Amy Bird - Three Steps Behind You

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Dan and Adam have always been close. In fact, they’ve been closer than Adam could ever guess. And if Dan’s going to get that close again, it will take time. It will take research. It may even take practice. Fortunately, Dan is a very patient person – and Adam trusts him. With his house key. With his secrets. With his wife…But as Dan gets closer, someone is watching. Someone who will stop at nothing to uncover the truth… and seek revenge.It’s only a matter of time before danger steps out of the shadows. Dan has his sight fixed on the future; perhaps he should have kept one eye on what lay behind?This chilling psychological thriller from the author of Yours is Mine explores love, obsession, and betrayal, and asks: can we ever really know another person?Praise for Amy Bird'The novel contains many shocks and turns, it's filled with emotion and makes for an addicting and fast read. It's a book that I would loved to have curled up on a beach with and I recommend it to anyone.' - Uncorked Thoughts on Yours is Mine'As a psychological thriller this works extremely well …it is perfectly paced with some real heartstopping moments and a terrific exciting finale. I enjoyed it very much, it appealed to my darker nature and I will definitely be looking out for more from this author.' - Liz Loves Books

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I look away.

‘It was an accident,’ I say, taking Adam’s line, in his absence.

I see the first signs of the Heath out of the window. Red leaves on the trees, some fallen, covering up the grass. But we want the unnatural part, the funfair, the thrills laid on for families. I suppose Nicole and I are family, really. Me, her and Adam – all one loving unit. Adam knows it, because he’s read book two. He doesn’t know how much of a unit we were – particularly when Helen was alive – because he hasn’t read book three. But he knows it, really, how close we are. And he’ll have explained it to Nicole, now. Nicole, and her quest to find Helen’s killer. Nicole, who will be the star of her own show, for when I write the world according to Luke.

I don’t know if she’ll like the show, if she’ll really feel comfortable with it. I mean, she never really did any acting, after RADA, so I hear. Not much good at it, perhaps. Then Adam coming along meant she didn’t need to work. But I need to get her on stage.

Chapter 9

‘Were you like this with Helen?’ Nicole asks me as I lean across her, staying close, to strap us into the dodgem. Most couples are with children, enjoying their half-term break. But then, we are an unusual couple.

‘Like what?’ I ask. The warning clang for the start of the next session sounds, and the dodgem gets power.

‘Odd,’ she says.

‘I’m not odd,’ I say, as I charge with the dodgem round the corner of the rink, ramming into the rubber sides. Nicole grips onto the edges of our black metallic ride for safety.

‘Your fingers will be crushed by another car if you do that,’ I say. ‘Keep them inside the vehicle.’ I turn us to loop round to the other side of the rink, leaning into Nicole as we take the corner. I feel her breasts press against my arm. They are less oppressive than Helen’s, but still in the way.

‘You call walking into the shower on someone not odd?’ she asks.

‘Are we still on that?’ I retort. ‘It was a misunderstanding. Besides, Adam seemed to like it.’

I look at her. Her face blushes red, but she smiles.

‘Well, don’t do it again,’ she says.

‘I won’t.’ I pat her hand for reassurance. ‘Unless you invite me.’ She draws her hand away.

‘Anyway, Helen was different,’ I say. ‘Adam’s first love. Less baggage.’

‘Thanks,’ Nicole says drily. ‘You must know all about Adam’s baggage, right? From years back.’

I swing the dodgem round and narrowly avoid smashing into a kid in a green car.

‘Phew!’ I say.

‘You’re meant to crash into each other. That’s the point.’

‘Oh.’

‘You must know what he’s thinking, second guess what he does, way more than I can?’ Nicole says.

‘I suppose,’ I say. Obviously, the genuine answer would be ‘yes’, but boasting on this point won’t endear me to Nicole.

I drive round a bit more, crashing into other cars. They all have children in. The attendant puts two fingers to us, then to his eyes, then to us again, in an ‘I’m watching you’ gesture.

‘Any particularly juicy secrets you know about?’ she asks.

I drive the car slowly round the edge of the rink, while the attendant fulfils his promise of watching us. I see Nicole’s dress has ridden up, hoisted round her upper thighs.

‘May I?’ I ask.

Before she can reply, I pull her dress back down over her legs, being sure to graze her inner thigh as I do so. She tries to cross her legs away from me but there isn’t space.

‘No particularly juicy secrets,’ I lie. Why should I tell her what I know?

The siren sounds for the end of the ride.

‘Again?’ I ask.

‘Sure,’ she says. ‘But I’ll have my own car this time.’

She escapes from the car, pulling her skirt down over her bottom as climbs out. Her new car is silver. Or is it grey?

The clang sounds for the start of the ride. I will not let her out of my sight. This is about the chase, the thrill of pursuit. Nicole takes the car up to the other end of the rink. I follow. Round the corner she goes. I am there. You’re meant to crash into each other , she said, so I do. She jolts forward in the car, casts a look behind her then sets off again. I am with her, there, behind her, then parallel. I bump her again, she jolts again. She looks back, then quickly steers away from me, up to the other side of the rink. I speed after her, and catching up with her, ram her into a corner.

‘Hey!’ she says.

I retreat, then ram the car again.

‘Stop it!’ she shouts. The attendant starts to come out of his little hut. I back off, and let her move away from the edge of the rink. I zoom down the opposite end of the rink, then do a U-turn. She is coming down the rink in the opposite direction. I carry on, full speed. She is closer, closer, tries move away but I am too quick. I ram into her full speed, a head-on collision, and she jerks forward in the dodgem, hair flying over her face.

When she looks up at me again, I see the edge of her lip is bleeding. Her skin is white and her eyes are wide. She looks like she is seeing me, all of me, for the first time. And doesn’t like what she sees.

Chapter 10

Nicole is edgy, nervous, when we come off the ride. She won’t look me square in the face. Her eyes dart about. I can understand why, what she might be thinking, what suspicions me crashing the car into her might have triggered, but she will not be the one to mention it; she might just be being stupid, I imagine her thinking. Instead, she flits from conversation to conversation. I hear from her about the weather, the clothes people are wearing, what she plans to order from Ocado this week. In short, everything but nothing. I wish she’d shut up. I bet Adam must do too, sometimes.

I try to block out Nicole’s jabbering, working on book four in my head.

Luke takes the black scarf, similar to the one that binds his lover’s hands, and ties it round her mouth. It acts as a gag, and her cries are silenced .

Would a scarf act as a gag, though? Or would she still be able to cry out? Hands are best to drown out cries, but then you don’t have them to manoeuvre your lover. And they can bite, quite hard. So I’ve heard. Those ball things you get on gimp masks, that’s what they’re for, I guess. ‘A ball in the mouth keeps a lady silent.’ I could do advertising, if they sack me over the punching incident. I zone back in to Nicole’s conversation when she starts asking me questions.

‘Maybe you should learn to drive before you next go on the dodgems, hey?’ she asks, laughing. But the laugh doesn’t work. It is too forced and does not change that expression in her eyes, half fear, half excitement.

‘You don’t drive, either, do you?’ I ask, knowing the answer. But that is what small talk is – asking questions you don’t care about, to get information you already know, while a subtext bubbles underneath.

‘No,’ she says. ‘I didn’t before, and I certainly wouldn’t now.’

Now means, of course, post-Helen. The roads being too full of dangerously innocent cyclists.

‘In that case, we’re fully dependent on others, you and I,’ I say. ‘Let’s catch the bus back, see how Adam’s getting on.’

She pauses, then starts jabbering again.

‘Actually, do you know what? I think I’ll grab a cab. Save you the bother. There’s one!’

She raises her arm to flag down a passing taxi, desperate to get away. Her watch flashes in the light, a silvery-grey streak. I wonder what it would be like if that streak were red, how much blood there would be. The taxi stops and its lobster-orange light is darkened. Nicole disappears into it and slams the door, leaving me alone on the curb. Not, perhaps, a triumph for Luke, but it’s not over yet, his relationship with her.

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