Taylor Smith - The Night Café

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Between jobs and feeling financially strapped, gun-for-hire Hannah Nicks takes on an assignment that promises easy money and an all-expenses-paid vacation on the Mexican Riviera. Hired by her sister's friend, a gallery owner, Hannah sets out to transport a minor artist's painting to its buyer in Puerto Vallarta. But when Hannah arrives at the delivery point, she finds the tail end of a massacre and is nearly killed herself. She hides the painting, fearing it is not a meal ticket but a death warrant, and flees back to the States. But it only gets worse for her in L.A.The gallery owner has been killed, and Hannah is named as the murder suspect. In order to prove her innocence, she must hunt down the person who framed her…and uncover the secret of a deadly work of art.

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Moises Gladding. Girl, you need your head examined.

When Rebecca had mentioned last night that she was picking up the painting today, Hannah had insisted on going along. For a job involving a character like Gladding, she intended to be involved in every step of the operation, starting with taking possession of the consignment. Not only would she examine the piece closely, she’d also handle the packing. She was damned if she was going to get on a plane carrying anything she hadn’t perused from stem to stern. Listening to her gut was the only thing that had kept her alive this far and she had no intention of abandoning the policy now. Her gut was adamant that having anything to do with the arms dealer could be a can of worms. Travis Spielman’s reaction only served to underscore her own uncertainty.

Before going to bed last night, Hannah had done an Internet search on both Gladding and August Koon to see what she could learn about them. Both the arms dealer and the artist had mixed press. One investigative piece on Moises Gladding mentioned off-the-record reports that the man sometimes served as go-between when Washington wanted contact with certain people it couldn’t speak to officially—forces opposing the shaky Saudi royals, say, or a Colombian drug lord with useful information about a troublesome trade partner’s bad habits. But if he served as a sometime cutout for the spooks, Gladding was nobody’s creature but his own, capable of ruthless pragmatism when it came to supplying arms to global hot spots regardless of official Washington’s position on a dispute.

In the art world, meantime, August Koon also had his supporters and detractors. After studying some of his paintings online, Hannah decided she was in the naysayers’ camp. Like the man said, she might not know much about art but she knew what she liked. Koon’s work looked like nothing so much as the time Gabe had accidentally kicked over a tray of finger paints. According to the articles she’d read, some of his larger pieces commanded high six figure prices. Go figure.

She would have been just as happy to give both characters wide berth, but there was no need to cut off her cash-strapped nose to spite her cautious face. It wasn’t like she’d never crossed paths with a shady character before. Private security work rarely placed her in the company of saints. For ten grand plus expenses, she could stifle her aesthetics and drop off the painting. It wasn’t like she was running guns for Gladding.

Approaching the end of the Santa Monica Freeway, the vista suddenly changed, the aqua-blue sky downshifting to gray. This early in the season, the ocean was still cold, so no matter how hot the Southern California land mass, when warm air met cool, it turned to dense fog. In the space of less than a mile, the temperature dropped about ten degrees. Hannah shivered in the sudden damp, rolling the car windows back up. By the time she turned onto Pacific Coast Highway, the air was so heavy that she could scarcely make out the crashing surf.

Rush hour always meant stop-and-start progress on the two-lane highway, which traced the line of Southern California’s beach communities. Lighter northbound traffic allowed her to move a hair faster than the poor saps heading south into the heart of the city, but like most road trips in L.A., this one wouldn’t set any land speed records. She’d been in traffic so long by now that the NPR morning broadcast was repeating stories she’d already heard. When her cell phone bleeped, she snapped off the radio, happy for the distraction, grabbed the phone from the center console and glanced at the caller ID on the screen.

“Hey, big sister! What’s up? Gabe leave something at your house last night?”

“No, not that I noticed,” Nora said. “I’m just on my way from the Amtrak station. I put Nolan on the train back to school and now I’m in standstill traffic heading home.”

“Yeah, me too.”

“Maybe I shouldn’t have called.”

“Oh, believe me,” Hannah said, “if a monkey took the wheel, it couldn’t possibly get into an accident going this slowly.”

“It’s not the driving. It’s just that I don’t want to interfere.”

“Interfere?”

Nora hesitated. “Are you still going with Rebecca to pick up that painting this morning?”

“I’m en route to Malibu as we speak. Why?”

“It’s just that…I don’t know. I should probably mind my own business…”

If it were anyone else, Hannah would heartily agree that yes, she should, but saying so would only upset Nora, who was a sensitive soul and a worrier to boot. Maybe it was a sign of long-delayed maturity that Hannah was finally—mostly—learning to keep her smart-aleck mouth shut instead of bristling every time her big sister slipped into mama bear mode. “Spit it out, kid.”

“Well…I don’t mean to tell you what to do, Hannah, but I’m really hoping you’ll do this favor for her. You will, won’t you?”

Hannah said nothing.

“Oh, I knew it. I’ve made you mad.”

Hannah sighed. “I’m not mad, but I’m feeling a little pressured here, to tell you the truth. I just can’t commit to doing something because it’s your old roommate and you say I should.”

“You shouldn’t not do it for those reasons either,” Nora snapped. Then, she relented. “I know you always think I’m trying to tell you how to live your life—”

“It’s not that.” Although it was, a little. Would there ever come a day, Hannah wondered, when she’d stop feeling like the loser kid sister? “It’s that this is my business—my profession, I mean—and I know what I’m doing. I need to assess the whole picture before I agree to take on a job. It’s what I always do—although in this case, I’m even more inclined to tread carefully. You may not be aware of it, but this client of Rebecca’s is a real piece of work. Aren’t you the one who’s always nagging me to be a little more careful about what I jump into?”

It was Nora’s turn to fall silent. Hannah wondered whether it was the “nagging” line that did it. Old family fault lines always ran deep and Nora knew she had a rep for being cautious to a fault.

“You’re right. But my God, Hannah, did you see her yesterday? She looks like she’s lost about twenty pounds since I last saw her. She stayed on to talk for quite a while after you left last night. You wouldn’t believe what that bastard ex-husband of hers is putting her through. She’ll be lucky to get out of this without a bankruptcy. You know why she’s not getting the house like he promised?”

“Why?”

“Because in addition to maxing out every credit card they had—and some she didn’t know they had—he took out second and third mortgages on the house. With the drop in the real estate market, they went into negative equity, totally unbeknownst to her. Of course, California’s a community property state, so she’s on the hook for half the debt. Even after the house is sold—if it sells—she’ll still be in it up to her eyeballs. And the gallery isn’t exactly a moneymaker. They rarely are, Becs says. Having her own gallery was always her dream, but after what Bill’s done, she may have to pack it in and get a regular job just to pay her bills. And don’t even get me started on what happens if she gets sick, as she’s bound to at this rate, because of course she doesn’t have health insurance.”

“Oh, man, and I thought Cal was a schmuck.”

“At least he gave you the house.”

“Yeah, for all the good it did me. Anyway, you’re right, it sucks, big-time.”

“When you see Becs, don’t let on I told you about all this, okay? She’s mortified by what’s happened.”

“Not a word, I promise.”

“And Hannah? I’m sorry. As far as taking on this job for her, you do what you think is best. I know you know what you’re doing.”

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