Tiffany Reisz - The Original Sinners - The Red Years

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The Original Sinners: The Red Years collection contains four unforgettable, erotic stories and one tantalising, provocative novella collection.THE SIREN Some love stories you never forget.She tore herself from the man she adored, who transformed her, who possessed her… who would have destroyed her.Now, she is adored by a man she must not have.Some books will change your world.She thinks she knows what it means to be pushed to her limits.She’s wrong.Be prepared… this is one of them.THE ANGELShe wanted him…Nora Sutherlin is hiding. On paper, she’s following her master’s orders – and her flesh is willing.More deeply, more strongly than she’d wanted anyoneBut her mind is wandering to a man from her past, whose hold on her heart is less bruising, but whose absence is no less painful. Instead of letting him make love to her, she’d let him go.This is the story of a summer that proves that love hurts.THE PRINCEOne man taught her to love…She left her old life for him. Now Nora is torn in two, wanting to fit into this new, innocent relationship, yet relentlessly hungering for her darker self…and Søren, the man she left behind.One man taught her to obey…While Nora’s trying on innocence for size, Søren is stepping ever further into decadence, determined to block out the agony of watching Nora walk away. Wills she ever choose to return to their life of glorious, addictive sin?Which man would you crave?THE MISTRESSShe is addictive… irresistible.Nora Sutherlin, Dominatrix-turned-literary-star, is held prisoner by two dangerous men. Under different circumstances she would enjoy this immensely. These men aren’t lovers, however, but tools of vengeance from an old adversary.Possessor of the hearts of two men, she plays her hardest hand.But her captor isn’t interested in play. Or pity. In Nora’s world, however, no one is ever truly powerless. Her friends and lovers will do anything to save her – even if the only certainty seems to be sacrifice and heartbreak.The stakes are high in a dangerous game of love, lust and passion.THE MISTRESS FILES: The Case of the Acting Actress, The Case of the Diffident Dom, The Case of the Reluctant Rock Star, The Case of the Secret Switch, The Case of the Broken BartenderWelcome to the private files of Nora Sutherlin, The Mistress.Kingsley Edge, owner of the 8th Circle BDSM club, has ordered her to compose client profiles so the other Dominatrices in his employ can learn from her expert erotic encounters. She’s the best Dominatrix at the club and her clients always leave satisfied.The Mistress’s first five cases are anything but vanilla…1. The young actress known as “America’s Sweetheart” who definitely isn’t innocent.2. The ex-Dom whose wife wants to experience the pleasure of domination – Nora can convince him to trust his wife’s desires.3. The rock star who says he’s researching a music video, but whose arousal makes Nora determined to prove he’s a sub.4 .The special client who’s secretly a Switch like Nora, both dominant and submissive, and only comes to her when he wants pain.5. The woman with a very unique request, who Nora will never see in her dungeon again…

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“A writer writes,” he said, facing her again. “Write something for me, something good. I don’t care how long it is, and I don’t care what it’s about. Just impress me. You’ve got twenty-four hours. Show me you can create under pressure, and I’ll consider it.”

“You’ll be surprised what I can do under pressure,” she said, but Zach had his doubts. The houseboy, the jokes, the flirting—she was no serious writer. “Any suggestions?” she asked, slightly more sincere this time.

“Stop writing what you know and start writing what you want to know. And,” he said, pointing a finger at her, “none of your cheap tricks.”

Her spine straightened as if he’d finally found an insult that stuck. “I assure you, Mr. Easton,” she said in a tone both stern and reproving, “my tricks are anything but cheap.”

“Prove it then. You’ve got twenty-four hours.”

She leaned back in her chair and smiled.

“Fuck your twenty-four hours. You’ll have it tonight.”

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3

Numbing.

As an editor Zach often forced his writers to dig deep, cast aside the obvious and find the perfect word for every sentence. And the perfect word to describe this book release party he’d been forced to attend? Numbing.

Zach stalked through the party saying little more than the occasional hello to various colleagues. He’d only come because once again J.P. had twisted his arm, and Rose Evely—the guest of honor—had been a Royal House writer for thirty years now. What a ludicrous party anyway—someone dimmed the lights to create a nightclub sort of atmosphere but no amount of ambience could turn the banal hotel banquet hall into anything other than a beige box. He wandered toward a spiral staircase in the corner of the room to surreptitiously check his watch. If he could survive two hours at this party, maybe it would be long enough to placate his social butterfly of a boss.

Scanning the crowd, he saw his twenty-eight-year-old assistant, Mary, trying to talk her new husband into dancing with her. His first week at Royal, he’d been pleasantly surprised to find out his spitfire of an assistant was, like him, Jewish. He’d teased her he’d never known a Jew named Mary before and started calling her his pseudoshiksa. Mary, for all her endearing brusqueness, only ever called him “Boss.” J.P. stood with Rose Evely. Both J.P. and Evely had been happily married to their respective spouses for decades but nothing stopped J.P. from chivalrously flirting with any woman who had the patience to listen to his literary rambles. Everyone seemed to be enjoying themselves at this miserable party. Why wasn’t he?

Once more he glanced down at his watch.

“I can save you, if you want,” came a voice from above him.

Zach spun around and looked up. Smiling down at him from over the top of the staircase was Nora Sutherlin.

“Save me?” He narrowed his eyes at her.

“From this party.” She crooked her index finger at him.

Zach’s better judgment warned him that climbing that staircase could be a very bad idea indeed. Yet his feet overruled his reason, and he mounted the steps and joined her on the platform at the top. He raised his eyebrow as he cast a disapproving gaze over her clothes. That morning at her house, she’d worn shapeless pajamas that concealed every part of her but her abundant personality. Now he saw on full display what his mind had before only imagined.

She wore red, of course. Scarlet red and not much of it. The dress stopped at the top of her thighs and started at the edge of her breasts. She had miraculous curves that the dramatic floor-length red jacket she wore over her dress did nothing to hide. Even worse, she wore black leather boots that laced all the way above her knees. Pirate boots and a roguish grin on a beautiful black-haired woman…for the first time in a long time Zach felt something other than numb.

“How do you know I want to be saved from this party, Miss Sutherlin?” Zach leaned back against the railing and crossed his arms.

“I’ve been watching you from my little crow’s nest here since the second you walked in. You’ve said maybe five words to four people, you’ve checked your watch three times in as many minutes, and you whispered something to J.P., which, guessing from the look on his face, was a death threat. You’re here against your will. I can get you out.”

Zach cocked a self-deprecating smile at her.

“Unfortunately, you’re right. I am here against my will. I have to wonder, however, why you’re here at all. Didn’t I give you homework?” he asked, remembering his rash decision this morning to give her one chance to impress him.

“You did. And I was a good girl and finished it. See?”

He tried and failed to look away as she reached into the bodice of her dress and pulled out a folded piece of paper and handed it to him. The paper was still warm from her skin.

“This is it?” he asked, seeing only three paragraphs on the page.

“Don’t judge a book by its mother. Just read.”

Zach glanced at her once more and wished he hadn’t. Every time he looked at her, he found something else to attract him. Her jacket had slipped down her arm and her pale sculpted shoulder peeked out. Sculpted? His petite little writer had some muscle to go along with her impressive curves. Tougher than she looked.

Remembering himself, Zach turned from her, tilted the page into a patch of light and read.

First she noticed his hips. The eyes might be the windows to the soul, but a man’s hips were his seat of power. She doubted he’d chosen those perfectly fitted jeans and that black T-shirt that belied the tautness of his stomach for the purpose of flattering his lower body, but he had and now she lost herself in the thought of caressing with her lips that exquisite hollow that lay between smooth skin and elegantly jutting hip bone.

She had to meet his eyes eventually. With reluctance she dragged her gaze to his face, as dignified and angular as the rest of him. Pale skin and dark Brutus-cut hair contrasted with eyes the color of ice. Glacial, she decided his eyes were—they spoke of hidden depths. A stark beauty, he was a man made to be admired by intelligent women.

Lean and tall but with the substantial mass of an athlete, he was utterly masculine. The world had fallen away in his presence and now that he was gone, she was left in the equally potent presence of his absence.

Zach read the words one more time trying all the while to ignore the annoyingly pleasant image of Nora Sutherlin caressing his naked hips with her mouth.

“I’ve noticed you usually shy away from long descriptive passages in your book,” he said.

“I know people think erotica is just a romance novel with rougher sex. It’s not. If it’s a subgenre of anything, it’s horror.”

“Horror? Really?”

“Romance is sex plus love. Erotica is sex plus fear. You’re terrified of me, aren’t you?”

“Slightly,” he admitted, rubbing the back of his neck.

“A smart horror writer will never put too much detail in about the monster. The readers’ imaginations can conjure their own demons. In erotica you never want your main characters to be too physically specific. That way your readers can insert their own fantasies, their own fears. Erotica is a joint effort between writer and reader.”

“How so?” Zach asked, intrigued that Nora Sutherlin would have her own literary theories.

“Writing erotica is like fucking someone for the first time. You aren’t sure exactly what he wants yet so you try to give him everything he could possibly want. Everything and anything…” She enunciated the words like a cat stretching in sunlight. “You hit every nerve and eventually you’ll hit the nerve. Have I hit any nerves yet?”

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