been her sanctuary, a magical, intoxicating place.

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